The crew of Apollo 11 (from left to right): Neil Armstrong, Michael Collins, and Edwin (“Buzz”) Aldrin. NASA Photo.
Fifty years ago on July 16th, the mighty Saturn V rocket carrying Apollo 11 lifted off from Cape Kennedy. Astronauts Neil Armstrong, Michael Collins and Edwin Aldrin flew with the first Lunar Module capable of actually landing. Though the astronauts had practiced this over and over in simulators, there was no way of knowing what their chances would be of actually landing. Armstrong even admits that he considered this to be merely the first attempt.
Apollo 11 liftoff. NASA Photo.
Armstrong and Aldrin would proceed to fly the Lunar Module toward the lunar surface. Their descent would not be an easy one. Their computer overloaded, almost prompting an abort. Then the computer guided them to a landing area strewn with boulders. Armstrong took manual control of the spacecraft and skimmed along until he saw a better landing sight. Running critically low on descent stage fuel, Armstrong pushed on and brought the Eagle down. With five percent fuel remaining he gently eased the lander down onto the moon. “The Eagle has Landed!”
The Lunar Lander, Eagle. NASA Photo.
John F. Kennedy
Address at Rice University on the Space Effort
September 12, 1962
Speech Transcript
President Pitzer, Mr. Vice President, Governor, Congressman Thomas, Senator Wiley, and Congressman Miller, Mr. Webb. Mr. Bell, scientists, distinguished guests, and ladies and gentlemen:
I appreciate your president having made me an honorary visiting professor, and I will assure you that my first lecture will be very brief. I am delighted to be here and I'm particularly delighted to be here on this occasion.
We meet at a college noted for knowledge, in a city noted for progress, in a State noted for strength, and we stand in need of all three, for we meet in an hour of change and challenge, in a decade of hope and fear, in an age of both knowledge and ignorance. The greater our knowledge increases, the greater our ignorance unfolds.
Despite the striking fact that most of the scientists that the world has ever known are alive and working today, despite the fact that this Nation's own scientific manpower is doubling every 12 years in a rate of growth more than three times that of our population as a whole, despite that, the vast stretches of the unknown and the unanswered and the unfinished still far out-strip our collective comprehension.
No man can fully grasp how far and how fast we have come, but condense, if you will, the 50,000 years of man's recorded history in a time span of but a half century. Stated in these terms, we know very little about the first 40 years, except at the end of them advanced man had learned to use the skins of animals to cover them. Then about 10 years ago, under this standard, man emerged from his caves to construct other kinds of shelter.
Only 5 years ago man learned to write and use a cart with wheels. Christianity began less than 2 years ago. The printing press came this year, and then less than 2 months ago, during this whole 50-year span of human history, the steam engine provided a new source of power.
Newton explored the meaning of gravity. Last month electric lights and telephones and automobiles and airplanes became available. Only last week did we develop penicillin and television and nuclear power, and now if America's new spacecraft succeeds in reaching Venus, we will have literally reached the stars before midnight tonight.
This is a breathtaking pace, and such a pace cannot help but create new ills as it dispels old, new ignorance, new problems, new dangers. Surely the opening vistas of space promise high costs and hardships, as well as high reward.
So it is not surprising that some would have us stay where we are a little longer to rest, to wait. But this city of Houston, this State of Texas, this country of the United States was not built by those who waited and rested and wished to look behind them. This country was conquered by those who moved forward-and so will space.
William Bradford, speaking in 1630 of the founding of the Plymouth Bay Colony, said that all great and honorable actions are accompanied with great difficulties, and both must be enterprised and overcome with answerable courage.
If this capsule history of our progress teaches us anything, it is that man, in his quest for knowledge and progress, is determined and cannot be deterred. The exploration of space will go ahead, whether we join in it or not, and it is one of the great adventures of all time, and no nation which expects to be the leader of other nations can expect to stay behind in this race for space.
Those who came before us made certain that this country rode the first waves of the industrial revolutions, the first waves of modern invention, and the first wave of nuclear power, and this generation does not intend to founder in the backwash of the coming age of space. We mean to be a part of it - we mean to lead it. For the eyes of the world now look into space, to the moon and to the planets beyond, and we have vowed that we shall not see it governed by a hostile flag of conquest, but by a banner of freedom and peace. We have vowed that we shall not see space filled with weapons of mass destruction, but with instruments of knowledge and understanding.
Yet the vows of this Nation can only be fulfilled if we in this Nation are first, and, therefore, we intend to be first. In short, our leadership in science and in industry, our hopes for peace and security, our obligations to ourselves as well as others, all require us to make this effort, to solve these mysteries, to solve them for the good of all men, and to become the world's leading space-faring nation.
We set sail on this new sea because there is new knowledge to be gained, and new rights to be won, and they must be won and used for the progress of all people. For space science, like nuclear science and all technology, has no conscience of its own. Whether it will become a force for good or ill depends on man, and only if the United States occupies a position of pre-eminence can we help decide whether this new ocean will be a sea of peace or a new terrifying theater of war. I do not say that we should or will go unprotected against the hostile misuse of space any more than we go unprotected against the hostile use of land or sea, but I do say that space can be explored and mastered without feeding the fires of war, without repeating the mistakes that man has made in extending his writ around this globe of ours.
There is no strife, no prejudice, no national conflict in outer space as yet. Its hazards are hostile to us all. Its conquest deserves the best of all mankind, and its opportunity for peaceful cooperation may never come again. But why, some say, the moon? Why choose this as our goal? And they may well ask why climb the highest mountain. Why, 35 years ago, fly the Atlantic? Why does Rice play Texas?
We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too.
It is for these reasons that I regard the decision last year to shift our efforts in space from low to high gear as among the most important decisions that will be made during my incumbency in the Office of the Presidency.
In the last 24 hours we have seen facilities now being created for the greatest and most complex exploration in man's history. We have felt the ground shake and the air shattered by the testing of a Saturn C-1 booster rocket, many times as powerful as the Atlas which launched John Glenn, generating power equivalent to 10,000 automobiles with their accelerators on the floor. We have seen the site where five F-1 rocket engines, each one as powerful as all eight engines of the Saturn combined, will be clustered together to make the advanced Saturn missile, assembled in a new building to be built at Cape Canaveral as tall as a 48-story structure, as wide as a city block, and as long as two lengths of this field.
