Tuesday, November 27, 2018

Special Advent Edition, Astound the Age, Einstein

advent
Volume XV, Issue XXII

A Repeat of One of Our Favorite Issues

The Forgotten Season

The turkey leftovers were still cooling when the much media hyped 'Black Friday' events began. In a Long Island Wal Mart, a young associate was trampled to death as bargain hunters literally broke down the doors. A young man had to die because twenty dollars could be saved on flatscreens. Managers closed the store and someone actually was irate that he couldn't get in. Come on, if a colleague has died, its 'Game Over' on the shopping frenzy. Close the store and try to help the poor man's significant others. To hell with reopening for the remainder of the day! Management reopened the store at one o'clock that afternoon. Satirical publication 'The Onion' came out with a story where thousands were 'reported' to have died in Black Friday shopping. I did not find it funny. One death to satisfy the greed gods is too many. Our prayers go out to the family and friends of this young man. May they find comfort.

Lost in the madness of Black Friday, Cyber Monday and yes, even Small Business Saturday is the wonderful celebration of Advent. The high churches still celebrate it. It is a time of waiting and preparation for the miracle to come. It is so un-modern! It ties us to history. The traditions of Judaism are full of waiting. Abraham and Sarah saw the child of promise when they were way past the age of child bearing. I sometimes think of one-hundred year old Sarah as a preschool parent and join her in her laughter! Then there was Joseph and his imprisonment, followed by hundreds of years of exile in Egypt. We often think about the Promised Land, but we forget that all Promised Lands seem to require a prep!

In fact, there came a time when people forgot the lessons of the brick kilns and lost the Promised Land to the Babylonians and the Persians. The Temple, center of worship, was destroyed. But it was in this time of living as expats that the community of the Synagogue strengthened the people anew. Ezra and Nehemiah presided over a return to the land of promise. Again, the promise required a prep. As the exiles built the prosperity of Persia, they prepared themselves for the time when they would build their own.

A second Temple was built. The exiles returned. Then came the great empires of the Greeks and the Romans. The Temple was rebuilt, but the heavy hand of Roman rule presided over a time of trouble. Many looked to the future Messiah to put things aright. Indeed, there were many who claimed to BE Messiah. They came and went. But in a time when Heaven seemed so distant, there came another child of promise... to a couple way past child bearing. John the Baptist, a "Voice crying in the wilderness," came saying: "Prepare ye the way of the Lord." At the same season of history, his mother Elizabeth's cousin Mary came to visit.

Mary had been visited by an angel and told that she, a virgin, would bear the child of promise. Though this was an incredible blessing, she faced the prospect of unwed motherhood... in a culture that stoned you for it. Her betrothed, however, had also been given a message from Heaven, that he should take her for his wife. What incredible faith and love! When I chose my Confirmation name, as a boy, I took the name Joseph. It was not that I ever thought I could match such selfless love, but that I so admired it! Even to this day, some of the people I admire the most are those men who have stepped into the lives of children they did not physically father, and yet have earned the name Dad nonetheless! These men live as both an example and a challenge to me. Some of them are my juniors in years, but they far surpass in their maturity!

Such are the lessons we miss if we merely content ourselves with instant gratification. There is an old saying: "Rome wasn't built in a day." Indeed our own nation cast off from its sure position as an English colony to pursue an uncertain future. In 1812 England returned to burn the young country's capital. The White House is so called because its sandstone outer walls had to be painted after the burning left them permanently blackened. By the middle of the Nineteenth Century, however, Isambard Kingdom Brunel was building great ships to strengthen Bristol's trade with America. A hundred years after barely surviving her revolution, the nation we know had taken her place as a world power.

Why Advent is Important to Artists [click to read]

Advent is a celebration of the incarnation. It is perhaps the greatest of Christian mysteries, that the Creator G-d would voluntarily and willfully become Man. The Infinite would clothe Himself in the finite. G-d would love us to such a degree that He would become one of us, G-d with Us, Emmanuel." -- Manuel Luz

We do well to celebrate Advent, though it is largely forgotten in the popular narrative, because it causes us to pause and prepare. In a world where preparation is limited to four years it does us good to remember the lessons of centuries. Advent allows us to step back from our busy lives and ponder timeless truths... like the man that the Bethlehem baby grew to be. He too died, some say on a Friday, but his death was not just his own. Did He indeed carry the sins of the world? The account of His Resurrection causes us to ponder mysteries far greater than ourselves and our puny wants. We should indeed consider the life of this man.

Art is incarnational by nature. Art is the incarnation of concepts and ideas and emotions onto a canvas or a page or a stage or a screen. The act of art is to take these ideas and flesh them out in our artistic mediums—the visual arts, the literary arts, dance and movement, cinema and videography, music, theater. In the same way, our Artist G-d takes His love for us and fleshes it out by entering into the universe by becoming human. Jesus, “through Him all things were made,” becomes man." -- Manuel Luz

Autumn Evening
Autumn Evening. Photo by Bob Kirchman.

Photos Around Staunton

Edgewoodnew
Snow highlights this house in Staunton, Virginia, designed by noted architect T. J. Collins. Photo by Bob Kirchman

IMG_4032
The firm of T. J. Collins also designed The Church of the Good Shepherd which was built in 1924. The sanctuary originally had oil lamps. Photo by Bob Kirchman

smileWeb
Isn't this a great message! When I saw this, I smiled back!  
Photo by Bob Kirchman

Paul Smith's Typewriter Art


A man with severe cerebral palsy creates amazing compositions on a typewriter!

Albert Einstein, Extraordinary Genius



Astound the Age

AstoundtheAge

Michel Dufrénoy's Guide to Our Past Century
By Bob Kirchman

Copyright © 2018, The Kirchman Studio, all rights reserved

In 1863, right after the publication of Five Weeks in a Balloon, Jules Verne presented his publisher Jules Hetzel the manuscript for Paris in the Twentieth Century. Hetzel rejected it. Verne’s great-grandson, Jean Verne discovered the manuscript and published it. The story follows young Michel Dufrénoy through a future world that has forgotten the influence of true art and fallen into a harsh utilitarianism. The story ends with Dufrénoy collapsing in the snow. Here I engage in a bit of ‘fan literature’ as I offer a sequel to Paris in the 20th Century.

So this is what death is like” thought Michel Dufrénoy. His hand turning blue clutching the ruined violets. The demon of electricity no longer tormented his mind. Instead he heard what must have been the voice of an angel. As his life ebbed away the young poet heard a lovely voice… strangely familiar. Something stirred him to a heightened consciousness and the voice grew stronger. Now imperative! “Wake up!” His mind jolted to alertness and Michel thought to himself “this cannot be!” Yet, in the thoroughness of his search, he had stumbled into this precinct most thought deserted… yet there was the voice… again! Begging him to rouse! Dufrénoy struggled to rise and fell unconscious back into the snow.

