Wednesday, June 27, 2018

Apollo Eight, Creatives' Role, Earth to the Moon

0001Apollo8Moon
Volume XIV, Issue XXV

The Daring Adventure of Apollo 8



Those three men have carried into space all the resources of art, science, and industry. With that, one can do anything; and you will see that, some day, they will come out all right.” – Jules Verne

Imago Dei, the statement in Genesis that man is indeed created in the image of his Creator, is played out most clearly in the creative impulses and great accomplishments that humankind has risen too. In the Nineteenth Century, Jules Verne envisioned man ‘beating his swords’ not into ploughshares, but into a journey to another world. The Twentieth Century saw just that happen with the terrible weapons of destruction forged into the accomplishment of an actual journey to the moon. Orbiting the moon on Christmas Eve in 1968, the astronauts read the following:

William Anders

We are now approaching lunar sunrise, and for all the people back on Earth, the crew of Apollo 8 has a message that we would like to send to you.

In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep.

And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light.

And God saw the light, that it was good: and God divided the light from the darkness.

James Lovell

And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day.

And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters.

And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so.

And God called the firmament Heaven. And the evening and the morning were the second day.”

Frank Borman

And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so.

And God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good.”

And from the crew of Apollo 8, we close with good night, good luck, a Merry Christmas – and God bless all of you, all of you on the good Earth. [1.]

From the Earth to the Moon
By Jules Verne

CHAPTER XXVI, FIRE!

The first of December had arrived! the fatal day! for, if the projectile were not discharged that very night at 10h. 48m. 40s. P.M., more than eighteen years must roll by before the moon would again present herself under the same conditions of zenith and perigee.

The weather was magnificent. Despite the approach of winter, the sun shone brightly, and bathed in its radiant light that earth which three of its denizens were about to abandon for a new world.

How many persons lost their rest on the night which preceded this long-expected day! All hearts beat with disquietude, save only the heart of Michel Ardan.

That imperturbable personage came and went with his habitual business-like air, while nothing whatever denoted that any unusual matter preoccupied his mind.

After dawn, an innumerable multitude covered the prairie which extends, as far as the eye can reach, round Stones Hill. Every quarter of an hour the railway brought fresh accessions of sightseers; and, according to the statement of the Tampa Town Observer, not less than five millions of spectators thronged the soil of Florida.

For a whole month previously, the mass of these persons had bivouacked round the enclosure, and laid the foundations for a town which was afterward called "Ardan's Town." The whole plain was covered with huts, cottages, and tents. Every nation under the sun was represented there; and every language might be heard spoken at the same time. It was a perfect Babel re-enacted. All the various classes of American society were mingled together in terms of absolute equality. Bankers, farmers, sailors, cotton-planters, brokers, merchants, watermen, magistrates, elbowed each other in the most free-and-easy way. Louisiana Creoles fraternized with farmers from Indiana; Kentucky and Tennessee gentlemen and haughty Virginians conversed with trappers and the half-savages of the lakes and butchers from Cincinnati. Broad-brimmed white hats and Panamas, blue-cotton trousers, light-colored stockings, cambric frills, were all here displayed; while upon shirt-fronts, wristbands, and neckties, upon every finger, even upon the very ears, they wore an assortment of rings, shirt-pins, brooches, and trinkets, of which the value only equaled the execrable taste. Women, children, and servants, in equally expensive dress, surrounded their husbands, fathers, or masters, who resembled the patriarchs of tribes in the midst of their immense households.

At meal-times all fell to work upon the dishes peculiar to the Southern States, and consumed with an appetite that threatened speedy exhaustion of the victualing powers of Florida, fricasseed frogs, stuffed monkey, fish chowder, underdone 'possum, and raccoon steaks. And as for the liquors which accompanied this indigestible repast! The shouts, the vociferations that resounded through the bars and taverns decorated with glasses, tankards, and bottles of marvelous shape, mortars for pounding sugar, and bundles of straws! "Mint-julep" roars one of the barmen; "Claret sangaree!" shouts another; "Cocktail!" "Brandy-smash!" "Real mint-julep in the new style!" All these cries intermingled produced a bewildering and deafening hubbub.

But on this day, 1st of December, such sounds were rare. No one thought of eating or drinking, and at four P.M. there were vast numbers of spectators who had not even taken their customary lunch! And, a still more significant fact, even the national passion for play seemed quelled for the time under the general excitement of the hour.

Up till nightfall, a dull, noiseless agitation, such as precedes great catastrophes, ran through the anxious multitude. An indescribable uneasiness pervaded all minds, an indefinable sensation which oppressed the heart. Every one wished it was over.

However, about seven o'clock, the heavy silence was dissipated. The moon rose above the horizon. Millions of hurrahs hailed her appearance. She was punctual to the rendezvous, and shouts of welcome greeted her on all sides, as her pale beams shone gracefully in the clear heavens. At this moment the three intrepid travelers appeared. This was the signal for renewed cries of still greater intensity. Instantly the vast assemblage, as with one accord, struck up the national hymn of the United States, and "Yankee Doodle," sung by five million of hearty throats, rose like a roaring tempest to the farthest limits of the atmosphere. Then a profound silence reigned throughout the crowd.

The Frenchman and the two Americans had by this time entered the enclosure reserved in the center of the multitude. They were accompanied by the members of the Gun Club, and by deputations sent from all the European Observatories.

Barbicane, cool and collected, was giving his final directions. Nicholl, with compressed lips, his arms crossed behind his back, walked with a firm and measured step. Michel Ardan, always easy, dressed in thorough traveler's costume, leathern gaiters on his legs, pouch by his side, in loose velvet suit, cigar in mouth, was full of inexhaustible gayety, laughing, joking, playing pranks with J. T. Maston. In one word, he was the thorough "Frenchman" (and worse, a "Parisian") to the last moment.

Ten o'clock struck! The moment had arrived for taking their places in the projectile! The necessary operations for the descent, and the subsequent removal of the cranes and scaffolding that inclined over the mouth of the Columbiad, required a certain period of time.

Barbicane had regulated his chronometer to the tenth part of a second by that of Murchison the engineer, who was charged with the duty of firing the gun by means of an electric spark. Thus the travelers enclosed within the projectile were enabled to follow with their eyes the impassive needle which marked the precise moment of their departure.

The moment had arrived for saying "good-by!" The scene was a touching one. Despite his feverish gayety, even Michel Ardan was touched. J. T. Maston had found in his own dry eyes one ancient tear, which he had doubtless reserved for the occasion. He dropped it on the forehead of his dear president.

Can I not go?" he said, "there is still time!"

Impossible, old fellow!" replied Barbicane. A few moments later, the three fellow-travelers had ensconced themselves in the projectile, and screwed down the plate which covered the entrance-aperture. The mouth of the Columbiad, now completely disencumbered, was open entirely to the sky.

The moon advanced upward in a heaven of the purest clearness, outshining in her passage the twinkling light of the stars. She passed over the constellation of the Twins, and was now nearing the halfway point between the horizon and the zenith. A terrible silence weighed upon the entire scene! Not a breath of wind upon the earth! not a sound of breathing from the countless chests of the spectators! Their hearts seemed afraid to beat! All eyes were fixed upon the yawning mouth of the Columbiad.

Murchison followed with his eye the hand of his chronometer. It wanted scarce forty seconds to the moment of departure, but each second seemed to last an age! At the twentieth there was a general shudder, as it occurred to the minds of that vast assemblage that the bold travelers shut up within the projectile were also counting those terrible seconds. Some few cries here and there escaped the crowd.

Thirty-five!-- thirty-six!-- thirty-seven!-- thirty-eight!-- thirty-nine!-- forty! FIRE!!!"

Instantly Murchison pressed with his finger the key of the electric battery, restored the current of the fluid, and discharged the spark into the breech of the Columbiad.

An appalling unearthly report followed instantly, such as can be compared to nothing whatever known, not even to the roar of thunder, or the blast of volcanic explosions! No words can convey the slightest idea of the terrific sound! An immense spout of fire shot up from the bowels of the earth as from a crater. The earth heaved up, and with great difficulty some few spectators obtained a momentary glimpse of the projectile victoriously cleaving the air in the midst of the fiery vapors!

CHAPTER XXVII, FOUL WEATHER

At the moment when that pyramid of fire rose to a prodigious height into the air, the glare of flame lit up the whole of Florida; and for a moment day superseded night over a considerable extent of the country. This immense canopy of fire was perceived at a distance of one hundred miles out at sea, and more than one ship's captain entered in his log the appearance of this gigantic meteor.

The discharge of the Columbiad was accompanied by a perfect earthquake. Florida was shaken to its very depths. The gases of the powder, expanded by heat, forced back the atmospheric strata with tremendous violence, and this artificial hurricane rushed like a water-spout through the air.

Not a single spectator remained on his feet! Men, women children, all lay prostrate like ears of corn under a tempest. There ensued a terrible tumult; a large number of persons were seriously injured. J. T. Maston, who, despite all dictates of prudence, had kept in advance of the mass, was pitched back 120 feet, shooting like a projectile over the heads of his fellow-citizens. Three hundred thousand persons remained deaf for a time, and as though struck stupefied.

As soon as the first effects were over, the injured, the deaf, and lastly, the crowd in general, woke up with frenzied cries. "Hurrah for Ardan! Hurrah for Barbicane! Hurrah for Nicholl!" rose to the skies. Thousands of persons, noses in air, armed with telescopes and race-glasses, were questioning space, forgetting all contusions and emotions in the one idea of watching for the projectile. They looked in vain! It was no longer to be seen, and they were obliged to wait for telegrams from Long's Peak. The director of the Cambridge Observatory was at his post on the Rocky Mountains; and to him, as a skillful and persevering astronomer, all observations had been confided.

But an unforeseen phenomenon came in to subject the public impatience to a severe trial.

The weather, hitherto so fine, suddenly changed; the sky became heavy with clouds. It could not have been otherwise after the terrible derangement of the atmospheric strata, and the dispersion of the enormous quantity of vapor arising from the combustion of 200,000 pounds of pyroxyle!

On the morrow the horizon was covered with clouds-- a thick and impenetrable curtain between earth and sky, which unhappily extended as far as the Rocky Mountains. It was a fatality! But since man had chosen so to disturb the atmosphere, he was bound to accept the consequences of his experiment.

Supposing, now, that the experiment had succeeded, the travelers having started on the 1st of December, at 10h. 46m. 40s. P.M., were due on the 4th at 0h. P.M. at their destination. So that up to that time it would have been very difficult after all to have observed, under such conditions, a body so small as the shell. Therefore they waited with what patience they might.