Within these last 19 months at least 45 satellites have circled the earth. Some 40 of them were "made in the United States of America" and they were far more sophisticated and supplied far more knowledge to the people of the world than those of the Soviet Union.
The Mariner spacecraft now on its way to Venus is the most intricate instrument in the history of space science. The accuracy of that shot is comparable to firing a missile from Cape Canaveral and dropping it in this stadium between the 40-yard lines.
Transit satellites are helping our ships at sea to steer a safer course. Tiros satellites have given us unprecedented warnings of hurricanes and storms, and will do the same for forest fires and icebergs.
We have had our failures, but so have others, even if they do not admit them. And they may be less public.
To be sure, we are behind, and will be behind for some time in manned flight. But we do not intend to stay behind, and in this decade we shall make up and move ahead.
The growth of our science and education will be enriched by new knowledge of our universe and environment, by new techniques of learning and mapping and observation, by new tools and computers for industry, medicine, the home as well as the school. Technical institutions, such as Rice, will reap the harvest of these gains.
And finally, the space effort itself, while still in its infancy, has already created a great number of new companies, and tens of thousands of new jobs. Space and related industries are generating new demands in investment and skilled personnel, and this city and this State, and this region, will share greatly in this growth. What was once the furthest outpost on the old frontier of the West will be the furthest outpost on the new frontier of science and space. Houston, your City of Houston, with its Manned Spacecraft Center, will become the heart of a large scientific and engineering community.
During the next 5 years the National Aeronautics and Space Administration expects to double the number of scientists and engineers in this area, to increase its outlays for salaries and expenses to $60 million a year; to invest some $200 million in plant and laboratory facilities; and to direct or contract for new space efforts over $1 billion from this Center in this City.
To be sure, all this costs us all a good deal of money. This year's space budget is three times what it was in January 1961, and it is greater than the space budget of the previous 8 years combined. That budget now stands at $5,400 million a year-a staggering sum, though somewhat less than we pay for cigarettes and cigars every year. Space expenditures will soon rise some more from 40 cents per person per week to more than 50 cents a week for every man, woman, and child in the United States, for we have given this program a high national priority even though I realize that this is in some measure an act of faith and vision, for we do not now know what benefits await us. But if I were to say, my fellow citizens, that we shall send to the moon, 240,000 miles away from the control station in Houston, a giant rocket more than 300 feet tall, the length of this football field, made of new metal alloys, some of which have not yet been invented, capable of standing heat and stresses several times more than have ever been experienced, fitted together with a precision better than the finest watch, carrying all the equipment needed for propulsion, guidance, control, communications, food and survival, on an untried mission, to an unknown celestial body, and then return it safely to earth, reentering the atmosphere at speeds of over 25,000 miles per hour, causing heat about half that of the temperature of the sun - almost as hot as it is here today - and do all this, and do it right, and do it first before this decade is out, then we must be bold.
I'm the one who is doing all the work, so we just want you to stay cool for a minute.
[Laughter]
However, I think we're going to do it, and I think that we must pay what needs to be paid. I don't think we ought to waste any money, but I think we ought to do the job. And this will be done in the decade of the sixties. It may be done while some of you are still here at school at this college and university. It will be done during the terms of office of some of the people who sit here on this platform. But it will be done. And it will be done before the end of this decade.
I am delighted that this university is playing a part in putting a man on the moon as part of a great national effort of the United States of America.
Many years ago the great British explorer George Mallory, who was to die on Mount Everest, was asked why did he want to climb it. He said, "Because it is there."
Well, space is there, and we're going to climb it, and the moon and the planets are there, and new hopes for knowledge and peace are there. And, therefore, as we set sail we ask God's blessing on the most hazardous and dangerous and greatest adventure on which man has ever embarked.
Thank you.
NOTE: The President spoke in the Rice University Stadium at 10 a.m.
In his opening words he referred to Dr. K. S. Pitzer, President of the University, Vice President Lyndon B. Johnson, Governor Price Daniel of Texas, Representative Albert Thomas of Texas, Senator Alexander Wiley of Wisconsin, Representative George P. Miller of California, James E. Webb, Administrator, National Aeronautics and Space Administration., David E. Bell, Director of the Bureau of the Budget.
Source: Public Papers of the Presidents of the United States, v. 1, 1962, pp. 669-670.
On Board Apollo Moonships contains 100 pages and more than 200 3D-illustrations and images that show in detail the spacecrafts that allowed to travel to the Moon and explore it in the late 1960s and early 70s: from the mighty Saturn V rocket and the Apollo mothership up to the the Lunar Module and the revolutionary Moon Rover. (read more)
From the Earth to the Moon. Illustration by Carlos Clarivan.
Interview with Neil Armstrong!
The first man to set foot on the moon!
In this rare series of interviews, Neil Armstrong, the first man to set foot on the moon, tells the story of the historic mission from his own perspective. [1.]Alex Malley of Australia's EvoTV's The Bottom Line looks at the life and leadership of the lunar mission's commander. Fascinated by aircraft, even at a very early age, Armstrong obtained his pilot's license at the age of fifteen!
He went on to fly combat missions during the Korean War and later became a test pilot. He then became an astronaut as NASA geared up to meet President John F. Kennedy's challenge to put a man on the moon in the decade and return him safely to earth.
The Russians had already orbited the first satellite, Sputnik, on October 4, 1957 and subsequently orbited cosmonaut Yuri Gagarin as the Americans struggled to develop a dependable booster. After Alan Shepard's short suborbital flight in 1961, President Kennedy challenged the fledgeling space agency to go to the moon.
Armstrong is refreshingly honest in his discussion with Malley. The interview is presented in four parts and is worth watching to the very end. Neil Armstrong expresses very real concern that the space agency lacks the vision and sense of purpose it had in those early years. He ends with a challenge that we as a people would do well to heed and pursue in our own time!
The Full Interview may be found Here [click to listen].
Forty-seven years ago two human beings changed history by walking on the surface of the moon. But what happened before Buzz Aldrin and Neil Armstrong exited the Lunar Module is perhaps even more amazing, if only because so few people know about it.