Consciousness returned and Michel found himself lying on a mat in some sort of subterranean conduit. It was a round tube lined with brick and its walls bore the evidence of seeping water, the stains confirming the young man’s suspicion that he was indeed underground. At this moment, anyway, the tunnel was dry. Michel was wrapped in blankets and surrounded by heated bricks. He was coming back from the dead! A single light dangled from a wire in the tunnel and though it was electric, it was dim – an antiquated device which gave a very limited light to the catacomb in which it shown. As he stirred, an old woman emerged from the darkness to check on him. “How do you feel?” she asked. Michel Dufrénoy could only manage a groan.

So, what had befallen our young protagonist? Though he would not remember it, his new benefactor told him the story as he regained his faculties. Indeed he had fallen in the snow of the cemetery and was almost dead when a member of their group returning to the catacombs found him. This person tried to rouse him but when she could not, convinced some of the community to risk bringing him inside. The tombs of major cities often were places not inhabited – but providing shelter to those outside of the civilization proper. In Rome, the catacombs had provided space for the faithful to worship during the harsh reign of unfriendly emperors. Here in the mausoleum district was a bit of abandoned air and steam tunnel in which lived a community in exile.

The entrance to this place was a well-hidden shaft built for maintenance that was inside the precincts of the cemetery. The falling snow had made it imperative that they refrain from sorties outside the tunnels so as not to leave footprints but one of their members required medicine and so a close relative had volunteered to carefully leave the community and return. She was the one who found Michel. There are many stories, particularly from the great American war a hundred years before, of departed loved ones appearing in dreams to their most cherished as they leave this world and Michel pondered the voice he recalled so clearly in his brief moment of regained consciousness in the snow. Indeed the ruined violets spoke to a love that would sacrifice – a higher love from an abandoned time.

He thought about the modern technocrat’s abandonment of faith in the Divine – and the ‘miracles’ recorded in the past that the moderns derided. Even Michel was no strong believer. The church existed to instill order in society and bury the dead. It was not a good thing to have religious fervor as that was often the stuff of conflict. But the Twentieth Century had experienced great travail as a result of diminishing faith in other ways. True, there were no longer wars over doctrines but the life of family and community had withered as personal satisfaction became the only motivator in society. Michel had never thought much about the Divine, but now he pondered his strange new circumstances and the vision that had preceded them.

Chapter Two

When Michel Dufrénoy regained a bit more consciousness he was delighted to see his old friend Monsieur Richelot! The old professor warmly embraced his pupil and after some amazed pleasantries, told his story. “Indeed I was being evicted for not paying my rent. My tenure as a teacher came to an end with the withdrawal of my last miserable student. One of my old colleagues came to visit me as I was cleaning out my office and let me know of this place. Lucy and I have joined the classics in exile, I fear. You must, however, be extremely grateful that she dared to go out for my much needed medicine, for it was she who found you, almost frozen to death! Be assured she convinced us to go outside at great risk and bring you inside. Thankfully the snow keeps falling and we have other entrances when we need them.”

At that moment Lucy emerged from the darkness, her eyes saying more than any words, even those of a great poet, could ever hope to express. Michel tenderly squeezed her hand, apologizing for not successfully conveying the violets to her. At that she raised her other hand displaying the ruined blossoms. Sweet laughter filled the illuminated space in the tunnel!

What followed was a long and slow period of healing. The three friends discussed their cherished literature and read aloud from volumes Richelot had been able to bring into the catacomb. Meals were bland, assembled from a forgotten cache of survival grains, primarily rice, that had been discovered in a forgotten shelter from times when men still waged war. Mushrooms, grown in the tunnels, provided flavor and some additional nourishment but alas, there was no way to create the richness of flavor that most had enjoyed above ground. Michel asked about Quinsonnas. Was there any news of his old colleague? Richelot knew nothing. Would the pianist emerge to ‘Astound the Age?’ No one knew. Gradually Michel met the other members of the community. There were poets, painters, musicians and dreamers. Misfits all!

As the young man grew stronger, it was time for him to enter into the life of the community. Richelot’s recommendation was all that it required. Now he was party to the deeper discussion of what would become of them. It was already decided that modern France held no place for them, but the plan was to immigrate to French America. How would they pay for passage in steerage of some vessel like Leviathon IV, the young man wondered? Richelot explained, “There are others, who you will not see. They are still in the employ of industry and commerce, but their hearts are with us. We have entered into a pact that will take us all to the wilds of Quebec and the acquisition of some land on which we may farm… and create! Will you come with us?”

Dear Monsieur Richelot! You know my answer.”

And so, young Dufrénoy entered into the life of the community. He often ran the dangerous errands necessary to maintain contact with the working members of the resistance. His skill at stealth made him an important agent of the little group and though there was no wealth to the group as yet, he mustered his courage to pursue talk of a future with Lucy. He could make no promise of established wealth, but he could offer the strength of a pioneer. He would work like a dog to provide for his family and in a new world, Hopes would become reality. Though he had lost the manuscript, Michel recalled the best of his words and began to write anew.

The Winter of the great freeze grudgingly came to an end. For the next year the group continued to work and save. Dufrénoy made his way into the outlying suburbs of Paris and secured employment as a clerk. He was able to rent a bunk in a modest dormitory and so contribute more to the cost of passage. With the blessing of the community he purchased some new clothes as well. His trips to the catacombs were of necessity few, but one day he appeared in his new clothes with a bouquet of local violets and a basket of nice foods and wine. “Monsieur Richelot,” he began, “I have to ask you a very important question.”

So began the engagement of Monsieur Dufrénoy and Lucy. The wedding would take place on the first day the ship was in international waters!

Chapter Three

Dufrénoy returned to his work a man with a mission. His employers thought him ambitious and seeking advancement. He soon rose to the level of the management he despised but kept to his simple lodgings. This required no small feat of stealth in itself, for an upwardly mobile young man was expected to live in the high opulence of self-indulgence he was entitled to. Michel deftly acquired a set of house plans and spent a bit of break-time in marking them up, changing room dimensions and moving walls. Possibly the dwelling so rendered could be built in Quebec. On weekends he sometimes went to look at land. His coworkers, convinced of his energies being expended in pursuit of the perfect dwelling, wondered not at his current economy of living.