From the 4th to the 6th of December inclusive, the weather remaining much the same in America, the great European instruments of Herschel, Rosse, and Foucault, were constantly directed toward the moon, for the weather was then magnificent; but the comparative weakness of their glasses prevented any trustworthy observations being made.

On the 7th the sky seemed to lighten. They were in hopes now, but their hope was of but short duration, and at night again thick clouds hid the starry vault from all eyes.

Matters were now becoming serious, when on the 9th the sun reappeared for an instant, as if for the purpose of teasing the Americans. It was received with hisses; and wounded, no doubt, by such a reception, showed itself very sparing of its rays.

On the 10th, no change! J. T. Maston went nearly mad, and great fears were entertained regarding the brain of this worthy individual, which had hitherto been so well preserved within his gutta-percha cranium.

But on the 11th one of those inexplicable tempests peculiar to those intertropical regions was let loose in the atmosphere. A terrific east wind swept away the groups of clouds which had been so long gathering, and at night the semi-disc of the orb of night rode majestically amid the soft constellations of the sky.

CHAPTER XXVIII, A NEW STAR

That very night, the startling news so impatiently awaited, burst like a thunderbolt over the United States of the Union, and thence, darting across the ocean, ran through all the telegraphic wires of the globe. The projectile had been detected, thanks to the gigantic reflector of Long's Peak! Here is the note received by the director of the Observatory of Cambridge. It contains the scientific conclusion regarding this great experiment of the Gun Club.

LONG'S PEAK, December 12. To the Officers of the Observatory of Cambridge. The projectile discharged by the Columbiad at Stones Hill has been detected by Messrs. Belfast and J. T. Maston, 12th of December, at 8:47 P.M., the moon having entered her last quarter. This projectile has not arrived at its destination. It has passed by the side; but sufficiently near to be retained by the lunar attraction.

The rectilinear movement has thus become changed into a circular motion of extreme velocity, and it is now pursuing an elliptical orbit round the moon, of which it has become a true satellite.

The elements of this new star we have as yet been unable to determine; we do not yet know the velocity of its passage. The distance which separates it from the surface of the moon may be estimated at about 2,833 miles.

However, two hypotheses come here into our consideration.

1. Either the attraction of the moon will end by drawing them into itself, and the travelers will attain their destination; or,

2. The projectile, following an immutable law, will continue to gravitate round the moon till the end of time.

At some future time, our observations will be able to determine this point, but till then the experiment of the Gun Club can have no other result than to have provided our solar system with a new star. J. BELFAST.

To how many questions did this unexpected denouement give rise? What mysterious results was the future reserving for the investigation of science? At all events, the names of Nicholl, Barbicane, and Michel Ardan were certain to be immortalized in the annals of astronomy!

When the dispatch from Long's Peak had once become known, there was but one universal feeling of surprise and alarm. Was it possible to go to the aid of these bold travelers? No! for they had placed themselves beyond the pale of humanity, by crossing the limits imposed by the Creator on his earthly creatures. They had air enough for two months; they had victuals enough for twelve;-- but after that? There was only one man who would not admit that the situation was desperate-- he alone had confidence; and that was their devoted friend J. T. Maston.

Besides, he never let them get out of sight. His home was henceforth the post at Long's Peak; his horizon, the mirror of that immense reflector. As soon as the moon rose above the horizon, he immediately caught her in the field of the telescope; he never let her go for an instant out of his sight, and followed her assiduously in her course through the stellar spaces. He watched with untiring patience the passage of the projectile across her silvery disc, and really the worthy man remained in perpetual communication with his three friends, whom he did not despair of seeing again some day.

Those three men," said he, "have carried into space all the resources of art, science, and industry. With that, one can do anything; and you will see that, some day, they will come out all right."
(to be continued)

The Wizard and the Prophet
Futurists and What Drives Them

Harari sketches a dystopian future in the hopes that doing so will prevent it. Like all prophets, he prophesies to prevent the prophecy, not to predict it.” –John Faithful Hamer

I found this quote in a book review and I have to agree that the Prophets of old put forth their dystopian vision in Scripture not desiring to see it, but in the hopes that it would be averted. Indeed Jeremiah 29;11 makes the mind of the Divine clear: “For I know the thoughts that I think toward you, saith the LORD, thoughts of peace, and not of evil, to give you an expected end.” That is how I read the prophets of old – that is how I read a lot of modern ‘dystopian’ fiction. Those of you who have followed THYME for a while know how when a family member handed me a novel about a series of ‘revelations’ surrounding 9/11 I took it in just that way. Unfortunately the author was appearing on the Jim Bakker Show hawking overpriced ‘survival buckets.’ When coupled with the ‘Blood Moon’ videos by John Hagee, we’re no longer trying to lead humanity away from disaster, we’re proclaiming it. And we’re bringing in profit to boot.

Never mind that the prophets of old did NOT make big bucks or go on book tours. Never mind that they were persecuted and sometimes lost their lives – I like to think that the true mission of the writer is to both lead us away from disaster and to lead us toward a brighter future. Jules Verne indeed envisioned a marvelous world of modern machines but he also was an astute observer of human nature. Consider characters like Captain Nemo. Consider as well his unpublished work: Paris in the Twentieth Century. Verne’s publisher rejected it as too dark – too dystopian. I think Verne is a great example of how to ponder both the wonder of the future and the dangers. That he tried to do both makes him great in my mind.

Untitled Painting by Savhanna
Untitled Painting by Savhanna Herndon.

Wizards and Prophets
By John Faithful Hamer

[click to read]

In The Wizard and the Prophet (2018), Charles C. Mann maintains that intellectual life in the 21st century is defined by a civil war between Wizards, who believe that technology will save us, and Prophets, who see various kinds of disaster on the horizon: “Prophets look at the world as finite, and people as constrained by their environment. Wizards see possibilities as inexhaustible, and humans as wily managers of the planet. One views growth and development as the lot and blessing of our species; others regard stability and preservation as our future and our goal. Wizards regard Earth as a toolbox, its contents freely available for use; Prophets think of the natural world as embodying an overarching order that should not casually be disturbed.” Steven Pinker, the author of Enlightenment Now: The Case for Reason, Science, Humanism, and Progress (2018), is a Wizard. Yuval Noah Harari, the author of Homo Deus: A Brief History of Tomorrow (2015), is a Prophet. (read more)

Bee on Rhododendron
Bee and Rhododendron. Photo by Bob Kirchman.

Message in Our Missives
Christian Creatives in a Fallen World

[click to read]

Hi, I'm Lela Markham and this is my inaugural post on Delia Talent. I write speculative fiction, primarily, while delving into other genres on occasion. I'm one of those Christian creatives who does not advertise my works as "Christian". Historically, Christian creatives didn't claim a territory and label themselves. We don't think of Bach as a "Christian" musician, but rather a great composer who made his living as a church organist. Unless you're a history geek like me, you might not know about his deep and abiding faith. Although we now think of C. S. Lewis as a "Christian" author, his fictional works weren't advised as such when he was publishing because Christians of that era hadn't decided to paint themselves into a box with a label. Back when I was a kid Elvis Presley (not an example of a "good" Christian, but a man with a church background) and Johnny Cash (by that time, a reprobate saved by Christ) were singing gospel tunes right along with their secular tunes on regular radio ... and my non-believing parents didn't find that the least bit odd. (read more)

Hari-and-Penka-TopPick-cropped-for-website-850x509
Hari and Penka Atanasov. Advancing Native Missions Photo.

In Search of the Light
Hari and Penka Atanasov
By Dee Brookshire

[click to read]

The canvas was called “Morning in Gethsemane.” After a night of agony, Jesus’ surrender to the Father’s will was illuminated by a light extending from heaven to earth. A Turkish lady from the Bulgarian parliament approached Hari and Penka Atanasov to express how this painting had touched her life. (read more)

Sunset Over House Mountain
Sunset over House Mountain. Photo by Bob Kirchman.

On Calling and IMAGO DEI
Discerning the Strokes of the Master

O Master Maker! Thy exultant art
Goes forth in making makers.”
—George MacDonald

If George MacDonald is correct in asserting that all wickedness tends to destroy individuality, then the Christian should have more individuality than anyone else. Purged of the encumbering weight of the wicked self and knighted by the accolade of the All-Sufficient, he should demonstrate daily the abundance that is repeatedly declared to be in Christ. Macdonald says of the white stone with the new name in the Book of Revelation that it is given because it expresses “the character, the nature, the meaning of the person who bears it. It is the man’s own symbol—his soul’s picture, in a word—the sign which belongs to him and no one else.” The great Creator Artist wants to render not only a Christian in His image but at the same time produce a portrait of the real qua man (for it is man and not the angels who are saves) relieved of the debilitation and devilish self.

Among devoted young Christians seeking the fullest possible service of God, the personality is frequently weighed in precisely the wrong manner, or perhaps we should say ignored. Urged to “empty the self” and submit to God’s consuming fire their most prized possession, they sometimes tragically withdraw from the very talent that God has uniquely given. This in part accounts for the number of failures in Christian service. It is as if a man with obvious talents—let us say in bridge building—should convince himself that bridge building is the one thing not to undertake but rather that he must become a poet. Christian young people ask with a soul-stirring devotion to God, what shall I do with my life? And are told in effect to become a missionary, become a minister, or become a Christian businessman or housewife. What a tragic dearth of imagination. Not, of course, that there is not room for a great variety in these categories, but that the method itself is constrictive.

One suggestion is that we spend less time telling young Christians and more inquiring of them with a view of entering, and having them honestly enter, the crepuscular (dim) world of their motives and talents. Then we need to remind young people often that patterning their life after another—a common practice in all men—has some advantages and other decided disadvantages. I had the privilege of talking with Grandma Moses, the primitive painter, and she told me her agents disliked for her to go down to New York City and particularly for her to go to art galleries. They were afraid she would lose the delightful naiveté which makes up her native genius. Young people should be similarly cautioned to look for God-given uniqueness in themselves and when discovered (and I feel there is much more of it than now appears) warned to guard and cherish it.”
—Clyde S. Kilby, Arts and the Christian Imagination

PontifusBANNER

Wednesday, June 20, 2018

Journeys of Apollo, From the Earth to the Moon

0007Moon
Volume XIV, Issue XXIV

The Journeys of Apollo



The heavens declare the glory of God; and the firmament sheweth his handywork. Day unto day uttereth speech, and night unto night sheweth knowledge. There is no speech nor language, where their voice is not heard.” – PSALM 19:1-3

First Paintings of Another World
By an Artist Who was Actually There, Alan Bean

[click to read]

I was the Lunar Module Pilot of Apollo 12 and the fourth man to set foot on the moon. I explored the beautifully desolate landscape of the Ocean of Storms and later, as commander of Skylab 3 (Skylab Mission II), I spent 59 days in orbit around our fragile, blue-and-white Earth.