The First Humans on the Moon
Neil Armstrong Reflected in Buzz Aldrin's Visor
NASA Photos
Neil Armstrong and Buzz Aldrin
The First Humans on the Moon
Neil Armstrongis reflected in the visor ofBuzz Aldrin, the first two humans to walk on the moon. Scratchboard, 12" x 12" by Bob Kirchman.
To celebrate NASA’s 60th anniversary this year, the agency partnered with the National Symphony Orchestra to present a concert in Washington entitled “NSO Pops: Space, the Next Frontier.” NASA mission images complemented performances of space-inspired music in the Kennedy Center’s concert hall, including Claude Debussy’s “Clair de Lune” (“Moonlight”), with a video of the Moon created by NASA science visualizer Ernie Wright.
At NASA’s Goddard Space Flight Center in Greenbelt, Maryland, Wright works in the Scientific Visualization Studio, using NASA data to create accurate visuals of celestial bodies. Wright made the lunar imagery accompanying “Clair de Lune” with data from the Lunar Reconnaissance Orbiter (LRO). (read more)
LRO Photo of Earthrise over the moon. NASA Photo.
The World of Tomorrow
Eighty Years Ago the World Came to the NY Fair
Model of the Trylon and Perisphere, symbols of the fair.
When Frank Baum wrote the Wizard of Oz he based the Emerald City on the 1893 Chicago Columbian Exposition – the Chicago World’s Fair. The fair’s colossal white classical buildings and those of many fairs to follow, would inspire the civic architecture of a young nation coming of age. Baum’s Emerald City was white – until you put on the green glasses! The 1939 World’s Fair, forged in the middle of the Great Depression, sought to bring a new vision for American life as well. It brought more central planning and a stark modernism in its architecture – adding a bit of Art Deco for good measure. The Emerald City of the movie version, made in 1939, looked to the New York fair for its inspiration. That fair was ‘a horse of a different color.’ The Trylon and Perisphere were white, but the buildings were many different colors as they were arranged around the central iconic building. The ‘World of Tomorrow’ is seen from the eyes of a ten year old boy who visited with his family in the Summer of 1939.
This week I will be working with students of Fundoodle Art Camp as they construct a miniature World’s Fair. Here is an introductory video I prepared for them.
The 1964 World's Fair
55 Years Ago, The World Came to New York Again!
Lift your vision high, we're in a way we've never been before. Lift your vision higher, and you will see the glory of the Lord.
For without a progressive vision we dwell carelessly. Without a progressive vision we dwell carelessly. So lift your vision higher and you will see the glory of the Lord.”
– Unknown
On Saturday, July 6, 2019 the moon was roughly the same waxing phase as it was on July 20, 1969. In honor of the 50th anniversary of Apollo 11, Michal Warzecha took 50 shots with his Canon T3i and 80mm Orion refractor and stacked the images with Autostakker. Photo by Michal Warzecha.
Abiyah Ben Gurion seemed most at home in the cockpit of an F17, at least that is how it seemed to Sarah Cohen as she first tried to understand the man who commanded her squadron. He said little. He gave few clues. Most of the men and women in his command knew that he had studied engineering at MIT, but returned home to Israel determined to make as much difference as he could to his tiny country. As a boy, he’d had a fascination with flying and had his pilot’s license as a teenager. He must have had some wild adventures, but he never spoke of any. Outside of command, he rarely spoke unless spoken to. If you met him on the street, his short stature made you miss the fact that he was lean and muscular. He avoided showing that off too. Though there were rumors that he could drink bigger men under the table, he was only actually known to enjoy a polite drink at beer-call with his colleagues and go home early. Serving under him, as a strong pilot in her own right, Cohen began to see inside the man.
Once they were on leave in Jerusalem and as they walked in the old city, a suicide bomber/active shooter situation developed around them. After the initial blast, a sniper was attempting to inflict more casualties on the first-responders. There was a little Arab boy standing dazed in the street and before Sarah could articulate it in a sentence, Ben-Gurion had pushed her into a doorway, rushed out to grab the kid and ducking erratically, managed to return with the frightened child to the safety of the doorway. One of Ben-Gurion’s fellow flyers saw where the shooter was and ended the terror with a well-placed shot from her sidearm. Abiyah was concentrating on comforting the boy and it seemed like he was oblivious to the greater events playing out around him… until he congratulated his colleague: “Nice shot, Rachel.” “He must have some incredible peripheral vision!” Cohen thought to herself. The fact is they both scored exceptionally in that area at about the same level.
His only recreations seemed to be reading and nature photography. That was something he and Sarah shared. Gradually the two pilots found themselves sharing their hobby. Abiyah loved to photograph flowers and often visited the commercial nurseries where thousands grew. His stunning macros actually became quite sought after as he marketed them under a pseudonym. He had just recently become more serious in reading and studying Torah, his mind opened to the possibility of worlds unseen. Sarah was the product of a good Liberal home and initially listened politely as Abiyah shared his personal journey. The fact is the two were drawn to each other and it would be only a matter of time before Sarah thought feelings might be expressed. Abiyah seemed to have one great dream… he wanted to see the desert “blossom like a rose.” Then there came an unprecedented rain and the opportunity for leave. “Sarah,” he said, “I have wanted to see this. I’ve secured a pass for both of us. Would you come with me to see the blooms in the desert?”
Yes, Abiyah!” Sarah spoke before thinking.
They drove to a little hotel by the Sea of Galilee and checked in. From there it was a short drive to the desert where the recent rain had unleashed a vibrant display of wildflowers.
If the truth be known, the two had become quite good friends. They were probably already considered a ‘couple’ by their colleagues but the taciturn Abiyah seemed to take their friendship for granted. “Did he have family?” Sarah wondered. Sarah had learned, however, that there was substance behind the silence. She trusted that as she gave herself to him in her mind.
The two set into photographing desert flowers but Abiyah seemed to have something on his mind. Pilots learn to read cues from one another and Sarah said “Penny for your thoughts?” absently.
Oh, Sarah, I was just thinking…” an exceptionally vivid desert rose seemed to distract him for a moment, “…about you… and, er… us!”
Abiyah Ben-Gurion obviously was pretty lame when it came to pick-up lines. “What about us?” Sarah returned.
Idon’t want to live without you.” Abiyah blurted out. “I was just wondering how you felt about me?”
Well, most of our colleagues think we’re already pretty intimate.”
Do they?” Ben-Gurion asked, not so incredulously. “Is it that obvious in my eyes?”