His closest comrade at work was a Monsieur Jean Dumont, a clerk as he was, who had some interest in the arts, though he professed no talent. They occasionally discussed literature together though Dumont’s tastes disturbingly favored such works as ‘Song of the Turbines.’ Still, he was eclectic enough in his tastes that he possessed some of the old volumes. His reading included the works of the great engineer Claudius Crozet, who had built railroads in America and Isambard Kingdom Brunel. Rather than a crass fascination with industrialism in itself, Dumont admired these engineers of French descent for the poetry of their designs. Brunel’s bridges, though works of infrastructure, were works of art as well. Often his bridges incorporated Egyptian themes and his arches were graceful to behold. His Clifton Suspension Bridge was so beautiful it became the Iconic symbol of an English City.

Dumont and Dufrénoy worked for a large company that specialized in building bridges and highways. They both lamented the utilitarian nature of the projects they built in 1962. They also seemed to share a more frugal outlook in personal matters than their colleagues and often enjoyed a drink together, eschewing the lavish evenings enjoyed by their fellows. Jean had a modest house near the company which he lived in with his wife and children. Eventually he offered Michel a very reasonable rental of his extra bedroom. Since it was not much more than the dormitory and there was no commuting expense, it was a deal quickly sealed. On the occasional weekends when he went to see Lucy, there was nothing at all suspicious about it, save he simply disappeared from view for a few days.

The next year progressed rapidly and soon it would be time to sail. Since he lived ‘above ground,’ there was nothing unusual about Michel’s resignation and announcement that he was off to the Americas. Surely he would find employment with those audacious companies proposing even bigger motorways and a bridge from America to Asia! The future was bright indeed and Monsieur Dufrénoy would be there to take part in it! Passage was secured on a German vessel, the Wilhelm, for the Spring of 1964.
(to be continued)

1961_bridge-between-usa-russia-1961a
In 1961, Russian engineer Peter Borisov proposed a dam across the Bering Strait that would carry a superhighway between Siberia and Alaska. The dam was planned as a climate modifying proposal that Borisov believed would warm Siberia. [1.]

ShadowTHYME
Volume XII, Issue XIV

Phantasies
By George MacDonald, Chapter 8

I am a part of the part, which at first was the whole."
~ Mephistopheles in Johann Wolfgang von Goethe's Faust.

My spirits rose as I went deeper; into the forest; but I could not regain my former elasticity of mind. I found cheerfulness to be like life itself--not to be created by any argument. Afterwards I learned, that the best way to manage some kinds of pain fill thoughts, is to dare them to do their worst; to let them lie and gnaw at your heart till they are tired; and you find you still have a residue of life they cannot kill. So, better and worse, I went on, till I came to a little clearing in the forest. In the middle of this clearing stood a long, low hut, built with one end against a single tall cypress, which rose like a spire to the building. A vague misgiving crossed my mind when I saw it; but I must needs go closer, and look through a little half-open door, near the opposite end from the cypress. Window I saw none. On peeping in, and looking towards the further end, I saw a lamp burning, with a dim, reddish flame, and the head of a woman, bent downwards, as if reading by its light. I could see nothing more for a few moments. At length, as my eyes got used to the dimness of the place, I saw that the part of the rude building near me was used for household purposes; for several rough utensils lay here and there, and a bed stood in the corner.

An irresistible attraction caused me to enter. The woman never raised her face, the upper part of which alone I could see distinctly; but, as soon as I stepped within the threshold, she began to read aloud, in a low and not altogether unpleasing voice, from an ancient little volume which she held open with one hand on the table upon which stood the lamp. What she read was something like this:

So, then, as darkness had no beginning, neither will it ever have an end. So, then, is it eternal. The negation of aught else, is its affirmation. Where the light cannot come, there abideth the darkness. The light doth but hollow a mine out of the infinite extension of the darkness. And ever upon the steps of the light treadeth the darkness; yea, springeth in fountains and wells amidst it, from the secret channels of its mighty sea. Truly, man is but a passing flame, moving unquietly amid the surrounding rest of night; without which he yet could not be, and whereof he is in part compounded."

As I drew nearer, and she read on, she moved a little to turn a leaf of the dark old volume, and I saw that her face was sallow and slightly forbidding. Her forehead was high, and her black eyes repressedly quiet. But she took no notice of me. This end of the cottage, if cottage it could be called, was destitute of furniture, except the table with the lamp, and the chair on which the woman sat. In one corner was a door, apparently of a cupboard in the wall, but which might lead to a room beyond. Still the irresistible desire which had made me enter the building urged me: I must open that door, and see what was beyond it. I approached, and laid my hand on the rude latch. Then the woman spoke, but without lifting her head or looking at me: "You had better not open that door." This was uttered quite quietly; and she went on with her reading, partly in silence, partly aloud; but both modes seemed equally intended for herself alone. The prohibition, however, only increased my desire to see; and as she took no further notice, I gently opened the door to its full width, and looked in. At first, I saw nothing worthy of attention. It seemed a common closet, with shelves on each hand, on which stood various little necessaries for the humble uses of a cottage. In one corner stood one or two brooms, in another a hatchet and other common tools; showing that it was in use every hour of the day for household purposes. But, as I looked, I saw that there were no shelves at the back, and that an empty space went in further; its termination appearing to be a faintly glimmering wall or curtain, somewhat less, however, than the width and height of the doorway where I stood. But, as I continued looking, for a few seconds, towards this faintly luminous limit, my eyes came into true relation with their object. All at once, with such a shiver as when one is suddenly conscious of the presence of another in a room where he has, for hours, considered himself alone, I saw that the seemingly luminous extremity was a sky, as of night, beheld through the long perspective of a narrow, dark passage, through what, or built of what, I could not tell. As I gazed, I clearly discerned two or three stars glimmering faintly in the distant blue. But, suddenly, and as if it had been running fast from a far distance for this very point, and had turned the corner without abating its swiftness, a dark figure sped into and along the passage from the blue opening at the remote end. I started back and shuddered, but kept looking, for I could not help it. On and on it came, with a speedy approach but delayed arrival; till, at last, through the many gradations of approach, it seemed to come within the sphere of myself, rushed up to me, and passed me into the cottage. All I could tell of its appearance was, that it seemed to be a dark human figure. Its motion was entirely noiseless, and might be called a gliding, were it not that it appeared that of a runner, but with ghostly feet. I had moved back yet a little to let him pass me, and looked round after him instantly. I could not see him.

Where is he?" I said, in some alarm, to the woman, who still sat reading.

There, on the floor, behind you," she said, pointing with her arm half-outstretched, but not lifting her eyes. I turned and looked, but saw nothing. Then with a feeling that there was yet something behind me, I looked round over my shoulder; and there, on the ground, lay a black shadow, the size of a man. It was so dark, that I could see it in the dim light of the lamp, which shone full upon it, apparently without thinning at all the intensity of its hue.