I had been painting earthbound subjects for many years by the time I returned from Apollo 12 and Skylab 3 missions, but my fellow astronauts convinced me to paint my experiences on the moon.

You can create the very first paintings in all of history of a place other than our own planet,” they said. “Your paintings will forever be the first paintings of the many other worlds humans will visit as the centuries unfold.”

Because of this unprecedented opportunity and challenge, I resigned from NASA in 1981 to devote all of my time and energy to painting, celebrating the great exploration that was Apollo.

Over the years, my art has evolved into a mixture of painting and sculpture, textured with my lunar tools, sprinkled with bits of our Apollo 12 spacecraft and a touch of moondust from the Ocean of Storms. You can see many of my paintings on this site and read more about the space-age techniques and materials I use in my work. (read more)

essay1
The Alan Bean Gallery.

From the Earth to the Moon
By Jules Verne

CHAPTER XXII, THE NEW CITIZEN OF THE UNITED STATES

That same day all America heard of the affair of Captain Nicholl and President Barbicane, as well as its singular denouement. From that day forth, Michel Ardan had not one moment's rest. Deputations from all corners of the Union harassed him without cessation or intermission. He was compelled to receive them all, whether he would or no. How many hands he shook, how many people he was "hail-fellow-well-met" with, it is impossible to guess! Such a triumphal result would have intoxicated any other man; but he managed to keep himself in a state of delightful semi-tipsiness.

Among the deputations of all kinds which assailed him, that of "The Lunatics" were careful not to forget what they owed to the future conqueror of the moon. One day, certain of these poor people, so numerous in America, came to call upon him, and requested permission to return with him to their native country.

Singular hallucination!" said he to Barbicane, after having dismissed the deputation with promises to convey numbers of messages to friends in the moon. "Do you believe in the influence of the moon upon distempers?"

Scarcely!"

No more do I, despite some remarkable recorded facts of history. For instance, during an epidemic in 1693, a large number of persons died at the very moment of an eclipse. The celebrated Bacon always fainted during an eclipse. Charles VI relapsed six times into madness during the year 1399, sometimes during the new, sometimes during the full moon. Gall observed that insane persons underwent an accession of their disorder twice in every month, at the epochs of new and full moon. In fact, numerous observations made upon fevers, somnambulisms, and other human maladies, seem to prove that the moon does exercise some mysterious influence upon man."

But the how and the wherefore?" asked Barbicane.

Well, I can only give you the answer which Arago borrowed from Plutarch, which is nineteen centuries old. `Perhaps the stories are not true!'"

In the height of his triumph, Michel Ardan had to encounter all the annoyances incidental to a man of celebrity. Managers of entertainments wanted to exhibit him. Barnum offered him a million dollars to make a tour of the United States in his show. As for his photographs, they were sold of all size, and his portrait taken in every imaginable posture. More than half a million copies were disposed of in an incredibly short space of time.

But it was not only the men who paid him homage, but the women as well. He might have married well a hundred times over, if he had been willing to settle in life. The old maids, in particular, of forty years and upward, and dry in proportion, devoured his photographs day and night. They would have married him by hundreds, even if he had imposed upon them the condition of accompanying him into space. He had, however, no intention of transplanting a race of Franco-Americans upon the surface of the moon.

He therefore declined all offers.

As soon as he could withdraw from these somewhat embarrassing demonstrations, he went, accompanied by his friends, to pay a visit to the Columbiad. He was highly gratified by his inspection, and made the descent to the bottom of the tube of this gigantic machine which was presently to launch him to the regions of the moon. It is necessary here to mention a proposal of J. T. Maston's. When the secretary of the Gun Club found that Barbicane and Nicholl accepted the proposal of Michel Ardan, he determined to join them, and make one of a smug party of four. So one day he determined to be admitted as one of the travelers. Barbicane, pained at having to refuse him, gave him clearly to understand that the projectile could not possibly contain so many passengers. Maston, in despair, went in search of Michel Ardan, who counseled him to resign himself to the situation, adding one or two arguments ad hominem.

You see, old fellow," he said, "you must not take what I say in bad part; but really, between ourselves, you are in too incomplete a condition to appear in the moon!"

Incomplete?" shrieked the valiant invalid.

Yes, my dear fellow! imagine our meeting some of the inhabitants up there! Would you like to give them such a melancholy notion of what goes on down here? to teach them what war is, to inform them that we employ our time chiefly in devouring each other, in smashing arms and legs, and that too on a globe which is capable of supporting a hundred billions of inhabitants, and which actually does contain nearly two hundred millions? Why, my worthy friend, we should have to turn you out of doors!"

But still, if you arrive there in pieces, you will be as incomplete as I am."

Unquestionably," replied Michel Ardan; "but we shall not."

In fact, a preparatory experiment, tried on the 18th of October, had yielded the best results and caused the most well-grounded hopes of success. Barbicane, desirous of obtaining some notion of the effect of the shock at the moment of the projectile's departure, had procured a 38-inch mortar from the arsenal of Pensacola. He had this placed on the bank of Hillisborough Roads, in order that the shell might fall back into the sea, and the shock be thereby destroyed. His object was to ascertain the extent of the shock of departure, and not that of the return.

A hollow projectile had been prepared for this curious experiment. A thick padding fastened upon a kind of elastic network, made of the best steel, lined the inside of the walls. It was a veritable nest most carefully wadded.

What a pity I can't find room in there," said J. T. Maston, regretting that his height did not allow of his trying the adventure.

Within this shell were shut up a large cat, and a squirrel belonging to J. T. Maston, and of which he was particularly fond. They were desirous, however, of ascertaining how this little animal, least of all others subject to giddiness, would endure this experimental voyage.

The mortar was charged with 160 pounds of powder, and the shell placed in the chamber. On being fired, the projectile rose with great velocity, described a majestic parabola, attained a height of about a thousand feet, and with a graceful curve descended in the midst of the vessels that lay there at anchor.

Without a moment's loss of time a small boat put off in the direction of its fall; some divers plunged into the water and attached ropes to the handles of the shell, which was quickly dragged on board. Five minutes did not elapse between the moment of enclosing the animals and that of unscrewing the coverlid of their prison.

Ardan, Barbicane, Maston, and Nicholl were present on board the boat, and assisted at the operation with an interest which may readily be comprehended. Hardly had the shell been opened when the cat leaped out, slightly bruised, but full of life, and exhibiting no signs whatever of having made an aerial expedition. No trace, however, of the squirrel could be discovered. The truth at last became apparent-- the cat had eaten its fellow-traveler!

J. T. Maston grieved much for the loss of his poor squirrel, and proposed to add its case to that of other martyrs to science.

After this experiment all hesitation, all fear disappeared. Besides, Barbicane's plans would ensure greater perfection for his projectile, and go far to annihilate altogether the effects of the shock. Nothing now remained but to go!

Two days later Michel Ardan received a message from the President of the United States, an honor of which he showed himself especially sensible.

After the example of his illustrious fellow-countryman, the Marquis de la Fayette, the government had decreed to him the title of "Citizen of the United States of America."

CHAPTER XXIII, THE PROJECTILE-VEHICLE

On the completion of the Columbiad the public interest centered in the projectile itself, the vehicle which was destined to carry the three hardy adventurers into space.

The new plans had been sent to Breadwill and Co., of Albany, with the request for their speedy execution. The projectile was consequently cast on the 2nd of November, and immediately forwarded by the Eastern Railway to Stones Hill, which it reached without accident on the 10th of that month, where Michel Ardan, Barbicane, and Nicholl were waiting impatiently for it.

The projectile had now to be filled to the depth of three feet with a bed of water, intended to support a water-tight wooden disc, which worked easily within the walls of the projectile. It was upon this kind of raft that the travelers were to take their place. This body of water was divided by horizontal partitions, which the shock of the departure would have to break in succession. Then each sheet of the water, from the lowest to the highest, running off into escape tubes toward the top of the projectile, constituted a kind of spring; and the wooden disc, supplied with extremely powerful plugs, could not strike the lowest plate except after breaking successively the different partitions. Undoubtedly the travelers would still have to encounter a violent recoil after the complete escapement of the water; but the first shock would be almost entirely destroyed by this powerful spring. The upper parts of the walls were lined with a thick padding of leather, fastened upon springs of the best steel, behind which the escape tubes were completely concealed; thus all imaginable precautions had been taken for averting the first shock; and if they did get crushed, they must, as Michel Ardan said, be made of very bad materials.

The entrance into this metallic tower was by a narrow aperture contrived in the wall of the cone. This was hermetically closed by a plate of aluminum, fastened internally by powerful screw-pressure. The travelers could therefore quit their prison at pleasure, as soon as they should reach the moon.

Light and view were given by means of four thick lenticular glass scuttles, two pierced in the circular wall itself, the third in the bottom, the fourth in the top. These scuttles then were protected against the shock of departure by plates let into solid grooves, which could easily be opened outward by unscrewing them from the inside. Reservoirs firmly fixed contained water and the necessary provisions; and fire and light were procurable by means of gas, contained in a special reservoir under a pressure of several atmospheres. They had only to turn a tap, and for six hours the gas would light and warm this comfortable vehicle.

There now remained only the question of air; for allowing for the consumption of air by Barbicane, his two companions, and two dogs which he proposed taking with him, it was necessary to renew the air of the projectile. Now air consists principally of twenty-one parts of oxygen and seventy-nine of nitrogen. The lungs absorb the oxygen, which is indispensable for the support of life, and reject the nitrogen. The air expired loses nearly five per cent. of the former and contains nearly an equal volume of carbonic acid, produced by the combustion of the elements of the blood. In an air-tight enclosure, then, after a certain time, all the oxygen of the air will be replaced by the carbonic acid-- a gas fatal to life. There were two things to be done then-- first, to replace the absorbed oxygen; secondly, to destroy the expired carbonic acid; both easy enough to do, by means of chlorate of potassium and caustic potash. The former is a salt which appears under the form of white crystals; when raised to a temperature of 400 degrees it is transformed into chlorure of potassium, and the oxygen which it contains is entirely liberated. Now twenty-eight pounds of chlorate of potassium produces seven pounds of oxygen, or 2,400 litres-- the quantity necessary for the travelers during twenty-four hours.

Caustic potash has a great affinity for carbonic acid; and it is sufficient to shake it in order for it to seize upon the acid and form bicarbonate of potassium. By these two means they would be enabled to restore to the vitiated air its life- supporting properties.

It is necessary, however, to add that the experiments had hitherto been made in anima vili. Whatever its scientific accuracy was, they were at present ignorant how it would answer with human beings. The honor of putting it to the proof was energetically claimed by J. T. Maston.

Since I am not to go," said the brave artillerist, "I may at least live for a week in the projectile."