Sarah said nothing.
Even though I am an uncommunicative old goat, you can still see the love that I have for you Sarah?”
Ican.”
“…and what do you think of that, dear Sarah? I see your affection for me, but is it love of the same fervor as mine for you?”
Ilove you, I love you, I love you; Abiyah Ben Gurion.” She replied through tears. “There, does three times make it clear?”
Quite!” he said, as they lost themselves in embrace.
Iwant you in the worst way,” Ben-Gurion continued after they had walked blissfully through the desert wonderland for some time.
Iam yours.” the woman responded, kissing him passionately. “Have me!”
I mean..” the man stammered, “I want you before God! Under a chupah! …and I do want you! Body, Soul and Spirit!" Sarah blushed. In the complex and convoluted world of modern ‘romance,’ such directness caught her off her guard, but in truth, she desired the same and nodded her approval.
The Chupah, and a few friends hastily gathered by the Sea of Galilee witnessed the marriage of Sarah and Abiyah. “We’ll make it public when we can,” Ben Gurion said, “But today we’ve made it forever.”
Someday I want to live in a place that’s called ’Shalom’ and make mad love to you until we fill our house with children.” Abiyah said as they slipped off to consummate their marriage.
Aliyah Ben Gurion would only lay claim to one virtue, that being gratitude. In the time that followed their whirlwind marriage, Sarah would learn that her husband began life as an orphan in London. His early years were wretched ones. His kind adoptive parents gave him a name that would command respect by its mere mention in their home country… and a name that carried with it a great hope and a future!
They indulged his passion for aviation, taught him Hebrew and encouraged his nobler dreams. The boy was filled with wonder at the new world that opened up to him when his parents immigrated to Israel and sent him to university in America. While many young people take their good fortune for granted and often treat their parents and home country with distain, Ben Gurion never got over the wonder.
He was a wild, tough youth of course. But he ultimately channeled that wildness to give something back to everyone who had blessed him… and that is what led him to love Torah. He read the history of his new adopted country. “Was this the work simply of a great people,” he wondered, “or is my land’s miraculous history truly from the hand of the Divine?”
His gratitude found a new focus as he read the Holy Texts. Like most young people he suffered through a series of awkward attempts at romance. When young and beautiful Sarah became part of his life, his gentleness toward her sprang from the most fervent gratitude to the Lord almighty!
(to be continued)
Jules Verne and Walt Disney
Journeys into the Imagination
The news footage we watched as fifty years ago astronauts set out for the moon.
AstronautBuzz Aldrinat the State of the Union Address.
We're Going to Mars by 2024
Saint Catherine of Siena
Icon of St. Catherine of Siena.
Be who you were created to be, and you will set the world on fire.”
― St. Catherine of Siena
Volume XVI, Issue VIa
Phantasies ByGeorge MacDonald, Chapter 15
Alexander: "When will you finish Campaspe?" Apelles: "Never finish: for always in absolute beauty there is somewhat above art." ~ from John Lyly's play, "Campaspe".
And now, what song should I sing to unveil my Isis, if indeed she was present unseen? I hurried away to the white hall of Phantasy, heedless of the innumerable forms of beauty that crowded my way: these might cross my eyes, but the unseen filled my brain. I wandered long, up and down the silent space: no songs came. My soul was not still enough for songs. Only in the silence and darkness of the soul's night, do those stars of the inward firmament sink to its lower surface from the singing realms beyond, and shine upon the conscious spirit. Here all effort was unavailing. If they came not, they could not be found.
Next night, it was just the same. I walked through the red glimmer of the silent hall; but lonely as there I walked, as lonely trod my soul up and down the halls of the brain. At last I entered one of the statue-halls. The dance had just commenced, and I was delighted to find that I was free of their assembly. I walked on till I came to the sacred corner. There I found the pedestal just as I had left it, with the faint glimmer as of white feet still resting on the dead black. As soon as I saw it, I seemed to feel a presence which longed to become visible; and, as it were, called to me to gift it with self-manifestation, that it might shine on me. The power of song came to me. But the moment my voice, though I sang low and soft, stirred the air of the hall, the dancers started; the quick interweaving crowd shook, lost its form, divided; each figure sprang to its pedestal, and stood, a self-evolving life no more, but a rigid, life-like, marble shape, with the whole form composed into the expression of a single state or act. Silence rolled like a spiritual thunder through the grand space. My song had ceased, scared at its own influences. But I saw in the hand of one of the statues close by me, a harp whose chords yet quivered. I remembered that as she bounded past me, her harp had brushed against my arm; so the spell of the marble had not infolded it. I sprang to her, and with a gesture of entreaty, laid my hand on the harp. The marble hand, probably from its contact with the uncharmed harp, had strength enough to relax its hold, and yield the harp to me. No other motion indicated life. Instinctively I struck the chords and sang. And not to break upon the record of my song, I mention here, that as I sang the first four lines, the loveliest feet became clear upon the black pedestal; and ever as I sang, it was as if a veil were being lifted up from before the form, but an invisible veil, so that the statue appeared to grow before me, not so much by evolution, as by infinitesimal degrees of added height. And, while I sang, I did not feel that I stood by a statue, as indeed it appeared to be, but that a real woman-soul was revealing itself by successive stages of imbodiment, and consequent manifestation and expression.
Feet of beauty, firmly planting Arches white on rosy heel! Whence the life-spring, throbbing, panting, Pulses upward to reveal! Fairest things know least despising; Foot and earth meet tenderly: 'Tis the woman, resting, rising Upward to sublimity, Rise the limbs, sedately sloping, Strong and gentle, full and free; Soft and slow, like certain hoping, Drawing nigh the broad firm knee. Up to speech! As up to roses Pants the life from leaf to flower, So each blending change discloses, Nearer still, expression's power.
Lo! fair sweeps, white surges, twining Up and outward fearlessly! Temple columns, close combining, Lift a holy mystery. Heart of mine! what strange surprises Mount aloft on such a stair! Some great vision upward rises, Curving, bending, floating fair.
Bands and sweeps, and hill and hollow Lead my fascinated eye; Some apocalypse will follow, Some new world of deity. Zoned unseen, and outward swelling, With new thoughts and wonders rife, Queenly majesty foretelling, See the expanding house of life!