I told you," said the woman, "you had better not look into that closet."

What is it?" I said, with a growing sense of horror.

It is only your shadow that has found you," she replied. Everybody's shadow is ranging up and down looking for him. I believe you call it by a different name in your world: yours has found you, as every person's is almost certain to do who looks into that closet, especially after meeting one in the forest, whom I dare say you have met."

Here, for the first time, she lifted her head, and looked full at me: her mouth was full of long, white, shining teeth; and I knew that I was in the house of the ogre. I could not speak, but turned and left the house, with the shadow at my heels. "A nice sort of valet to have," I said to myself bitterly, as I stepped into the sunshine, and, looking over my shoulder, saw that it lay yet blacker in the full blaze of the sunlight. Indeed, only when I stood between it and the sun, was the blackness at all diminished. I was so bewildered--stunned--both by the event itself and its suddenness, that I could not at all realise to myself what it would be to have such a constant and strange attendance; but with a dim conviction that my present dislike would soon grow to loathing, I took my dreary way through the wood.
(to be continued after Christmas)

Peach Blossoms

IMG_9625a_web

Peach Blossoms

Peach Blossoms

Peach Blossoms

Peach Blossoms
Peach Blossoms, Crozet, Virginia. Photos by Bob Kirchman

Stone Head Nature Preserve
Nashville, Indiana, By Melissa K. Hand

IMG_4809
This is at Stone Head Nature Preserve in Nashville, Indiana. 
Photo by M. K. Hand.

This little area is literally called Stone Head. There was once a beautiful stone head carving right here at this location, and at one time the carving had arrows pointing in different directions telling how many miles it was to certain towns. About two years ago, we drove family out there to see it. As we were pulling up, something was very off, and I thought my eyes were playing tricks on me. As we got closer, I realized to my horror that the stone head was gone. Vandals had broken the giant head off this statue and stolen it. I was so upset. I think it had been there for over 200 years. Carved from sandstone by an early Indiana settler named Henry Cross and known as Stone Head, the statue was erected to give travelers directions. Carved onto its 2-foot-tall base were directions to nearby towns. On top of the base was a likeness of a human head. The head was lopped off some time during the first week of November of 2016.

IMG_4810
The ‘Stone Head.’ Photo by M. K. Hand.

Rationalizing Ugliness
[click to read]

By Theodore Dalrymple

Some things are too obvious for intellectuals to notice. It’s as if intellectuals were provided with a special kind of spectacles that automatically screens out what everyone else can plainly see. What, after all, is the point of being an intellectual if your perceptions are the same as everyone else’s? I recently observed an example of this strange dichotomy between the perceptions of ordinary people and those of intellectuals. Someone who did not know Paris came to visit me there, arriving by train. Knowing that Paris is regarded (rightly) as one of the most beautiful cities in the world, he was astonished by the sheer eye-scoring ugliness of the approaches to the city center. He had not expected such a thing. He asked me whether there was something wrong with him. I assured him that there was nothing wrong with either his eyesight or his aesthetic judgment; the approaches to Paris are indeed of a visual hideousness that one might expect of the capital of a Third World country that had undergone uncontrolled rapid growth. (read more)

Pursuing Beauty
By Bob Kirchman

IMG_4064
I attempted to capture the movement of a migrating monarch butterfly in this birthday card for Kristina Elaine Greer.

It was a happy time, assisting my students in painting a mural of sunflowers on a building in Staunton, Virginia. Soon I was asked to do a smaller ‘knock off’ of the mural for a gentleman in Swoope, Virginia. The monarchs were in full migration, landing regularly among the gentleman’s grape vines. I was drawn to their beautiful mystery and even painted one into the mural. Such is the draw of objective beauty – something that seems quite elusive in our time – but enough of us respond to it nonetheless. Here in THYME we have presented the thoughts of Roger Scruton [1.] and Bishop Robert Barron [2.] on that very subject.

The Apostle Paul, in the first chapter of his letters to the Romans, describes a society that turns its back on the source of objective beauty and turns instead to the momentarily satisfying. The result is a descent into tawdry and decadent ‘alternatives.’ The present age’s ‘Intoxication with Ugliness’ should concern us for that very reason. Those who neglect the Holy work of elevating our culture participate in its vandalism.

PontifusBANNER

Tuesday, November 20, 2018

Special Thanksgiving Edition, Verne's 'Lost' Novel

THYMEthanks
Volume XV, Issue XXI

A Repeat of One of Our Favorite Issues

Thanksgiving is Good for You

Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name. For the LORD is good and his love endures forever; his faithfulness continues through all generations.” -- Psalm 100:4-5 NIV

The 'other' Weekly News Magazine [click to read] once featured the story: "Why ANXIETY is Good for You." We at THYME see this one a bit differently. In the Bible, Philippians 4:6 exhorts us NOT to be anxious. Rather we are to view our needs in light of our relationship to a loving G-d. Indeed, our requests are presented in light of the gratitude we feel as we consider the goodness and provision to be found in the Divine.

Not be anxious? In today's world? That is precisely the direction given the believer. We live in a stress-filled world and we are not commanded to shut ourselves away but rather to interact with it... becoming a conduit for G-d's Love to reach it. Indeed History shows us people of Faith fighting plagues, caring for the helpless and generally DOING things, often navigating the best course we can in unclear situations. We are NOT helpless, though we often seem to labor in insufficient light.

Fitting thoughts as we celebrate the feast of Thanksgiving. These are indeed anxious times, and it is easy to become overwhelmed by the general angst of the period we live in. History tells us of Divine promise and fulfillment. The Patriarchs piled up stones to remind them of G-d's faithfulness in the past and to keep them faithful as they waited to see His faithfulness in their present lives.

And it shall be on the day when ye shall pass over Jordan unto the land which the LORD thy God giveth thee, that thou shalt set thee up great stones, and plaister them with plaister: And thou shalt write upon them all the words of this law, when thou art passed over, that thou mayest go in unto the land which the LORD thy God giveth thee, a land that floweth with milk and honey; as the LORD God of thy fathers hath promised thee." -- Deuteronomy 27:2-3

Indeed, one must recount the stories of how G-d met needs in times past. One must also tell of the promises of G-d. Faith needs fuel, and Gratitude is the substance that makes our faith burn bright, even in the darkest of times.

Standing on the Promises [1.]

Standing on the promises of Christ my King,
through eternal ages let his praises ring;
glory in the highest, I will shout and sing,
standing on the promises of G-d.
Refrain:
Standing, standing,
standing on the promises of Christ my Savior;
standing, standing,
I'm standing on the promises of G-d.