It would have been hard to refuse him; so they consented to his wish. A sufficient quantity of chlorate of potassium and of caustic potash was placed at his disposal, together with provisions for eight days. And having shaken hands with his friends, on the 12th of November, at six o'clock A.M., after strictly informing them not to open his prison before the 20th, at six o'clock P.M., he slid down the projectile, the plate of which was at once hermetically sealed. What did he do with himself during that week? They could get no information. The thickness of the walls of the projectile prevented any sound reaching from the inside to the outside. On the 20th of November, at six P.M. exactly, the plate was opened. The friends of J. T. Maston had been all along in a state of much anxiety; but they were promptly reassured on hearing a jolly voice shouting a boisterous hurrah.

Presently afterward the secretary of the Gun Club appeared at the top of the cone in a triumphant attitude. He had grown fat!

j_t_maston_had_grown_fat

CHAPTER XXIV, THE TELESCOPE OF THE ROCKY MOUNTAINS

On the 20th of October in the preceding year, after the close of the subscription, the president of the Gun Club had credited the Observatory of Cambridge with the necessary sums for the construction of a gigantic optical instrument. This instrument was designed for the purpose of rendering visible on the surface of the moon any object exceeding nine feet in diameter.

At the period when the Gun Club essayed their great experiment, such instruments had reached a high degree of perfection, and produced some magnificent results. Two telescopes in particular, at this time, were possessed of remarkable power and of gigantic dimensions. The first, constructed by Herschel, was thirty-six feet in length, and had an object-glass of four feet six inches; it possessed a magnifying power of 6,000. The second was raised in Ireland, in Parsonstown Park, and belongs to Lord Rosse. The length of this tube is forty-eight feet, and the diameter of its object-glass six feet; it magnifies 6,400 times, and required an immense erection of brick work and masonry for the purpose of working it, its weight being twelve and a half tons.

Still, despite these colossal dimensions, the actual enlargements scarcely exceeded 6,000 times in round numbers; consequently, the moon was brought within no nearer an apparent distance than thirty-nine miles; and objects of less than sixty feet in diameter, unless they were of very considerable length, were still imperceptible.

In the present case, dealing with a projectile nine feet in diameter and fifteen feet long, it became necessary to bring the moon within an apparent distance of five miles at most; and for that purpose to establish a magnifying power of 48,000 times.

Such was the question proposed to the Observatory of Cambridge, There was no lack of funds; the difficulty was purely one of construction.

After considerable discussion as to the best form and principle of the proposed instrument the work was finally commenced. According to the calculations of the Observatory of Cambridge, the tube of the new reflector would require to be 280 feet in length, and the object-glass sixteen feet in diameter. Colossal as these dimensions may appear, they were diminutive in comparison with the 10,000 foot telescope proposed by the astronomer Hooke only a few years ago!

Regarding the choice of locality, that matter was promptly determined. The object was to select some lofty mountain, and there are not many of these in the United States. In fact there are but two chains of moderate elevation, between which runs the magnificent Mississippi, the "king of rivers" as these Republican Yankees delight to call it.

Eastwards rise the Appalachians, the very highest point of which, in New Hampshire, does not exceed the very moderate altitude of 5,600 feet.

On the west, however, rise the Rocky Mountains, that immense range which, commencing at the Straights of Magellan, follows the western coast of Southern America under the name of the Andes or the Cordilleras, until it crosses the Isthmus of Panama, and runs up the whole of North America to the very borders of the Polar Sea.

The highest elevation of this range still does not exceed 10,700 feet. With this elevation, nevertheless, the Gun Club were compelled to be content, inasmuch as they had determined that both telescope and Columbiad should be erected within the limits of the Union. All the necessary apparatus was consequently sent on to the summit of Long's Peak, in the territory of Missouri.

Neither pen nor language can describe the difficulties of all kinds which the American engineers had to surmount, of the prodigies of daring and skill which they accomplished. They had to raise enormous stones, massive pieces of wrought iron, heavy corner-clamps and huge portions of cylinder, with an object-glass weighing nearly 30,000 pounds, above the line of perpetual snow for more than 10,000 feet in height, after crossing desert prairies, impenetrable forests, fearful rapids, far from all centers of population, and in the midst of savage regions, in which every detail of life becomes an almost insoluble problem. And yet, notwithstanding these innumerable obstacles, American genius triumphed. In less than a year after the commencement of the works, toward the close of September, the gigantic reflector rose into the air to a height of 280 feet. It was raised by means of an enormous iron crane; an ingenious mechanism allowed it to be easily worked toward all the points of the heavens, and to follow the stars from the one horizon to the other during their journey through the heavens.

It had cost $400,000. The first time it was directed toward the moon the observers evinced both curiosity and anxiety. What were they about to discover in the field of this telescope which magnified objects 48,000 times? Would they perceive peoples, herds of lunar animals, towns, lakes, seas? No! there was nothing which science had not already discovered! and on all the points of its disc the volcanic nature of the moon became determinable with the utmost precision.

But the telescope of the Rocky Mountains, before doing its duty to the Gun Club, rendered immense services to astronomy. Thanks to its penetrative power, the depths of the heavens were sounded to the utmost extent; the apparent diameter of a great number of stars was accurately measured; and Mr. Clark, of the Cambridge staff, resolved the Crab nebula in Taurus, which the reflector of Lord Rosse had never been able to decompose.

CHAPTER XXV, FINAL DETAILS 
It was the 22nd of November; the departure was to take place in ten days. One operation alone remained to be accomplished to bring all to a happy termination; an operation delicate and perilous, requiring infinite precautions, and against the success of which Captain Nicholl had laid his third bet. It was, in fact, nothing less than the loading of the Columbiad, and the introduction into it of 400,000 pounds of gun-cotton. Nicholl had thought, not perhaps without reason, that the handling of such formidable quantities of pyroxyle would, in all probability, involve a grave catastrophe; and at any rate, that this immense mass of eminently inflammable matter would inevitably ignite when submitted to the pressure of the projectile.

There were indeed dangers accruing as before from the carelessness of the Americans, but Barbicane had set his heart on success, and took all possible precautions. In the first place, he was very careful as to the transportation of the gun-cotton to Stones Hill. He had it conveyed in small quantities, carefully packed in sealed cases. These were brought by rail from Tampa Town to the camp, and from thence were taken to the Columbiad by barefooted workmen, who deposited them in their places by means of cranes placed at the orifice of the cannon. No steam-engine was permitted to work, and every fire was extinguished within two miles of the works.

Even in November they feared to work by day, lest the sun's rays acting on the gun-cotton might lead to unhappy results. This led to their working at night, by light produced in a vacuum by means of Ruhmkorff's apparatus, which threw an artificial brightness into the depths of the Columbiad.

There the cartridges were arranged with the utmost regularity, connected by a metallic thread, destined to communicate to them all simultaneously the electric spark, by which means this mass of gun-cotton was eventually to be ignited.

By the 28th of November eight hundred cartridges had been placed in the bottom of the Columbiad. So far the operation had been successful! But what confusion, what anxieties, what struggles were undergone by President Barbicane! In vain had he refused admission to Stones Hill; every day the inquisitive neighbors scaled the palisades, some even carrying their imprudence to the point of smoking while surrounded by bales of gun-cotton. Barbicane was in a perpetual state of alarm. J. T. Maston seconded him to the best of his ability, by giving vigorous chase to the intruders, and carefully picking up the still lighted cigar ends which the Yankees threw about. A somewhat difficult task! seeing that more than 300,000 persons were gathered round the enclosure. Michel Ardan had volunteered to superintend the transport of the cartridges to the mouth of the Columbiad; but the president, having surprised him with an enormous cigar in his mouth, while he was hunting out the rash spectators to whom he himself offered so dangerous an example, saw that he could not trust this fearless smoker, and was therefore obliged to mount a special guard over him.

At last, Providence being propitious, this wonderful loading came to a happy termination, Captain Nicholl's third bet being thus lost. It remained now to introduce the projectile into the Columbiad, and to place it on its soft bed of gun-cotton.

But before doing this, all those things necessary for the journey had to be carefully arranged in the projectile vehicle. These necessaries were numerous; and had Ardan been allowed to follow his own wishes, there would have been no space remaining for the travelers. It is impossible to conceive of half the things this charming Frenchman wished to convey to the moon. A veritable stock of useless trifles! But Barbicane interfered and refused admission to anything not absolutely needed. Several thermometers, barometers, and telescopes were packed in the instrument case.

The travelers being desirous of examing the moon carefully during their voyage, in order to facilitate their studies, they took with them Boeer and Moeller's excellent Mappa Selenographica, a masterpiece of patience and observation, which they hoped would enable them to identify those physical features in the moon, with which they were acquainted. This map reproduced with scrupulous fidelity the smallest details of the lunar surface which faces the earth; the mountains, valleys, craters, peaks, and ridges were all represented, with their exact dimensions, relative positions, and names; from the mountains Doerfel and Leibnitz on the eastern side of the disc, to the Mare frigoris of the North Pole.

They took also three rifles and three fowling-pieces, and a large quantity of balls, shot, and powder.

We cannot tell whom we shall have to deal with," said Michel Ardan. "Men or beasts may possibly object to our visit. It is only wise to take all precautions."

These defensive weapons were accompanied by pickaxes, crowbars, saws, and other useful implements, not to mention clothing adapted to every temperature, from that of polar regions to that of the torrid zone.

Ardan wished to convey a number of animals of different sorts, not indeed a pair of every known species, as he could not see the necessity of acclimatizing serpents, tigers, alligators, or any other noxious beasts in the moon. "Nevertheless," he said to Barbicane, "some valuable and useful beasts, bullocks, cows, horses, and donkeys, would bear the journey very well, and would also be very useful to us."

I dare say, my dear Ardan," replied the president, "but our projectile-vehicle is no Noah's ark, from which it differs both in dimensions and object. Let us confine ourselves to possibilities."

After a prolonged discussion, it was agreed that the travelers should restrict themselves to a sporting-dog belonging to Nicholl, and to a large Newfoundland.

Several packets of seeds were also included among the necessaries. Michel Ardan, indeed, was anxious to add some sacks full of earth to sow them in; as it was, he took a dozen shrubs carefully wrapped up in straw to plant in the moon.

The important question of provisions still remained; it being necessary to provide against the possibility of their finding the moon absolutely barren. Barbicane managed so successfully, that he supplied them with sufficient rations for a year. These consisted of preserved meats and vegetables, reduced by strong hydraulic pressure to the smallest possible dimensions. They were also supplied with brandy, and took water enough for two months, being confident, from astronomical observations, that there was no lack of water on the moon's surface. As to provisions, doubtless the inhabitants of the earth would find nourishment somewhere in the moon. Ardan never questioned this; indeed, had he done so, he would never have undertaken the journey.