Sudden heaving, unforbidden Sighs eternal, still the same-- Mounts of snow have summits hidden In the mists of uttered flame. But the spirit, dawning nearly Finds no speech for earnest pain; Finds a soundless sighing merely-- Builds its stairs, and mounts again.
Heart, the queen, with secret hoping, Sendeth out her waiting pair; Hands, blind hands, half blindly groping, Half inclasping visions rare; And the great arms, heartways bending; Might of Beauty, drawing home There returning, and re-blending, Where from roots of love they roam.
Build thy slopes of radiance beamy Spirit, fair with womanhood! Tower thy precipice, white-gleamy, Climb unto the hour of good. Dumb space will be rent asunder, Now the shining column stands Ready to be crowned with wonder By the builder's joyous hands.
All the lines abroad are spreading, Like a fountain's falling race. Lo, the chin, first feature, treading, Airy foot to rest the face! Speech is nigh; oh, see the blushing, Sweet approach of lip and breath! Round the mouth dim silence, hushing, Waits to die ecstatic death.
Span across in treble curving, Bow of promise, upper lip! Set them free, with gracious swerving; Let the wing-words float and dip. Dumb art Thou? O Love immortal, More than words thy speech must be; Childless yet the tender portal Of the home of melody.
Now the nostrils open fearless, Proud in calm unconsciousness, Sure it must be something peerless That the great Pan would express! Deepens, crowds some meaning tender, In the pure, dear lady-face. Lo, a blinding burst of splendour!-- 'Tis the free soul's issuing grace.
Two calm lakes of molten glory Circling round unfathomed deeps! Lightning-flashes, transitory, Cross the gulfs where darkness sleeps. This the gate, at last, of gladness, To the outward striving me: In a rain of light and sadness, Out its loves and longings flee!
With a presence I am smitten Dumb, with a foreknown surprise; Presence greater yet than written Even in the glorious eyes. Through the gulfs, with inward gazes, I may look till I am lost; Wandering deep in spirit-mazes, In a sea without a coast.
Windows open to the glorious! Time and space, oh, far beyond! Woman, ah! thou art victorious, And I perish, overfond. Springs aloft the yet Unspoken In the forehead's endless grace, Full of silences unbroken; Infinite, unfeatured face.
Domes above, the mount of wonder; Height and hollow wrapt in night; Hiding in its caverns under Woman-nations in their might. Passing forms, the highest Human Faints away to the Divine Features none, of man or woman, Can unveil the holiest shine.
Sideways, grooved porches only Visible to passing eye, Stand the silent, doorless, lonely Entrance-gates of melody. But all sounds fly in as boldly, Groan and song, and kiss and cry At their galleries, lifted coldly, Darkly, 'twixt the earth and sky.
Beauty, thou art spent, thou knowest So, in faint, half-glad despair, From the summit thou o'erflowest In a fall of torrent hair; Hiding what thou hast created In a half-transparent shroud: Thus, with glory soft-abated, Shines the moon through vapoury cloud. (to be continued)
Today that aspect of eugenics is unthinkable to us, but consider for a moment the recent push in the state legislature to remove restrictions on late-term abortions. Kathy Tran introduced a bill clearly allowing for abortion right up to the point the mother was dilating. The frightening aspect of this bill was that it appeared to push the decision point over the line – allowing for the ‘abortion’ of an already born child. Appearing on WTOP’s Ask The Governor, Virginia Governor Ralph Northam, a former pediatric neurologist, was asked whether he supported a Virginia legislator’s statement that Virginia Democrats’ proposed legislation would permit abortion for a woman in labor.
He stated: “This is why decisions such as this should be made by providers, physicians, and the mothers and fathers that are involved. When we talk about third-trimester abortions, these are done with the consent of the mother, with the consent of physicians, more than one physician by the way, and it’s done in cases where there may be severe deformities, there may be a fetus which is non-viable. So in this particular example, if the mother is in labor, I can tell you exactly what would happen, the infant would be delivered, the infant would be kept comfortable, the infant would be resuscitated if this is what the mother and the family desired, and then a discussion would ensue between the physician and the mother.”
Beyond the obvious possibility being allowed for infanticide is the argument for eugenic murder (see his comments about deformities). Ben Shapiro says: “Northam is specifically talking about delivering an infant alive and then asking the mother whether the infant should live or not. This is not an argument about the morning-after pill. It’s not an argument over whether a fetus feels pain. This is a statement that a fully-formed infant, born alive, ought to be murdered if the mother says the infant ought to be murdered.” A call to Northam’s office had a staffer saying that “The Governor is clearly not for infanticide,” and that “he is very protective of children, being a pediatrician.” Still, the news conference remarks do not rule out the possibility of eugenic killing – and eugenics was brought to us by Doctor DeJarnett not so long ago.
I call heaven and earth to record this day against you, [that] I have
set before you life and death, blessing and cursing: therefore choose
life, that both thou and thy seed may live:”
– Deuteronomy 30:19
Sunset seen from the ferry from Bali to Lombok Island. Photo by S. Kirchman.
The True Champions of Women's Rights
ByM. K. Hand
Today’s women's rights champions are too self-centered and busy appropriating titles they don’t understand to even realize that the real Suffragettes in white were pro-life.
The public statements of many early champions of women’s rights in the U.S. make clear their opposition to abortion. Elizabeth Cady Stanton referred to abortion as “infanticide” and wrote that “when we consider that women are treated as property, it is degrading to women that we should treat our children as property to be disposed of as we see fit.”Victoria Woodhull, the first female candidate for president, wrote: “Every woman knows that if she were free, she would never bear an unwished-for child, nor think of murdering one before its birth.” And Elizabeth Blackwell, the first woman to receive a medical degree in the U.S., wrote: “The gross perversion and destruction of motherhood by the abortionist filled me with indignation, and awakened active antagonism.”
Susan B. Anthony(the same woman on the American silver dollar) along with Cady Stanton, founded The Revolution newspaper, which served as a mouthpiece for the American women’s suffrage movement. Anthony funded the paper herself, refusing the capital that would have resulted from allowing advertisements for “restellism,” as abortion was then called. The Revolution published a piece, attributable to Anthony, that said abortion was a choice that would burden both a woman’s “conscience in life and soul in death” and also was ultimately an exploitation of women.