Standing on the promises that cannot fail,
when the howling storms of doubt and fear assail,
by the living Word of G-d I shall prevail,
standing on the promises of G-d.
(Refrain)

3. Standing on the promises of Christ the Lord,
bound to him eternally by love's strong cord,
overcoming daily with the Spirit's sword,
standing on the promises of G-d.
(Refrain)

4. Standing on the promises I cannot fall,
listening every moment to the Spirit's call,
resting in my Savior as my all in all,
standing on the promises of G-d.
(Refrain)


The staff of THYME wish you a most blessed Thanksgiving!

The 'Common Course and Condition' 
America's First Experiment with Socialism

When the Pilgrims first set up their economic system in Plymouth they opted for a system where all the results of their labor were held in common. All of the colonists then drew from the common store what they lived on. The Common Course and Condition, as this system was called, resulted in some bad feelings on the part of those who produced effectively and some lack of initiative on the part of those who were happy to have the food without the work.

The system produced constant shortages and a man who rose early and worked diligently came quite naturally to resent his neighbor who slept in and contributed less effort. Friction was high among the colonists and in 1623 Governor William Bradford declared the common course a failure.

The colonists were next assigned plots by families. Larger families were given larger plots. Everyone was responsible for the production of his own land and growing food for his own family. The results were notable. Far more crops were planted and tended. There was plenty instead of shortage and all in response to this new sense of ownership.

Church Found where 
Pocahontas was Married

pocohantis_3
Her eyes meet yours as you enter the Virginia Executive Mansion. A young girl from days long ago, yet her presence in the foyer immediately captured my attention. There are two portraits of Pocahontas in the room, one in English clothing (below) and the more familiar rendering seen above.

pocohantis
Pocahontas's formal names were Matoaka (or Matoika) and Amonute. Pocahontas is a childhood name that perhaps referred to her playful nature. After her marriage to John Rolfe, she was known as Rebecca Rolfe.

Archeologists say that they have Discovered the Church [click to read] where Pocahontas married Jamestown planter John Rolfe.

Harvest Hymn Written 
in 1844 by Henry Alford

hymn2
“Come, Ye Thankful People, Come” is a harvest hymn written in 1844 by Henry Alford. It is often sung to the tune “St. George's Windsor” by George Job Elvey. So I created this in light of Thanksgiving to remind us of what we should really be thankful for. Two of my photos are overlayed with the text of the hymn added." -- Kristina Elaine Greer Photo Graphic by Kristina Elaine Greer

View Larger Image [click to view]

The First Thanksgiving... in VIRGINIA!

It wasn't a grand feast, but rather a time of giving thanks! on December 4, 1619, almost 2 years before the pilgrims held the feast with their Native American benefactors, Captain John Woodlief came ashore near the present site of the Berkeley Plantation. He had sailed from Bristol, England in the Good Ship Margaret with 35 men. They had survived a harrowing storm on November 29th and felt great gratitude for their deliverance. Here is Their Story [click to read].


Lessons from Squanto for Today

The Man Who Taught the Pilgrims Offers Wisdom

Squanto teaching
In this 1911 illustration, Tisquantum teaches the settlers how to plant maize.

Here is an interesting ebook: Squanto's Garden [click to read] from Off the Grid News. Most of us know some snippets of Squanto's story... how he taught the settlers how to successfully cultivate the soil of their new home, but Bill Heid actually shares some practical gardening tips and garden layouts that Squanto might have shared with the Pilgrims. He also fills out Tisquantum's story, giving us insight into a man who's unusual life uniquely equipped him to teach others.

IMG_0425
The Sun burns through a morning mist on Thanksgiving Eve.

A Native American's Amazing Story

" ... a special instrument sent by God for their good beyond their expectations ..." -- William Bradford

Today millions of Americans will dine on turkey and celebrate Thanksgiving. Most people will realize that it has some connection to the Pilgrims in Massachussetts, but the story of G-d's provision and the reason for the celebration seem to have faded in our collective memories.

The Pilgrims came to the New World for their kids. They were a Christian group who sought to live for G-d rather than be seduced by the culture around them. They lived in Holland for a while but they saw their children falling away from the faith.

So they moved. They sought passage on a ship bound for Virginia. The ship went off course and they landed in Massachussetts instead. They had a rough time of it their first winter and almost half of them died. Still, when offered the chance to return to Europe, they declined. Then one of the indigenous people walked into camp and spoke to them in English!

The man's name was Samoset, and he introduced the Pilgrims to Squanto, who taught the Pilgrims many things to help them survive in the new world. Squanto spoke even better English than Samoset. His story is amazing.

Squanto had first met Europeans around 1605 when Captain John Smith made his famous voyage. He travelled to England with him but when he returned to America he was captured into slavery and returned to Europe. Spanish monks bought his freedom and sent him to England where he found passage back to America. Sadly, his village was now gone, the people wiped out by disease. He found people nearby to live with but one day heard that a new group of people were living where his old village had stood. What's more, they spoke that funny new language that he had learned.

Samoset made the introduction and the rest, you might say, is history. Thanks to Squanto the Pilgrims survived and began to do quite well in the new world. Their relations with the Native people were quite good and their Thanksgiving was for the amazing provision they found in Squanto, of whom it was said:

" ... He desired honor, which he loved as his life and preferred before his peace ..."

Jules Verne’s ‘Lost’ Novel
Imagine a World without Art

By Bob Kirchman

IMG_3444

Jean Verne is the great-grandson of the famous author and futurist Jules Verne. In 1989 Jean was getting ready to sell a family home and made an amazing discovery. There was a huge bronze safe that the keys to had long since been lost. Although it was believed to be empty, the young Verne opened it with a blowtorch anyway. There in the safe was a manuscript. It was a novel called ‘Paris in the Twentieth Century,’ which Verne had submitted to his publisher Jules Hetzel right after the success of his first novel: Five Weeks in a Balloon.’ Hetzel had rejected it in 1863 saying “It’s a hundred feet below ‘Five Weeks in a Balloon.’ Hetzel went on to say “No one today will believe your prophecy!”

Verne’s vision of a modern Paris in 1960 indeed predicts skyscrapers and technology that came to be, but it is even more amazing to note that Verne’s dystopia predicts a future world where the great art, literature and music – the rich fruits of centuries of Western culture – have been all but forgotten! Instead, the culture of the day celebrates technology and commerce. ‘Old’ things have nothing to say to us anymore! The hero of the story, young Michel Dufrénoy, goes into a modern bookstore and asks if they have anything by Victor Hugo. The clerk responds by asking “what did he write?”