Besides," he said one day to his friends, "we shall not be completely abandoned by our terrestrial friends; they will take care not to forget us."

No, indeed!" replied J. T. Maston.

Nothing would be simpler," replied Ardan; "the Columbiad will be always there. Well! whenever the moon is in a favorable condition as to the zenith, if not to the perigee, that is to say about once a year, could you not send us a shell packed with provisions, which we might expect on some appointed day?"

Hurrah! hurrah!" cried J. T. Matson; "what an ingenious fellow! what a splendid idea! Indeed, my good friends, we shall not forget you!"

I shall reckon upon you! Then, you see, we shall receive news regularly from the earth, and we shall indeed be stupid if we hit upon no plan for communicating with our good friends here!"

These words inspired such confidence, that Michel Ardan carried all the Gun Club with him in his enthusiasm. What he said seemed so simple and so easy, so sure of success, that none could be so sordidly attached to this earth as to hesitate to follow the three travelers on their lunar expedition.

All being ready at last, it remained to place the projectile in the Columbiad, an operation abundantly accompanied by dangers and difficulties.

The enormous shell was conveyed to the summit of Stones Hill. There, powerful cranes raised it, and held it suspended over the mouth of the cylinder.

It was a fearful moment! What if the chains should break under its enormous weight? The sudden fall of such a body would inevitably cause the gun-cotton to explode!

Fortunately this did not happen; and some hours later the projectile-vehicle descended gently into the heart of the cannon and rested on its couch of pyroxyle, a veritable bed of explosive eider-down. Its pressure had no result, other than the more effectual ramming down of the charge in the Columbiad.

I have lost," said the captain, who forthwith paid President Barbicane the sum of three thousand dollars.

Barbicane did not wish to accept the money from one of his fellow-travelers, but gave way at last before the determination of Nicholl, who wished before leaving the earth to fulfill all his engagements.

Now," said Michel Ardan, "I have only one thing more to wish for you, my brave captain."

What is that?" asked Nicholl.

It is that you may lose your two other bets! Then we shall be sure not to be stopped on our journey!"
(to be continued)

IMG_3290
Pink Ladyslipper, White Rock Falls Trail on the Blue Ridge Parkway in Virginia. Photo by Bob Kirchman.

Seeing Things in 'Living Color'

Friedrich spoke thickly. "Don't you think, Mr. Kingscourt, that people would be much better if they were better off?"

No! If I believed that, I should not be going off to my lonely island; I should have stayed in the midst of humanity. I should have told them how to better themselves. They needn't wait to begin. Not a thousand years, not a hundred, not even fifty. Today! With the ideas, knowledge, and facilities that humanity possesses on this 31st day of December, 1902, it could save itself. No philosopher's stone, no dirigible airship is needed. Everything needful for the making of a better world exists already. And do you know, man, who could show the way? You! You Jews! Just because you're so badly off. You've nothing to lose. You could make the experimental land for humanity. Over yonder, where we were, you could create a new commonwealth. On that ancient soil, Old-New-Land!"

Friedrich heard Kingscourt's words only in a dream. He had fallen asleep. And, dreaming, he sailed through the Red Sea to meet the future."
-- Theodor Herzl, Altneuland  [1.]

In the Nineteenth Century, Theodor Herzl penned his futurist novel, Altneuland. In it, he envisions a renewed Zion, a land of rich agriculture and an industrious people. If Herzl were to step into modern-day Israel, he would probably feel very much at home. It probably would not surprise you that Theodor Herzl devoted most of his life to the creation of a Jewish homeland. The journey of Kingscourt and Friedrich that unfolds in this work of fiction is instructive because it puts form and color to the work Herzl sought to achieve. Likewise, Jules Verne in his Voyages Extraordinaires creates vivid pictures of journeys to the moon and fantastic invention that would actually occur in the century to follow!

Art often seems to come in advance of innovation. To lay forth a vision is an act of hope. In my own work PONTIFUS, [2.] which presents a vision for the future yet to come. It was written because I saw a dearth of encouraging vision being given to the generations to follow. In the post-Sputnik world of my youth we had Tom Swift as well as Jules Verne. American President, John F. Kennedy just said one day that we needed to put a man on the moon. Did we know how to even do it? I seriously doubt it, but the picture had already been painted. Brilliant men and women would fill in the details as the work progressed toward that day in July 1969 when Neil Armstrong and Buzz Aldrin walked on the moon..

Some of my fellow believers will, no doubt, say that my assertion is arrogant. They will invoke a reading of Scripture that they feel commands a more passive response to the world. I do not fault them for wanting to 'wait on the Lord,' but as I read stories like that of Nehemiah who prayed and worked ardently to rebuild the walls of Jerusalem, I see in them the most vivid portrayal of IMAGO DEI, the Scriptural truth that man is made in the Divine image.

Surprised by Joy
[click to read]

By C. S. Lewis

This book is written partly in answer to requests that I would tell how I passed from Atheism to Christianity and partly to correct one or two false notions that seem to have got about. How far the story matters to anyone but myself depends on the degree to which others have experienced what I call "joy". If it is at all common, a more detailed treatment of it than has (I believe) been attempted before may be of some use. I have been emboldened to write of it because I notice that a man seldom mentions what he had supposed to be his most idiosyncratic sensations without receiving from at least one (often more) of those present the reply, "What! Have you felt that too? I always thought I was the only one." (read more)

LEWIS_Banner

Journey from Atheism to Theism
C. S. Lewis Documentary



A Challenge, a Pis Aller!

What drove me to write was the extreme manual clumsiness from which I have always suffered. I attribute it to a physical defect which my brother and I both inherit from our father; we have only one joint in the thumb. The upper joint (that furthest from the nail) is visible, but it is a mere sham; we cannot bend it. But whatever the cause, nature laid on me from birth an utter incapacity to make anything.

With pencil and pen I was handy enough, and I can still tie as good a bow as ever lay on a man's collar; but with a tool or a bat or a gun, a sleeve-link or a corkscrew, I have always been unteachable. It was this that forced me to write. I longed to make things, ships, houses, engines. Many sheets of cardboard and pairs of scissors I spoiled, only to turn from my hopeless failures in tears. As a last resource, as a pis aller, I was driven to write stories instead; little dreaming to what a world of happiness I was being admitted. You can do more with a castle in a story than with the best cardboard castle that ever stood on a nursery table." -- C. S. Lewis, Surprised by Joy

Mountain Laurel in the Rain
Photos by Bob Kirchman

Mountain Laurel in the Rain

Mountain Laurel in the Rain

Mountain Laurel in the Rain

PontifusBANNER

Wednesday, June 13, 2018

Artist Alan Bean, The Fantastic Imagination

0001Moon
Volume XIV, Issue XXIII

IMG_1199
In the video: Astronaut Alan Bean, Moonwalker, Skylab Commander, Artist at the bottom of today's THYME, we learn how an astronaut's incredible observations led to a wonderful exploration in art!

Incredible Journey of Apollo 12



From the Earth to the Moon
By Jules Verne

CHAPTER XX, ATTACK AND RIPOSTE

As soon as the excitement had subsided, the following words were heard uttered in a strong and determined voice:

Now that the speaker has favored us with so much imagination, would he be so good as to return to his subject, and give us a little practical view of the question?"

All eyes were directed toward the person who spoke. He was a little dried-up man, of an active figure, with an American "goatee" beard. Profiting by the different movements in the crowd, he had managed by degrees to gain the front row of spectators. There, with arms crossed and stern gaze, he watched the hero of the meeting. After having put his question he remained silent, and appeared to take no notice of the thousands of looks directed toward himself, nor of the murmur of disapprobation excited by his words. Meeting at first with no reply, he repeated his question with marked emphasis, adding, "We are here to talk about the moon and not about the earth."

You are right, sir," replied Michel Ardan; "the discussion has become irregular. We will return to the moon."

Sir," said the unknown, "you pretend that our satellite is inhabited. Very good, but if Selenites do exist, that race of beings assuredly must live without breathing, for-- I warn you for your own sake-- there is not the smallest particle of air on the surface of the moon."

At this remark Ardan pushed up his shock of red hair; he saw that he was on the point of being involved in a struggle with this person upon the very gist of the whole question. He looked sternly at him in his turn and said:

Oh! so there is no air in the moon? And pray, if you are so good, who ventures to affirm that?

The men of science."

Really?"

Really."

Sir," replied Michel, "pleasantry apart, I have a profound respect for men of science who do possess science, but a profound contempt for men of science who do not."

Do you know any who belong to the latter category?"

Decidedly. In France there are some who maintain that, mathematically, a bird cannot possibly fly; and others who demonstrate theoretically that fishes were never made to live in water."

I have nothing to do with persons of that description, and I can quote, in support of my statement, names which you cannot refuse deference to."

Then, sir, you will sadly embarrass a poor ignorant, who, besides, asks nothing better than to learn."

Why, then, do you introduce scientific questions if you have never studied them?" asked the unknown somewhat coarsely.

For the reason that `he is always brave who never suspects danger.' I know nothing, it is true; but it is precisely my very weakness which constitutes my strength."

Your weakness amounts to folly," retorted the unknown in a passion.

All the better," replied our Frenchman, "if it carries me up to the moon."

Barbicane and his colleagues devoured with their eyes the intruder who had so boldly placed himself in antagonism to their enterprise. Nobody knew him, and the president, uneasy as to the result of so free a discussion, watched his new friend with some anxiety. The meeting began to be somewhat fidgety also, for the contest directed their attention to the dangers, if not the actual impossibilities, of the proposed expedition.

Sir," replied Ardan's antagonist, "there are many and incontrovertible reasons which prove the absence of an atmosphere in the moon. I might say that, a priori, if one ever did exist, it must have been absorbed by the earth; but I prefer to bring forward indisputable facts."

Bring them forward then, sir, as many as you please."

You know," said the stranger, "that when any luminous rays cross a medium such as the air, they are deflected out of the straight line; in other words, they undergo refraction. Well! When stars are occulted by the moon, their rays, on grazing the edge of her disc, exhibit not the least deviation, nor offer the slightest indication of refraction.

It follows, therefore, that the moon cannot be surrounded by an atmosphere.

In point of fact," replied Ardan, "this is your chief, if not your only argument; and a really scientific man might be puzzled to answer it. For myself, I will simply say that it is defective, because it assumes that the angular diameter of the moon has been completely determined, which is not the case. But let us proceed. Tell me, my dear sir, do you admit the existence of volcanoes on the moon's surface?"

Extinct, yes! In activity, no!"

These volcanoes, however, were at one time in a state of activity?"