The first memorial to Anthony was established by African Americans. A stained-glass window was installed at the African Methodist Episcopal Zion church in Rochester that featured her portrait and the words "Failure is Impossible" (her mantra) on it. It was installed through the efforts of Hester C. Jeffrey, the president of the Susan B. Anthony Club, an organization of African American women in Rochester. Speaking at the window's dedication, Jeffrey said, "Miss Anthony had stood by the Negroes when it meant almost death to be a friend of the colored people.”
Yes, these modern women in white are so out of touch with their own American heritage that it would be laughable if it were not so evil. Eugenics and infanticide are their wicked games, and they do not deserve to even hint that they are, or ever could be, a Suffragette. Sources: Time Magazine and Wikipedia
If my people, which are called by my name, shall humble themselves, and pray, and seek my face, and turn from their wicked ways; then will I hear from heaven, and will forgive their sin, and will heal their land.”
– 2 Chronicles 7:14
Fight on, my men, Sir Andrew sayes, A little Ime hurt, but yett not slaine; He but lye downe and bleede awhile, And then Ile rise and fight againe."
~ from the "Ballad of Sir Andrew Barton".
But I could not remain where I was any longer, though the daylight was hateful to me, and the thought of the great, innocent, bold sunrise unendurable. Here there was no well to cool my face, smarting with the bitterness of my own tears. Nor would I have washed in the well of that grotto, had it flowed clear as the rivers of Paradise. I rose, and feebly left the sepulchral cave. I took my way I knew not whither, but still towards the sunrise. The birds were singing; but not for me. All the creatures spoke a language of their own, with which I had nothing to do, and to which I cared not to find the key any more.
I walked listlessly along. What distressed me most--more even than my own folly--was the perplexing question, How can beauty and ugliness dwell so near? Even with her altered complexion and her face of dislike; disenchanted of the belief that clung around her; known for a living, walking sepulchre, faithless, deluding, traitorous; I felt notwithstanding all this, that she was beautiful. Upon this I pondered with undiminished perplexity, though not without some gain. Then I began to make surmises as to the mode of my deliverance; and concluded that some hero, wandering in search of adventure, had heard how the forest was infested; and, knowing it was useless to attack the evil thing in person, had assailed with his battle-axe the body in which he dwelt, and on which he was dependent for his power of mischief in the wood. "Very likely," I thought, "the repentant-knight, who warned me of the evil which has befallen me, was busy retrieving his lost honour, while I was sinking into the same sorrow with himself; and, hearing of the dangerous and mysterious being, arrived at his tree in time to save me from being dragged to its roots, and buried like carrion, to nourish him for yet deeper insatiableness." I found afterwards that my conjecture was correct. I wondered how he had fared when his blows recalled the Ash himself, and that too I learned afterwards.
I walked on the whole day, with intervals of rest, but without food; for I could not have eaten, had any been offered me; till, in the afternoon, I seemed to approach the outskirts of the forest, and at length arrived at a farm-house. An unspeakable joy arose in my heart at beholding an abode of human beings once more, and I hastened up to the door, and knocked. A kind-looking, matronly woman, still handsome, made her appearance; who, as soon as she saw me, said kindly, "Ah, my poor boy, you have come from the wood! Were you in it last night?"
I should have ill endured, the day before, to be called boy; but now the motherly kindness of the word went to my heart; and, like a boy indeed, I burst into tears. She soothed me right gently; and, leading me into a room, made me lie down on a settle, while she went to find me some refreshment. She soon returned with food, but I could not eat. She almost compelled me to swallow some wine, when I revived sufficiently to be able to answer some of her questions. I told her the whole story.
It is just as I feared," she said; "but you are now for the night beyond the reach of any of these dreadful creatures. It is no wonder they could delude a child like you. But I must beg you, when my husband comes in, not to say a word about these things; for he thinks me even half crazy for believing anything of the sort. But I must believe my senses, as he cannot believe beyond his, which give him no intimations of this kind. I think he could spend the whole of Midsummer-eve in the wood and come back with the report that he saw nothing worse than himself. Indeed, good man, he would hardly find anything better than himself, if he had seven more senses given him."
But tell me how it is that she could be so beautiful without any heart at all--without any place even for a heart to live in."
Icannot quite tell," she said; "but I am sure she would not look so beautiful if she did not take means to make herself look more beautiful than she is. And then, you know, you began by being in love with her before you saw her beauty, mistaking her for the lady of the marble--another kind altogether, I should think. But the chief thing that makes her beautiful is this: that, although she loves no man, she loves the love of any man; and when she finds one in her power, her desire to bewitch him and gain his love (not for the sake of his love either, but that she may be conscious anew of her own beauty, through the admiration he manifests), makes her very lovely--with a self- destructive beauty, though; for it is that which is constantly wearing her away within, till, at last, the decay will reach her face, and her whole front, when all the lovely mask of nothing will fall to pieces, and she be vanished for ever. So a wise man, whom she met in the wood some years ago, and who, I think, for all his wisdom, fared no better than you, told me, when, like you, he spent the next night here, and recounted to me his adventures."
I thanked her very warmly for her solution, though it was but partial; wondering much that in her, as in woman I met on my first entering the forest, there should be such superiority to her apparent condition. Here she left me to take some rest; though, indeed, I was too much agitated to rest in any other way than by simply ceasing to move.
In half an hour, I heard a heavy step approach and enter the house. A jolly voice, whose slight huskiness appeared to proceed from overmuch laughter, called out "Betsy, the pigs' trough is quite empty, and that is a pity. Let them swill, lass! They're of no use but to get fat. Ha! ha! ha! Gluttony is not forbidden in their commandments. Ha! ha! ha!" The very voice, kind and jovial, seemed to disrobe the room of the strange look which all new places wear--to disenchant it out of the realm of the ideal into that of the actual. It began to look as if I had known every corner of it for twenty years; and when, soon after, the dame came and fetched me to partake of their early supper, the grasp of his great hand, and the harvest-moon of his benevolent face, which was needed to light up the rotundity of the globe beneath it, produced such a reaction in me, that, for a moment, I could hardly believe that there was a Fairy Land; and that all I had passed through since I left home, had not been the wandering dream of a diseased imagination, operating on a too mobile frame, not merely causing me indeed to travel, but peopling for me with vague phantoms the regions through which my actual steps had led me. But the next moment my eye fell upon a little girl who was sitting in the chimney-corner, with a little book open on her knee, from which she had apparently just looked up to fix great inquiring eyes upon me. I believed in Fairy Land again. She went on with her reading, as soon as she saw that I observed her looking at me. I went near, and peeping over her shoulder, saw that she was reading The History of Graciosa and Percinet."