Jules Verne predicts most damningly our society’s modern intoxication with ugliness. Go to any modern art school or venue and you find more of a cold mechanical sort of art aimed more at ‘expression.’ Roger Scruton has written on this phenomenon and how the great works of the past have been pushed aside. [2.] Scruton opines: “The current habit of desecrating beauty suggests that people are as aware as they ever were of the presence of sacred things. Desecration is a kind of defense against the sacred, an attempt to destroy its claims. In the presence of sacred things, our lives are judged, and to escape that judgment, we destroy the thing that seems to accuse us.”

Thus Michel and his friends, artists of the ‘old’ school, are faced with the challenge of preserving the old and instructive culture in the face of a modern world that distains it. Verne’s work finds itself specifically troubling in its prediction of modern society’s distaste for a past that would inform it! And so, much like Dufrénoy’s friend and colleague Quinsonnas, we find ourselves as artists frustrated by the modern culture. We long, as he did to somehow ‘astound the age!’

Early industrialization did not of itself produce bad art. The Brooklyn Bridge, the Eiffel Tower and classicized ironfront buildings all carried forward a certain sense of beauty and proportion. The revolt against the traditions of the past was more intentional as in 1917 when Marcel Duchamp sought to parody traditional art’s over-concern with technique. He signed a plumbing fixture ‘R. Mutt’ and entered it in an exhibition. What he meant as a paradoxical statement, however, the art intelligentsia took for a serious movement. Ever since Duchamp’s urinal the world of art has itself destroyed the place of beauty.

For its part, industrialization has had a mixed effect. The 1962 Seattle World’s Fair’s ‘Hall of Science’ is as beautiful as the Eiffel Tower. It is in its own right quite a contrast to Frank Gehry’s ‘Experience Music Project.’ The 1964 New York World’s Fair was the ‘great cathedral’ of modern progress. In fact, it featured a ‘Carousel of Progress’ which had its own hymn: “Great Big Beautiful Tomorrow.” Men were headed to the moon. Technology was indeed going to end want and darkness.

But this new world, secured by ‘mutually assured destruction,’ created questions of its own. Technology created pollution. The promise faded into disillusionment and forced upon us a new conundrum. We had discarded ‘antiquated’ notions such as EX NIHILO creation – science was still our new god – but now science informed us that technology was a source of evil. Thus the Twentieth Century inherited a new Cosmology and has found it wanting!

The problem is that we have discarded the Wisdom of Centuries, even as we lean unapologetically on ‘modern’ science to inform us. We seek naturalistic answers or philosophical ones. We shun the truly transcendent ones. Indeed, Paris in the Twentieth Century looks at our present time and asks the hard questions.

EMP

Counting on Katherine
How the Brilliant Mathematician Saved Apollo 13

IMG_4662
Helaine Becker's children's book tells more of the Katherine Johnson story. 

The Woman with the ‘Right Stuff’
[click to read]

Katherine Johnson Plotted the Way
By Steven J. Niven

Get the girl to check the numbers.” These words came from astronaut John Glenn in February 1962 as he prepared to become the first American to orbit the Earth. The trajectory of his orbit had been calculated by NASA’s new state-of-the-art computers, but Glenn did not trust the machines. Mercury 7 astronauts had always relied on “computers in skirts,” women who were mathematicians at NASA’s Langley Research Center in Hampton, Va., for such flight data. So before he made his historic voyage into space, Glenn called on Katherine Johnson to recheck the computer’s analysis, knowing that she had provided similar calculations for Alan Shepard, the first American in space. Johnson, one of the few African-American women then working for NASA, calculated and confirmed the data for Glenn’s orbit. The launch went ahead and Glenn became the first American to orbit the Earth, 10 months after the Soviet Union’s Yuri Gagarin was the first human being to make that journey. Johnson’s role was little recognized at the time, but she would go on to play a significant—though, again, largely hidden—role in the first moon landing and in U.S. space exploration in the 1970s and 1980s. She did so by doing what she had always loved: math. (read more)

Truth Behind Moon Landings
Debunking the Conspiracy Theorists


Simple explanations for the most common conspiracy explanations.

Icy Fence in Virginia
Photo by Karen Brookshire

IMG_4730
Ice on barbed wire after the November 15th ice storm in Virginia.

Philippians 4:19
Photo by Bob Kirchman

IMG_4705

But my God shall supply all your need according to his riches in glory by Christ Jesus.” – Philippians 4:19

PontifusBANNER

Tuesday, November 13, 2018

Phantasies by George MacDonald, Beethoven

PhantasiesSEVEN
Volume XV, Issue XX

Phantasies
By George MacDonald, Chapter 7

Fight on, my men, Sir Andrew sayes,
A little Ime hurt, but yett not slaine;
He but lye downe and bleede awhile,
And then Ile rise and fight againe."
~ from the "Ballad of Sir Andrew Barton".

But I could not remain where I was any longer, though the daylight was hateful to me, and the thought of the great, innocent, bold sunrise unendurable. Here there was no well to cool my face, smarting with the bitterness of my own tears. Nor would I have washed in the well of that grotto, had it flowed clear as the rivers of Paradise. I rose, and feebly left the sepulchral cave. I took my way I knew not whither, but still towards the sunrise. The birds were singing; but not for me. All the creatures spoke a language of their own, with which I had nothing to do, and to which I cared not to find the key any more.

I walked listlessly along. What distressed me most--more even than my own folly--was the perplexing question, How can beauty and ugliness dwell so near? Even with her altered complexion and her face of dislike; disenchanted of the belief that clung around her; known for a living, walking sepulchre, faithless, deluding, traitorous; I felt notwithstanding all this, that she was beautiful. Upon this I pondered with undiminished perplexity, though not without some gain. Then I began to make surmises as to the mode of my deliverance; and concluded that some hero, wandering in search of adventure, had heard how the forest was infested; and, knowing it was useless to attack the evil thing in person, had assailed with his battle-axe the body in which he dwelt, and on which he was dependent for his power of mischief in the wood. "Very likely," I thought, "the repentant-knight, who warned me of the evil which has befallen me, was busy retrieving his lost honour, while I was sinking into the same sorrow with himself; and, hearing of the dangerous and mysterious being, arrived at his tree in time to save me from being dragged to its roots, and buried like carrion, to nourish him for yet deeper insatiableness." I found afterwards that my conjecture was correct. I wondered how he had fared when his blows recalled the Ash himself, and that too I learned afterwards.

I walked on the whole day, with intervals of rest, but without food; for I could not have eaten, had any been offered me; till, in the afternoon, I seemed to approach the outskirts of the forest, and at length arrived at a farm-house. An unspeakable joy arose in my heart at beholding an abode of human beings once more, and I hastened up to the door, and knocked. A kind-looking, matronly woman, still handsome, made her appearance; who, as soon as she saw me, said kindly, "Ah, my poor boy, you have come from the wood! Were you in it last night?"