True, but, as they furnish themselves the oxygen necessary for combustion, the mere fact of their eruption does not prove the presence of an atmosphere."

Proceed again, then; and let us set aside this class of arguments in order to come to direct observations. In 1715 the astronomers Louville and Halley, watching the eclipse of the 3rd of May, remarked some very extraordinary scintillations. These jets of light, rapid in nature, and of frequent recurrence, they attributed to thunderstorms generated in the lunar atmosphere."

In 1715," replied the unknown, "the astronomers Louville and Halley mistook for lunar phenomena some which were purely terrestrial, such as meteoric or other bodies which are generated in our own atmosphere. This was the scientific explanation at the time of the facts; and that is my answer now."

On again, then," replied Ardan; "Herschel, in 1787, observed a great number of luminous points on the moon's surface, did he not?"

Yes! but without offering any solution of them. Herschel himself never inferred from them the necessity of a lunar atmosphere. And I may add that Baeer and Maedler, the two great authorities upon the moon, are quite agreed as to the entire absence of air on its surface."

A movement was here manifest among the assemblage, who appeared to be growing excited by the arguments of this singular personage.

Let us proceed," replied Ardan, with perfect coolness, "and come to one important fact. A skillful French astronomer, M. Laussedat, in watching the eclipse of July 18, 1860, probed that the horns of the lunar crescent were rounded and truncated. Now, this appearance could only have been produced by a deviation of the solar rays in traversing the atmosphere of the moon. There is no other possible explanation of the facts."

But is this established as a fact?"

Absolutely certain!"

A counter-movement here took place in favor of the hero of the meeting, whose opponent was now reduced to silence. Ardan resumed the conversation; and without exhibiting any exultation at the advantage he had gained, simply said:

You see, then, my dear sir, we must not pronounce with absolute positiveness against the existence of an atmosphere in the moon. That atmosphere is, probably, of extreme rarity; nevertheless at the present day science generally admits that it exists."

Not in the mountains, at all events," returned the unknown, unwilling to give in.

No! but at the bottom of the valleys, and not exceeding a few hundred feet in height."

In any case you will do well to take every precaution, for the air will be terribly rarified."

My good sir, there will always be enough for a solitary individual; besides, once arrived up there, I shall do my best to economize, and not to breathe except on grand occasions!"

A tremendous roar of laughter rang in the ears of the mysterious interlocutor, who glared fiercely round upon the assembly.

Then," continued Ardan, with a careless air, "since we are in accord regarding the presence of a certain atmosphere, we are forced to admit the presence of a certain quantity of water. This is a happy consequence for me. Moreover, my amiable contradictor, permit me to submit to you one further observation. We only know one side of the moon's disc; and if there is but little air on the face presented to us, it is possible that there is plenty on the one turned away from us."

And for what reason?"

Because the moon, under the action of the earth's attraction, has assumed the form of an egg, which we look at from the smaller end.

Hence it follows, by Hausen's calculations, that its center of gravity is situated in the other hemisphere. Hence it results that the great mass of air and water must have been drawn away to the other face of our satellite during the first days of its creation."

Pure fancies!" cried the unknown.

No! Pure theories! which are based upon the laws of mechanics, and it seems difficult to me to refute them. I appeal then to this meeting, and I put it to them whether life, such as exists upon the earth, is possible on the surface of the moon?"

Three hundred thousand auditors at once applauded the proposition. Ardan's opponent tried to get in another word, but he could not obtain a hearing. Cries and menaces fell upon him like hail.

Enough! enough!" cried some.

Drive the intruder off!" shouted others.

Turn him out!" roared the exasperated crowd.

But he, holding firmly on to the platform, did not budge an inch, and let the storm pass on, which would soon have assumed formidable proportions, if Michel Ardan had not quieted it by a gesture. He was too chivalrous to abandon his opponent in an apparent extremity.

You wished to say a few more words?" he asked, in a pleasant voice.

Yes, a thousand; or rather, no, only one! If you persevere in your enterprise, you must be a----"

Very rash person! How can you treat me as such? me, who have demanded a cylindro-conical projectile, in order to prevent turning round and round on my way like a squirrel?"

But, unhappy man, the dreadful recoil will smash you to pieces at your starting."

My dear contradictor, you have just put your finger upon the true and only difficulty; nevertheless, I have too good an opinion of the industrial genius of the Americans not to believe that they will succeed in overcoming it."

But the heat developed by the rapidity of the projectile in crossing the strata of air?"

Oh! the walls are thick, and I shall soon have crossed the atmosphere."

But victuals and water?"

I have calculated for a twelvemonth's supply, and I shall be only four days on the journey."

But for air to breathe on the road?"

I shall make it by a chemical process."

But your fall on the moon, supposing you ever reach it?"

It will be six times less dangerous than a sudden fall upon the earth, because the weight will be only one-sixth as great on the surface of the moon."

Still it will be enough to smash you like glass!"

What is to prevent my retarding the shock by means of rockets conveniently placed, and lighted at the right moment?"

But after all, supposing all difficulties surmounted, all obstacles removed, supposing everything combined to favor you, and granting that you may arrive safe and sound in the moon, how will you come back?"

I am not coming back!"

At this reply, almost sublime in its very simplicity, the assembly became silent. But its silence was more eloquent than could have been its cries of enthusiasm. The unknown profited by the opportunity and once more protested:

You will inevitably kill yourself!" he cried; "and your death will be that of a madman, useless even to science!"

Go on, my dear unknown, for truly your prophecies are most agreeable!"

It really is too much!" cried Michel Ardan's adversary. "I do not know why I should continue so frivolous a discussion! Please yourself about this insane expedition! We need not trouble ourselves about you!"

Pray don't stand upon ceremony!"

No! another person is responsible for your act."

Who, may I ask?" demanded Michel Ardan in an imperious tone.

The ignoramus who organized this equally absurd and impossible experiment!"

The attack was direct. Barbicane, ever since the interference of the unknown, had been making fearful efforts of self-control; now, however, seeing himself directly attacked, he could restrain himself no longer. He rose suddenly, and was rushing upon the enemy who thus braved him to the face, when all at once he found himself separated from him.

The platform was lifted by a hundred strong arms, and the president of the Gun Club shared with Michel Ardan triumphal honors. The shield was heavy, but the bearers came in continuous relays, disputing, struggling, even fighting among themselves in their eagerness to lend their shoulders to this demonstration.

However, the unknown had not profited by the tumult to quit his post. Besides he could not have done it in the midst of that compact crowd. There he held on in the front row with crossed arms, glaring at President Barbicane.

The shouts of the immense crowd continued at their highest pitch throughout this triumphant march. Michel Ardan took it all with evident pleasure. His face gleamed with delight. Several times the platform seemed seized with pitching and rolling like a weatherbeaten ship. But the two heros of the meeting had good sea-legs. They never stumbled; and their vessel arrived without dues at the port of Tampa Town.

Michel Ardan managed fortunately to escape from the last embraces of his vigorous admirers. He made for the Hotel Franklin, quickly gained his chamber, and slid under the bedclothes, while an army of a hundred thousand men kept watch under his windows.

During this time a scene, short, grave, and decisive, took place between the mysterious personage and the president of the Gun Club.

Barbicane, free at last, had gone straight at his adversary.

Come!" he said shortly.

The other followed him on the quay; and the two presently found themselves alone at the entrance of an open wharf on Jones' Fall.

The two enemies, still mutually unknown, gazed at each other.

Who are you?" asked Barbicane.

Captain Nicholl!"

So I suspected. Hitherto chance has never thrown you in my way."

I am come for that purpose."

You have insulted me."

Publicly!"

And you will answer to me for this insult?"

At this very moment."

No! I desire that all that passes between us shall be secret. Their is a wood situated three miles from Tampa, the wood of Skersnaw. Do you know it?"

I know it."

Will you be so good as to enter it to-morrow morning at five o'clock, on one side?"

Yes! if you will enter at the other side at the same hour."

And you will not forget your rifle?" said Barbicane.

No more than you will forget yours?" replied Nicholl.

These words having been coldly spoken, the president of the Gun Club and the captain parted. Barbicane returned to his lodging; but instead of snatching a few hours of repose, he passed the night in endeavoring to discover a means of evading the recoil of the projectile, and resolving the difficult problem proposed by Michel Ardan during the discussion at the meeting.

CHAPTER XXI, HOW A FRENCHMAN MANAGES AN AFFAIR

While the contract of this duel was being discussed by the president and the captain-- this dreadful, savage duel, in which each adversary became a man-hunter-- Michel Ardan was resting from the fatigues of his triumph. Resting is hardly an appropriate expression, for American beds rival marble or granite tables for hardness.

Ardan was sleeping, then, badly enough, tossing about between the cloths which served him for sheets, and he was dreaming of making a more comfortable couch in his projectile when a frightful noise disturbed his dreams. Thundering blows shook his door. They seemed to be caused by some iron instrument. A great deal of loud talking was distinguishable in this racket, which was rather too early in the morning. "Open the door," some one shrieked, "for heaven's sake!" Ardan saw no reason for complying with a demand so roughly expressed. However, he got up and opened the door just as it was giving way before the blows of this determined visitor. The secretary of the Gun Club burst into the room. A bomb could not have made more noise or have entered the room with less ceremony.

Last night," cried J. T. Maston, ex abrupto, "our president was publicly insulted during the meeting. He provoked his adversary, who is none other than Captain Nicholl! They are fighting this morning in the wood of Skersnaw. I heard all the particulars from the mouth of Barbicane himself. If he is killed, then our scheme is at an end. We must prevent his duel; and one man alone has enough influence over Barbicane to stop him, and that man is Michel Ardan."

While J. T. Maston was speaking, Michel Ardan, without interrupting him, had hastily put on his clothes; and, in less than two minutes, the two friends were making for the suburbs of Tampa Town with rapid strides.

It was during this walk that Maston told Ardan the state of the case. He told him the real causes of the hostility between Barbicane and Nicholl; how it was of old date, and why, thanks to unknown friends, the president and the captain had, as yet, never met face to face. He added that it arose simply from a rivalry between iron plates and shot, and, finally, that the scene at the meeting was only the long-wished-for opportunity for Nicholl to pay off an old grudge.

Nothing is more dreadful than private duels in America. The two adversaries attack each other like wild beasts. Then it is that they might well covet those wonderful properties of the Indians of the prairies-- their quick intelligence, their ingenious cunning, their scent of the enemy. A single mistake, a moment's hesitation, a single false step may cause death. On these occasions Yankees are often accompanied by their dogs, and keep up the struggle for hours.

What demons you are!" cried Michel Ardan, when his companion had depicted this scene to him with much energy.

Yes, we are," replied J. T. modestly; "but we had better make haste."