Very improving book, sir," remarked the old farmer, with a good- humoured laugh. "We are in the very hottest corner of Fairy Land here. Ha! ha! Stormy night, last night, sir."
Was it, indeed?" I rejoined. "It was not so with me. A lovelier night I never saw." "Indeed! Where were you last night?"
I spent it in the forest. I had lost my way."
Ah! then, perhaps, you will be able to convince my good woman, that there is nothing very remarkable about the forest; for, to tell the truth, it bears but a bad name in these parts. I dare say you saw nothing worse than yourself there?"
I hope I did," was my inward reply; but, for an audible one, I contented myself with saying, "Why, I certainly did see some appearances I could hardly account for; but that is nothing to be wondered at in an unknown wild forest, and with the uncertain light of the moon alone to go by."
Very true! you speak like a sensible man, sir. We have but few sensible folks round about us. Now, you would hardly credit it, but my wife believes every fairy-tale that ever was written. I cannot account for it. She is a most sensible woman in everything else."
But should not that make you treat her belief with something of respect, though you cannot share in it yourself?"
Yes, that is all very well in theory; but when you come to live every day in the midst of absurdity, it is far less easy to behave respectfully to it. Why, my wife actually believes the story of the 'White Cat.' You know it, I dare say."
Iread all these tales when a child, and know that one especially well."
But, father," interposed the little girl in the chimney-corner, "you know quite well that mother is descended from that very princess who was changed by the wicked fairy into a white cat. Mother has told me so a many times, and you ought to believe everything she says."
Ican easily believe that," rejoined the farmer, with another fit of laughter; "for, the other night, a mouse came gnawing and scratching beneath the floor, and would not let us go to sleep. Your mother sprang out of bed, and going as near it as she could, mewed so infernally like a great cat, that the noise ceased instantly. I believe the poor mouse died of the fright, for we have never heard it again. Ha! ha! ha!"
The son, an ill-looking youth, who had entered during the conversation, joined in his father's laugh; but his laugh was very different from the old man's: it was polluted with a sneer. I watched him, and saw that, as soon as it was over, he looked scared, as if he dreaded some evil consequences to follow his presumption. The woman stood near, waiting till we should seat ourselves at the table, and listening to it all with an amused air, which had something in it of the look with which one listens to the sententious remarks of a pompous child. We sat down to supper, and I ate heartily. My bygone distresses began already to look far off.
In what direction are you going?" asked the old man.
Eastward," I replied; nor could I have given a more definite answer. "Does the forest extend much further in that direction?"
"Oh! for miles and miles; I do not know how far. For although I have lived on the borders of it all my life, I have been too busy to make journeys of discovery into it. Nor do I see what I could discover. It is only trees and trees, till one is sick of them. By the way, if you follow the eastward track from here, you will pass close to what the children say is the very house of the ogre that Hop-o'-my-Thumb visited, and ate his little daughters with the crowns of gold."
"Oh, father! ate his little daughters! No; he only changed their gold crowns for nightcaps; and the great long-toothed ogre killed them in mistake; but I do not think even he ate them, for you know they were his own little ogresses."
"Well, well, child; you know all about it a great deal better than I do. However, the house has, of course, in such a foolish neighbourhood as this, a bad enough name; and I must confess there is a woman living in it, with teeth long enough, and white enough too, for the lineal descendant of the greatest ogre that ever was made. I think you had better not go near her."
In such talk as this the night wore on. When supper was finished, which lasted some time, my hostess conducted me to my chamber.
"If you had not had enough of it already," she said, "I would have put you in another room, which looks towards the forest; and where you would most likely have seen something more of its inhabitants. For they frequently pass the window, and even enter the room sometimes. Strange creatures spend whole nights in it, at certain seasons of the year. I am used to it, and do not mind it. No more does my little girl, who sleeps in it always. But this room looks southward towards the open country, and they never show themselves here; at least I never saw any."
I was somewhat sorry not to gather any experience that I might have, of the inhabitants of Fairy Land; but the effect of the farmer's company, and of my own later adventures, was such, that I chose rather an undisturbed night in my more human quarters; which, with their clean white curtains and white linen, were very inviting to my weariness.
In the morning I awoke refreshed, after a profound and dreamless sleep. The sun was high, when I looked out of the window, shining over a wide, undulating, cultivated country. Various garden-vegetables were growing beneath my window. Everything was radiant with clear sunlight. The dew-drops were sparkling their busiest; the cows in a near-by field were eating as if they had not been at it all day yesterday; the maids were singing at their work as they passed to and fro between the out-houses: I did not believe in Fairy Land. I went down, and found the family already at breakfast. But before I entered the room where they sat, the little girl came to me, and looked up in my face, as though she wanted to say something to me. I stooped towards her; she put her arms round my neck, and her mouth to my ear, and whispered--
Awhite lady has been flitting about the house all night."
No whispering behind doors!" cried the farmer; and we entered together. "Well, how have you slept? No bogies, eh?"
Not one, thank you; I slept uncommonly well."
Iam glad to hear it. Come and breakfast."
After breakfast, the farmer and his son went out; and I was left alone with the mother and daughter.
When I looked out of the window this morning," I said, "I felt almost certain that Fairy Land was all a delusion of my brain; but whenever I come near you or your little daughter, I feel differently. Yet I could persuade myself, after my last adventures, to go back, and have nothing more to do with such strange beings."
How will you go back?" said the woman.
Nay, that I do not know."
Because I have heard, that, for those who enter Fairy Land, there is no way of going back. They must go on, and go through it. How, I do not in the least know."
That is quite the impression on my own mind. Something compels me to go on, as if my only path was onward, but I feel less inclined this morning to continue my adventures."
Will you come and see my little child's room? She sleeps in the one I told you of, looking towards the forest."
Willingly," I said.
So we went together, the little girl running before to open the door for us. It was a large room, full of old-fashioned furniture, that seemed to have once belonged to some great house.