I should have ill endured, the day before, to be called boy; but now the motherly kindness of the word went to my heart; and, like a boy indeed, I burst into tears. She soothed me right gently; and, leading me into a room, made me lie down on a settle, while she went to find me some refreshment. She soon returned with food, but I could not eat. She almost compelled me to swallow some wine, when I revived sufficiently to be able to answer some of her questions. I told her the whole story.

It is just as I feared," she said; "but you are now for the night beyond the reach of any of these dreadful creatures. It is no wonder they could delude a child like you. But I must beg you, when my husband comes in, not to say a word about these things; for he thinks me even half crazy for believing anything of the sort. But I must believe my senses, as he cannot believe beyond his, which give him no intimations of this kind. I think he could spend the whole of Midsummer-eve in the wood and come back with the report that he saw nothing worse than himself. Indeed, good man, he would hardly find anything better than himself, if he had seven more senses given him."

But tell me how it is that she could be so beautiful without any heart at all--without any place even for a heart to live in."

I cannot quite tell," she said; "but I am sure she would not look so beautiful if she did not take means to make herself look more beautiful than she is. And then, you know, you began by being in love with her before you saw her beauty, mistaking her for the lady of the marble--another kind altogether, I should think. But the chief thing that makes her beautiful is this: that, although she loves no man, she loves the love of any man; and when she finds one in her power, her desire to bewitch him and gain his love (not for the sake of his love either, but that she may be conscious anew of her own beauty, through the admiration he manifests), makes her very lovely--with a self- destructive beauty, though; for it is that which is constantly wearing her away within, till, at last, the decay will reach her face, and her whole front, when all the lovely mask of nothing will fall to pieces, and she be vanished for ever. So a wise man, whom she met in the wood some years ago, and who, I think, for all his wisdom, fared no better than you, told me, when, like you, he spent the next night here, and recounted to me his adventures."

I thanked her very warmly for her solution, though it was but partial; wondering much that in her, as in woman I met on my first entering the forest, there should be such superiority to her apparent condition. Here she left me to take some rest; though, indeed, I was too much agitated to rest in any other way than by simply ceasing to move.

In half an hour, I heard a heavy step approach and enter the house. A jolly voice, whose slight huskiness appeared to proceed from overmuch laughter, called out "Betsy, the pigs' trough is quite empty, and that is a pity. Let them swill, lass! They're of no use but to get fat. Ha! ha! ha! Gluttony is not forbidden in their commandments. Ha! ha! ha!" The very voice, kind and jovial, seemed to disrobe the room of the strange look which all new places wear--to disenchant it out of the realm of the ideal into that of the actual. It began to look as if I had known every corner of it for twenty years; and when, soon after, the dame came and fetched me to partake of their early supper, the grasp of his great hand, and the harvest-moon of his benevolent face, which was needed to light up the rotundity of the globe beneath it, produced such a reaction in me, that, for a moment, I could hardly believe that there was a Fairy Land; and that all I had passed through since I left home, had not been the wandering dream of a diseased imagination, operating on a too mobile frame, not merely causing me indeed to travel, but peopling for me with vague phantoms the regions through which my actual steps had led me. But the next moment my eye fell upon a little girl who was sitting in the chimney-corner, with a little book open on her knee, from which she had apparently just looked up to fix great inquiring eyes upon me. I believed in Fairy Land again. She went on with her reading, as soon as she saw that I observed her looking at me. I went near, and peeping over her shoulder, saw that she was reading The History of Graciosa and Percinet."

Very improving book, sir," remarked the old farmer, with a good- humoured laugh. "We are in the very hottest corner of Fairy Land here. Ha! ha! Stormy night, last night, sir."

Was it, indeed?" I rejoined. "It was not so with me. A lovelier night I never saw." "Indeed! Where were you last night?"

I spent it in the forest. I had lost my way."

Ah! then, perhaps, you will be able to convince my good woman, that there is nothing very remarkable about the forest; for, to tell the truth, it bears but a bad name in these parts. I dare say you saw nothing worse than yourself there?"

I hope I did," was my inward reply; but, for an audible one, I contented myself with saying, "Why, I certainly did see some appearances I could hardly account for; but that is nothing to be wondered at in an unknown wild forest, and with the uncertain light of the moon alone to go by."

Very true! you speak like a sensible man, sir. We have but few sensible folks round about us. Now, you would hardly credit it, but my wife believes every fairy-tale that ever was written. I cannot account for it. She is a most sensible woman in everything else."

But should not that make you treat her belief with something of respect, though you cannot share in it yourself?"

Yes, that is all very well in theory; but when you come to live every day in the midst of absurdity, it is far less easy to behave respectfully to it. Why, my wife actually believes the story of the 'White Cat.' You know it, I dare say."

I read all these tales when a child, and know that one especially well."

But, father," interposed the little girl in the chimney-corner, "you know quite well that mother is descended from that very princess who was changed by the wicked fairy into a white cat. Mother has told me so a many times, and you ought to believe everything she says."

I can easily believe that," rejoined the farmer, with another fit of laughter; "for, the other night, a mouse came gnawing and scratching beneath the floor, and would not let us go to sleep. Your mother sprang out of bed, and going as near it as she could, mewed so infernally like a great cat, that the noise ceased instantly. I believe the poor mouse died of the fright, for we have never heard it again. Ha! ha! ha!"

The son, an ill-looking youth, who had entered during the conversation, joined in his father's laugh; but his laugh was very different from the old man's: it was polluted with a sneer. I watched him, and saw that, as soon as it was over, he looked scared, as if he dreaded some evil consequences to follow his presumption. The woman stood near, waiting till we should seat ourselves at the table, and listening to it all with an amused air, which had something in it of the look with which one listens to the sententious remarks of a pompous child. We sat down to supper, and I ate heartily. My bygone distresses began already to look far off.

In what direction are you going?" asked the old man.