Though Michel Ardan and he had crossed the plains still wet with dew, and had taken the shortest route over creeks and ricefields, they could not reach Skersnaw in under five hours and a half.

Barbicane must have passed the border half an hour ago.

There was an old bushman working there, occupied in selling fagots from trees that had been leveled by his axe.

Maston ran toward him, saying, "Have you seen a man go into the wood, armed with a rifle? Barbicane, the president, my best friend?"

The worthy secretary of the Gun Club thought that his president must be known by all the world. But the bushman did not seem to understand him.

A hunter?" said Ardan.

A hunter? Yes," replied the bushman.

Long ago?"

About an hour."

Too late!" cried Maston.

Have you heard any gunshots?" asked Ardan.

No!"

Not one?"

Not one! that hunter did not look as if he knew how to hunt!"

What is to be done?" said Maston.

We must go into the wood, at the risk of getting a ball which is not intended for us."

Ah!" cried Maston, in a tone which could not be mistaken, "I would rather have twenty balls in my own head than one in Barbicane's."

Forward, then," said Ardan, pressing his companion's hand.

A few moments later the two friends had disappeared in the copse. It was a dense thicket, in which rose huge cypresses, sycamores, tulip-trees, olives, tamarinds, oaks, and magnolias. These different trees had interwoven their branches into an inextricable maze, through which the eye could not penetrate. Michel Ardan and Maston walked side by side in silence through the tall grass, cutting themselves a path through the strong creepers, casting curious glances on the bushes, and momentarily expecting to hear the sound of rifles. As for the traces which Barbicane ought to have left of his passage through the wood, there was not a vestige of them visible: so they followed the barely perceptible paths along which Indians had tracked some enemy, and which the dense foliage darkly overshadowed.

After an hour spent in vain pursuit the two stopped in intensified anxiety.

It must be all over," said Maston, discouraged. "A man like Barbicane would not dodge with his enemy, or ensnare him, would not even maneuver! He is too open, too brave. He has gone straight ahead, right into the danger, and doubtless far enough from the bushman for the wind to prevent his hearing the report of the rifles."

But surely," replied Michel Ardan, "since we entered the wood we should have heard!"

And what if we came too late?" cried Maston in tones of despair.

For once Ardan had no reply to make, he and Maston resuming their walk in silence.

From time to time, indeed, they raised great shouts, calling alternately Barbicane and Nicholl, neither of whom, however, answered their cries. Only the birds, awakened by the sound, flew past them and disappeared among the branches, while some frightened deer fled precipitately before them.

For another hour their search was continued. The greater part of the wood had been explored. There was nothing to reveal the presence of the combatants. The information of the bushman was after all doubtful, and Ardan was about to propose their abandoning this useless pursuit, when all at once Maston stopped.

Hush!" said he, "there is some one down there!"

Some one?" repeated Michel Ardan.

Yes; a man! He seems motionless. His rifle is not in his hands. What can he be doing?"

But can you recognize him?" asked Ardan, whose short sight was of little use to him in such circumstances.

Yes! yes! He is turning toward us," answered Maston.

And it is?"

Captain Nicholl!"

Nicholl?" cried Michel Ardan, feeling a terrible pang of grief.

Nicholl unarmed! He has, then, no longer any fear of his adversary!"

Let us go to him," said Michel Ardan, "and find out the truth."

But he and his companion had barely taken fifty steps, when they paused to examine the captain more attentively. They expected to find a bloodthirsty man, happy in his revenge.

On seeing him, they remained stupefied.

A net, composed of very fine meshes, hung between two enormous tulip-trees, and in the midst of this snare, with its wings entangled, was a poor little bird, uttering pitiful cries, while it vainly struggled to escape. The bird-catcher who had laid this snare was no human being, but a venomous spider, peculiar to that country, as large as a pigeon's egg, and armed with enormous claws. The hideous creature, instead of rushing on its prey, had beaten a sudden retreat and taken refuge in the upper branches of the tulip-tree, for a formidable enemy menaced its stronghold.

Here, then, was Nicholl, his gun on the ground, forgetful of danger, trying if possible to save the victim from its cobweb prison. At last it was accomplished, and the little bird flew joyfully away and disappeared.

Nicholl lovingly watched its flight, when he heard these words pronounced by a voice full of emotion:

You are indeed a brave man."

He turned. Michel Ardan was before him, repeating in a different tone:

And a kindhearted one!"

Michel Ardan!" cried the captain. "Why are you here?"

To press your hand, Nicholl, and to prevent you from either killing Barbicane or being killed by him."

Barbicane!" returned the captain. "I have been looking for him for the last two hours in vain. Where is he hiding?"

Nicholl!" said Michel Ardan, "this is not courteous! we ought always to treat an adversary with respect; rest assureed if Barbicane is still alive we shall find him all the more easily; because if he has not, like you, been amusing himself with freeing oppressed birds, he must be looking for you. When we have found him, Michel Ardan tells you this, there will be no duel between you."

Between President Barbicane and myself," gravely replied Nicholl, "there is a rivalry which the death of one of us----"

Pooh, pooh!" said Ardan. "Brave fellows like you indeed! you shall not fight!"

I will fight, sir!"

No!"

Captain," said J. T. Maston, with much feeling, "I am a friend of the president's, his alter ego, his second self; if you really must kill some one, shoot me! it will do just as well!"

Sir," Nicholl replied, seizing his rifle convulsively, "these jokes----"

Our friend Maston is not joking," replied Ardan. "I fully understand his idea of being killed himself in order to save his friend. But neither he nor Barbicane will fall before the balls of Captain Nicholl. Indeed I have so attractive a proposal to make to the two rivals, that both will be eager to accept it."

What is it?" asked Nicholl with manifest incredulity.

Patience!" exclaimed Ardan.

I can only reveal it in the presence of Barbicane."

Let us go in search of him then!" cried the captain.

The three men started off at once; the captain having discharged his rifle threw it over his shoulder, and advanced in silence. Another half hour passed, and the pursuit was still fruitless. Maston was oppressed by sinister forebodings. He looked fiercely at Nicholl, asking himself whether the captain's vengeance had already been satisfied, and the unfortunate Barbicane, shot, was perhaps lying dead on some bloody track. The same thought seemed to occur to Ardan; and both were casting inquiring glances on Nicholl, when suddenly Maston paused.

The motionless figure of a man leaning against a gigantic catalpa twenty feet off appeared, half-veiled by the foliage.

It is he!" said Maston.

Barbicane never moved. Ardan looked at the captain, but he did not wince. Ardan went forward crying:

Barbicane! Barbicane!"

No answer! Ardan rushed toward his friend; but in the act of seizing his arms, he stopped short and uttered a cry of surprise.

Barbicane, pencil in hand, was tracing geometrical figures in a memorandum book, while his unloaded rifle lay beside him on the ground.

Absorbed in his studies, Barbicane, in his turn forgetful of the duel, had seen and heard nothing.

When Ardan took his hand, he looked up and stared at his visitor in astonishment.

Ah, it is you!" he cried at last. "I have found it, my friend, I have found it!"

What?"

My plan!"

What plan?"

The plan for countering the effect of the shock at the departure of the projectile!"

Indeed?" said Michel Ardan, looking at the captain out of the corner of his eye.

Yes! water! simply water, which will act as a spring-- ah! Maston," cried Barbicane, "you here also?"

Himself," replied Ardan; "and permit me to introduce to you at the same time the worthy Captain Nicholl!"

Nicholl!" cried Barbicane, who jumped up at once. "Pardon me, captain, I had quite forgotten-- I am ready!"

Michel Ardan interfered, without giving the two enemies time to say anything more.

Thank heaven!" said he. "It is a happy thing that brave men like you two did not meet sooner! we should now have been mourning for one or other of you. But, thanks to Providence, which has interfered, there is now no further cause for alarm. When one forgets one's anger in mechanics or in cobwebs, it is a sign that the anger is not dangerous."

Michel Ardan then told the president how the captain had been found occupied.

I put it to you now," said he in conclusion, "are two such good fellows as you are made on purpose to smash each other's skulls with shot?"

There was in "the situation" somewhat of the ridiculous, something quite unexpected; Michel Ardan saw this, and determined to effect a reconciliation.

My good friends," said he, with his most bewitching smile, "this is nothing but a misunderstanding. Nothing more! well! to prove that it is all over between you, accept frankly the proposal I am going to make to you."

Make it," said Nicholl.

Our friend Barbicane believes that his projectile will go straight to the moon?" "Yes, certainly," replied the president.

And our friend Nicholl is persuaded it will fall back upon the earth?"

I am certain of it," cried the captain.

Good!" said Ardan. "I cannot pretend to make you agree; but I suggest this: Go with me, and so see whether we are stopped on our journey."

What?" exclaimed J. T. Maston, stupefied.

The two rivals, on this sudden proposal, looked steadily at each other. Barbicane waited for the captain's answer. Nicholl watched for the decision of the president.

Well?" said Michel. "There is now no fear of the shock!"

Done!" cried Barbicane.

But quickly as he pronounced the word, he was not before Nicholl.

Hurrah! bravo! hip! hip! hurrah!" cried Michel, giving a hand to each of the late adversaries. "Now that it is all settled, my friends, allow me to treat you after French fashion. Let us be off to breakfast!"
(to be continued)

IMG_1094
Afternoon on 'Addison's Walk.' Photo by Bob Kirchman.

Seeing Things in 'Living Color'

I need a mathematician that can look beyond the numbers, a math that doesn't yet exist..."
-- Al Harrison in Hidden Figures

My colleague and I just were part of a very interesting discussion of 'lucid dreaming.' It seems there was a study some years ago where participants 'taught' themselves to dream lucidly using sound waves called binural beats. Supposedly the medical students who were the subjects of this study achieved higher grades because they were 'practicing surgeries/outcomes in their sleep.' While this would be hard to substantiate, it does open the fascinating discussion on the place of the human imagination in achieving outcomes.

In my youth, there was an idea floating around that 'sleep learning' would be the wave of the future as lessons would be fed to students as they slumbered. Nothing much ever came out of this.

But the training and use of vivid imagination, however, may indeed be the 'wave of the future.' To find it, however, may require a journey to the past. I recently watched the movie: Hidden Figures, and was fascinated as mathematician Katherine Johnson and her colleagues at NASA are stymied by the problem of calculating a transition from elliptical orbit to a parabolic descent. No modern mathematics would adequately calculate it. Katherine was a mathematical savant however and she dug deep into some antiquated equations to find the answer. She was a mathematician with imagination!

Industrialist R. G. LeTourneau once hit a roadblock, along with his team of engineers as they tried to design a machine to lift airplanes. He left the workgroup one Wednesday evening to go to a prayer meeting. His colleagues protested, reminding him that they had a deadline to meet. Walking home from the prayer meeting, LeTourneau says that he 'saw' the needed design in his mind!