The window was built with a low arch, and filled with lozenge-shaped panes. The wall was very thick, and built of solid stone. I could see that part of the house had been erected against the remains of some old castle or abbey, or other great building; the fallen stones of which had probably served to complete it. But as soon as I looked out of the window, a gush of wonderment and longing flowed over my soul like the tide of a great sea. Fairy Land lay before me, and drew me towards it with an irresistible attraction. The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the decayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in motionless rivers of light. I turned hurriedly to bid my hostess farewell without further delay. She smiled at my haste, but with an anxious look.
You had better not go near the house of the ogre, I think. My son will show you into another path, which will join the first beyond it."
Not wishing to be headstrong or too confident any more, I agreed; and having taken leave of my kind entertainers, went into the wood, accompanied by the youth. He scarcely spoke as we went along; but he led me through the trees till we struck upon a path. He told me to follow it, and, with a muttered "good morning" left me. (to be continued in two weeks)
Photo by Bob Kirchman.
The First Man on the Moon
Actual Interviews with His Family and Friends
Karen’s Bracelet
In the movie First ManNeil Armstrong is shown walking over to the edge of Little West Crater and tossing a bracelet with his daughter’s name on it into the crater. Karen Armstrong died of a brain tumor at age two before Neil Armstrong became an astronaut in the Gemini Program. From all accounts he loved her deeply and after Karen’s death, Armstrong immersed himself in his work. Though the movie takes quite a bit of liberty in depicting the events of Armstrong’s life, the bracelet scene has its roots in some pretty sound speculation. Though the two hours and 31 minutes of EVA time on the lunar surface were packed with mission objectives, Armstrong did wander over to Little West Crater at one point and that was off script. Jim Hansen wrote the official biography of Armstrong and after extensive interviews with the family, he began to believe that Neil left something on the moon – something of Karen’s.
Other astronauts had left mementos as well. Gene Cernan had promised to bring his daughter back a moonbeam and he wrote her initials in the lunar dust. Charlie Duke left a picture of his family. Buzz Aldrin left personal effects of the Apollo One astronauts Grissom, White and Chaffee who had perished in the launch pad fire. Hansen put the question to June Hoffman, Neil’s sister, as to whether her brother had left something for Karen on the moon, She responded “Oh, I dearly hope so.”
Perhaps the answer to the mystery lies in the manifest for Neil Armstrong’s Personal Property Kit, which is sealed until 2020 in his archives at Perdue University. Buzz Aldrin’s manifest contains the communion set given to him by his pastor – which he used to Celebrate the Lord’s Supper as his first act on the moon. My own feeling is that it is highly likely. In the days when architectural rendering involved hours of drawing detail by hand, I often hid the names of my children in that detail. Celebrating our loved ones, particularly those who have passed, is a tradition that has lived for many generations.
Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says ‘Here I am. Enflesh me. Give birth to me.’ And the artist either says ‘My soul doth magnify the Lord’ and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary [the mother of Jesus].” -- Madeline L'Engle
Walking on Water is as old as I am, and I’m saddened to know that I could have read this book years ago, possibly even adding it to the currently empty list of Books I Have to Read Every Year. I may be reading the wrong books, but few have ever arrested me as quickly or as deeply as this work has. Maybe it’s more about fortuitous timing, where her words hesitantly written decades ago ring true to where I now find myself. Regardless, it’s a stunning work that I highly recommend for any Christian endeavoring to use their creative gifts for the greater good … and I’ve only read two chapters. (read more)
Mission Control
The Unsung Heroes of Apollo
2 Chronicles 7:14
If my people, which are called by my name, shall humble themselves, and pray, and seek my face, and turn from their wicked ways; then will I hear from heaven, and will forgive their sin, and will heal their land.” – 2 Chronicles 7:14
Once again we have lived through a contentious election. This is not the first, nor will it likely be the last. Still, it is a good time to remember that it is the Soul of a nation, not its laws and rulers, that make it what it is.
July 29 marks the birth of Alexis de Tocqueville. Motivated by his “love of liberty and human dignity,” his Democracy in America has been called “one of the wisest works of modern thought,” that for understanding and preserving liberty, “the intelligent American reader can find no better guide.”
Despite democracy’s prominence in his title, de Tocqueville’s focus was liberty, because “the only passions I have are love of liberty and human dignity.” Revisiting him is particularly important now, when the need for a political majority has become virtually the only limit on government, because he saw how democracy can subvert liberty. (read more)
The final movement of Beethoven's 9th The Final Movement
Discordant notes... ...ruin the symphony.
Unless...
What if you embrace the discordant note?
And use it to start a new melody..."
A powerful short film by Jason Jones and Eduardo Verástegui.
Bradford pear blossoms in snow. Photo by Bob Kirchman.
To the real Christian, the Gospel’s unique truths are the center to which she gravitates – the very sun of her solar system, the soul of the world. They are the origin of all that is excellent and lovely, the source of light and life, motion and warmth. From them comes all creative energy. Our intellects would be cold and comfortless without their light and guidance.” – William Wilberforce
Not long ago The DaVinci Code came upon the literary scene and this work of fiction, based on Gnostic writings, became the center of much discussion about Faith in our day. One of the elders of our church conducted a very thorough study in which he pointed out what was based on Holy Writ, and what was based on these non-canonical sources. It was a very profitable investigation into what we believe and why. Naturally there are those who are unfamiliar with the Gospel who will read such a work at face value, not digging deeper to find that it has been sourced from works that are of varied integrity. Yes, this is dangerous, but perhaps there is also a benefit to be had by opening a discussion. (read more)
Thomas Jefferson's Poplar Forest His Lesser Known Home Near Lynchburg Photos byBob Kirchman
Photos by Bob Kirchman.
Legend has it that Thomas Jefferson, fleeing the British troops in June of 1781, retreated to a piece of property he had acquired through marrying Martha Wayles Skelton in 1773. Taking up residence with his family in the only small dwelling on the property -- a caretaker's house, he spent his time in the cramped quarters calculating how long it would take to repay the national debt!
Then, as now, the pressures of public life made a retreat desirable and Jefferson would return to the property and build 'Poplar Forest' over a period of almost two decades. Inspired by the villas of Renaissance architect, Andrea Palladio, he created the Neoclassical Octagon House. Construction began in 1806 and continued until 1823!