And so we arrive at the wonderful consideration of the place of vivid imagination as an instructor. C. S. Lewis found inspiration in the world of wonder opened to him by a rather lucid observation of nature and the works of Scottish fantasy writer: George MacDonald. Although MacDonald has fallen from favor with some scholars, there is renewed interest in his work, much of which is now in the public domain and so can be here presented. (h/t Kristina Elaine Greer)
(to be continued)

IMG_6163
Photo by Bob Kirchman

THYMEImagined
C. S. Lewis was influenced by the work of George MacDonald.

The Fantastic Imagination
Excerpt from A Dish of Orts (scraps)
By George MacDonald

That we have in English no word corresponding to the German Mährchen, drives us to use the word Fairytale, regardless of the fact that the tale may have nothing to do with any sort of fairy. The old use of the word Fairy, by Spenser at least, might, however, well be adduced, were justification or excuse necessary where need must.

Were I asked, what is a fairytale? I should reply, Read Undine: that is a fairytale; then read this and that as well, and you will see what is a fairytale. Were I further begged to describe the fairytale, or define what it is, I would make answer, that I should as soon think of describing the abstract human face, or stating what must go to constitute a human being. A fairytale is just a fairytale, as a face is just a face; and of all fairytales I know, I think Undine the most beautiful.

Many a man, however, who would not attempt to define a man, might venture to say something as to what a man ought to be: even so much I will not in this place venture with regard to the fairytale, for my long past work in that kind might but poorly instance or illustrate my now more matured judgment. I will but say some things helpful to the reading, in right-minded fashion, of such fairytales as I would wish to write, or care to read.

Some thinkers would feel sorely hampered if at liberty to use no forms but such as existed in nature, or to invent nothing save in accordance with the laws of the world of the senses; but it must not therefore be imagined that they desire escape from the region of law. Nothing lawless can show the least reason why it should exist, or could at best have more than an appearance of life.

The natural world has its laws, and no man must interfere with them in the way of presentment any more than in the way of use; but they themselves may suggest laws of other kinds, and man may, if he pleases, invent a little world of his own, with its own laws; for there is that in him which delights in calling up new forms--which is the nearest, perhaps, he can come to creation. When such forms are new embodiments of old truths, we call them products of the Imagination; when they are mere inventions, however lovely, I should call them the work of the Fancy: in either case, Law has been diligently at work.

His world once invented, the highest law that comes next into play is, that there shall be harmony between the laws by which the new world has begun to exist; and in the process of his creation, the inventor must hold by those laws. The moment he forgets one of them, he makes the story, by its own postulates, incredible. To be able to live a moment in an imagined world, we must see the laws of its existence obeyed. Those broken, we fall out of it. The imagination in us, whose exercise is essential to the most temporary submission to the imagination of another, immediately, with the disappearance, of Law, ceases to act. Suppose the gracious creatures of some childlike region of Fairyland talking either cockney or Gascon! Would not the tale, however lovelily begun, sink at once to the level of the Burlesque--of all forms of literature the least worthy? A man's inventions may be stupid or clever, but if he do not hold by the laws of them, or if he make one law jar with another, he contradicts himself as an inventor, he is no artist. He does not rightly consort his instruments, or he tunes them in different keys. The mind of man is the product of live Law; it thinks by law, it dwells in the midst of law, it gathers from law its growth; with law, therefore, can it alone work to any result. Inharmonious, unconsorting ideas will come to a man, but if he try to use one of such, his work will grow dull, and he will drop it from mere lack of interest. Law is the soil in which alone beauty will grow; beauty is the only stuff in which Truth can be clothed; and you may, if you will, call Imagination the tailor that cuts her garments to fit her, and Fancy his journeyman that puts the pieces of them together, or perhaps at most embroiders their button-holes. Obeying law, the maker works like his creator; not obeying law, he is such a fool as heaps a pile of stones and calls it a church.

In the moral world it is different: there a man may clothe in new forms, and for this employ his imagination freely, but he must invent nothing. He may not, for any purpose, turn its laws upside down. He must not meddle with the relations of live souls. The laws of the spirit of man must hold, alike in this world and in any world he may invent. It were no offence to suppose a world in which everything repelled instead of attracted the things around it; it would be wicked to write a tale representing a man it called good as always doing bad things, or a man it called bad as always doing good things: the notion itself is absolutely lawless. In physical things a man may invent; in moral things he must obey--and take their laws with him into his invented world as well.

You write as if a fairytale were a thing of importance: must it have a meaning?"

It cannot help having some meaning; if it have proportion and harmony it has vitality, and vitality is truth. The beauty may be plainer in it than the truth, but without the truth the beauty could not be, and the fairytale would give no delight. Everyone, however, who feels the story, will read its meaning after his own nature and development: one man will read one meaning in it, another will read another.

If so, how am I to assure myself that I am not reading my own meaning into it, but yours out of it?"

Why should you be so assured? It may be better that you should read your meaning into it. That may be a higher operation of your intellect than the mere reading of mine out of it: your meaning may be superior to mine.

Suppose my child ask me what the fairytale means, what am I to say?"

A Horse Web
Illustration by Kristina Elaine Greer.

If you do not know what it means, what is easier than to say so? If you do see a meaning in it, there it is for you to give him. A genuine work of art must mean many things; the truer its art, the more things it will mean. If my drawing, on the other hand, is so far from being a work of art that it needs THIS IS A HORSE written under it, what can it matter that neither you nor your child should know what it means? It is there not so much to convey a meaning as to wake a meaning. If it do not even wake an interest, throw it aside. A meaning may be there, but it is not for you. If, again, you do not know a horse when you see it, the name written under it will not serve you much. At all events, the business of the painter is not to teach zoology.

But indeed your children are not likely to trouble you about the meaning. They find what they are capable of finding, and more would be too much. For my part, I do not write for children, but for the childlike, whether of five, or fifty, or seventy-five.

A fairytale is not an allegory. There may be allegory in it, but it is not an allegory. He must be an artist indeed who can, in any mode, produce a strict allegory that is not a weariness to the spirit. An allegory must be Mastery or Moorditch.

A fairytale, like a butterfly or a bee, helps itself on all sides, sips at every wholesome flower, and spoils not one. The true fairytale is, to my mind, very like the sonata. We all know that a sonata means something; and where there is the faculty of talking with suitable vagueness, and choosing metaphor sufficiently loose, mind may approach mind, in the interpretation of a sonata, with the result of a more or less contenting consciousness of sympathy. But if two or three men sat down to write each what the sonata meant to him, what approximation to definite idea would be the result? Little enough--and that little more than needful. We should find it had roused related, if not identical, feelings, but probably not one common thought. Has the sonata therefore failed? Had it undertaken to convey, or ought it to be expected to impart anything defined, anything notionally recognizable?

But words are not music; words at least are meant and fitted to carry a precise meaning!"

It is very seldom indeed that they carry the exact meaning of any user of them! And if they can be so used as to convey definite meaning, it does not follow that they ought never to carry anything else. Words are live things that may be variously employed to various ends. They can convey a scientific fact, or throw a shadow of her child's dream on the heart of a mother. They are things to put together like the pieces of a dissected map, or to arrange like the notes on a stave. Is the music in them to go for nothing? It can hardly help the definiteness of a meaning: is it therefore to be disregarded? They have length, and breadth, and outline: have they nothing to do with depth? Have they only to describe, never to impress? Has nothing any claim to their use but the definite? The cause of a child's tears may be altogether undefinable: has the mother therefore no antidote for his vague misery? That may be strong in colour which has no evident outline. A fairytale, a sonata, a gathering storm, a limitless night, seizes you and sweeps you away: do you begin at once to wrestle with it and ask whence its power over you, whither it is carrying you? The law of each is in the mind of its composer; that law makes one man feel this way, another man feel that way. To one the sonata is a world of odour and beauty, to another of soothing only and sweetness. To one, the cloudy rendezvous is a wild dance, with a terror at its heart; to another, a majestic march of heavenly hosts, with Truth in their centre pointing their course, but as yet restraining her voice. The greatest forces lie in the region of the uncomprehended.

I will go farther.--The best thing you can do for your fellow, next to rousing his conscience, is--not to give him things to think about, but to wake things up that are in him; or say, to make him think things for himself. The best Nature does for us is to work in us such moods in which thoughts of high import arise. Does any aspect of Nature wake but one thought? Does she ever suggest only one definite thing? Does she make any two men in the same place at the same moment think the same thing? Is she therefore a failure, because she is not definite? Is it nothing that she rouses the something deeper than the understanding--the power that underlies thoughts? Does she not set feeling, and so thinking at work? Would it be better that she did this after one fashion and not after many fashions? Nature is mood-engendering, thought-provoking: such ought the sonata, such ought the fairytale to be.

But a man may then imagine in your work what he pleases, what you never meant!"

Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things; what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own.

But surely you would explain your idea to one who asked you?"

I say again, if I cannot draw a horse, I will not write THIS IS A HORSE under what I foolishly meant for one. Any key to a work of imagination would be nearly, if not quite, as absurd. The tale is there, not to hide, but to show: if it show nothing at your window, do not open your door to it; leave it out in the cold. To ask me to explain, is to say, "Roses! Boil them, or we won't have them!" My tales may not be roses, but I will not boil them.

So long as I think my dog can bark, I will not sit up to bark for him.

If a writer's aim be logical conviction, he must spare no logical pains, not merely to be understood, but to escape being misunderstood; where his object is to move by suggestion, to cause to imagine, then let him assail the soul of his reader as the wind assails an aeolian harp. If there be music in my reader, I would gladly wake it. Let fairytale of mine go for a firefly that now flashes, now is dark, but may flash again. Caught in a hand which does not love its kind, it will turn to an insignificant, ugly thing, that can neither flash nor fly.

The best way with music, I imagine, is not to bring the forces of our intellect to bear upon it, but to be still and let it work on that part of us for whose sake it exists. We spoil countless precious things by intellectual greed. He who will be a man, and will not be a child, must--he cannot help himself--become a little man, that is, a dwarf. He will, however, need no consolation, for he is sure to think himself a very large creature indeed.

If any strain of my "broken music" make a child's eyes flash, or his mother's grow for a moment dim, my labour will not have been in vain.

The paper on The Fantastic Imagination had its origin in the repeated request of readers for an explanation of things in certain shorter stories I had written. It forms the preface to an American edition of my so-called Fairy Tales. -- George MacDonald

Rainy Mountain Hike at Blackrock
'Wood Between the Worlds.' Photo by Bob Kirchman.

Astronaut Alan Bean
Moonwalker, Skylab Commander, Artist



Michael Curry's Message of Love



PontifusBANNER