Eastward," I replied; nor could I have given a more definite answer. "Does the forest extend much further in that direction?" "Oh! for miles and miles; I do not know how far. For although I have lived on the borders of it all my life, I have been too busy to make journeys of discovery into it. Nor do I see what I could discover. It is only trees and trees, till one is sick of them. By the way, if you follow the eastward track from here, you will pass close to what the children say is the very house of the ogre that Hop-o'-my-Thumb visited, and ate his little daughters with the crowns of gold." "Oh, father! ate his little daughters! No; he only changed their gold crowns for nightcaps; and the great long-toothed ogre killed them in mistake; but I do not think even he ate them, for you know they were his own little ogresses." "Well, well, child; you know all about it a great deal better than I do. However, the house has, of course, in such a foolish neighbourhood as this, a bad enough name; and I must confess there is a woman living in it, with teeth long enough, and white enough too, for the lineal descendant of the greatest ogre that ever was made. I think you had better not go near her." In such talk as this the night wore on. When supper was finished, which lasted some time, my hostess conducted me to my chamber. "If you had not had enough of it already," she said, "I would have put you in another room, which looks towards the forest; and where you would most likely have seen something more of its inhabitants. For they frequently pass the window, and even enter the room sometimes. Strange creatures spend whole nights in it, at certain seasons of the year. I am used to it, and do not mind it. No more does my little girl, who sleeps in it always. But this room looks southward towards the open country, and they never show themselves here; at least I never saw any." I was somewhat sorry not to gather any experience that I might have, of the inhabitants of Fairy Land; but the effect of the farmer's company, and of my own later adventures, was such, that I chose rather an undisturbed night in my more human quarters; which, with their clean white curtains and white linen, were very inviting to my weariness. In the morning I awoke refreshed, after a profound and dreamless sleep. The sun was high, when I looked out of the window, shining over a wide, undulating, cultivated country. Various garden-vegetables were growing beneath my window. Everything was radiant with clear sunlight. The dew-drops were sparkling their busiest; the cows in a near-by field were eating as if they had not been at it all day yesterday; the maids were singing at their work as they passed to and fro between the out-houses: I did not believe in Fairy Land. I went down, and found the family already at breakfast. But before I entered the room where they sat, the little girl came to me, and looked up in my face, as though she wanted to say something to me. I stooped towards her; she put her arms round my neck, and her mouth to my ear, and whispered--

A white lady has been flitting about the house all night."

No whispering behind doors!" cried the farmer; and we entered together. "Well, how have you slept? No bogies, eh?"

Not one, thank you; I slept uncommonly well."

I am glad to hear it. Come and breakfast."

After breakfast, the farmer and his son went out; and I was left alone with the mother and daughter.

When I looked out of the window this morning," I said, "I felt almost certain that Fairy Land was all a delusion of my brain; but whenever I come near you or your little daughter, I feel differently. Yet I could persuade myself, after my last adventures, to go back, and have nothing more to do with such strange beings."

How will you go back?" said the woman.

Nay, that I do not know."

Because I have heard, that, for those who enter Fairy Land, there is no way of going back. They must go on, and go through it. How, I do not in the least know."

That is quite the impression on my own mind. Something compels me to go on, as if my only path was onward, but I feel less inclined this morning to continue my adventures."

Will you come and see my little child's room? She sleeps in the one I told you of, looking towards the forest."

Willingly," I said.

So we went together, the little girl running before to open the door for us. It was a large room, full of old-fashioned furniture, that seemed to have once belonged to some great house.

The window was built with a low arch, and filled with lozenge-shaped panes. The wall was very thick, and built of solid stone. I could see that part of the house had been erected against the remains of some old castle or abbey, or other great building; the fallen stones of which had probably served to complete it. But as soon as I looked out of the window, a gush of wonderment and longing flowed over my soul like the tide of a great sea. Fairy Land lay before me, and drew me towards it with an irresistible attraction. The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the decayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in motionless rivers of light. I turned hurriedly to bid my hostess farewell without further delay. She smiled at my haste, but with an anxious look.

You had better not go near the house of the ogre, I think. My son will show you into another path, which will join the first beyond it."

Not wishing to be headstrong or too confident any more, I agreed; and having taken leave of my kind entertainers, went into the wood, accompanied by the youth. He scarcely spoke as we went along; but he led me through the trees till we struck upon a path. He told me to follow it, and, with a muttered "good morning" left me.
(to be continued in two weeks)

WildWoods
Photo by Bob Kirchman.

The First Man on the Moon
Actual Interviews with His Family and Friends



Karen’s Bracelet

In the movie First Man Neil Armstrong is shown walking over to the edge of Little West Crater and tossing a bracelet with his daughter’s name on it into the crater. Karen Armstrong died of a brain tumor at age two before Neil Armstrong became an astronaut in the Gemini Program. From all accounts he loved her deeply and after Karen’s death, Armstrong immersed himself in his work. Though the movie takes quite a bit of liberty in depicting the events of Armstrong’s life, the bracelet scene has its roots in some pretty sound speculation. Though the two hours and 31 minutes of EVA time on the lunar surface were packed with mission objectives, Armstrong did wander over to Little West Crater at one point and that was off script. Jim Hansen wrote the official biography of Armstrong and after extensive interviews with the family, he began to believe that Neil left something on the moon – something of Karen’s.

Other astronauts had left mementos as well. Gene Cernan had promised to bring his daughter back a moonbeam and he wrote her initials in the lunar dust. Charlie Duke left a picture of his family. Buzz Aldrin left personal effects of the Apollo One astronauts Grissom, White and Chaffee who had perished in the launch pad fire. Hansen put the question to June Hoffman, Neil’s sister, as to whether her brother had left something for Karen on the moon, She responded “Oh, I dearly hope so.”

Perhaps the answer to the mystery lies in the manifest for Neil Armstrong’s Personal Property Kit, which is sealed until 2020 in his archives at Perdue University. Buzz Aldrin’s manifest contains the communion set given to him by his pastor – which he used to Celebrate the Lord’s Supper as his first act on the moon. My own feeling is that it is highly likely. In the days when architectural rendering involved hours of drawing detail by hand, I often hid the names of my children in that detail. Celebrating our loved ones, particularly those who have passed, is a tradition that has lived for many generations.

IMG_4619
The Armstrongs.

Learning from L'Engle
[click to read]

by Blake Atwood

Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says ‘Here I am. Enflesh me. Give birth to me.’ And the artist either says ‘My soul doth magnify the Lord’ and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary [the mother of Jesus].” -- Madeline L'Engle

Walking on Water is as old as I am, and I’m saddened to know that I could have read this book years ago, possibly even adding it to the currently empty list of Books I Have to Read Every Year. I may be reading the wrong books, but few have ever arrested me as quickly or as deeply as this work has. Maybe it’s more about fortuitous timing, where her words hesitantly written decades ago ring true to where I now find myself. Regardless, it’s a stunning work that I highly recommend for any Christian endeavoring to use their creative gifts for the greater good … and I’ve only read two chapters. (read more)

Mission Control
The Unsung Heroes of Apollo



2 Chronicles 7:14

If my people, which are called by my name, shall humble themselves, and pray, and seek my face, and turn from their wicked ways; then will I hear from heaven, and will forgive their sin, and will heal their land.” – 2 Chronicles 7:14

Once again we have lived through a contentious election. This is not the first, nor will it likely be the last. Still, it is a good time to remember that it is the Soul of a nation, not its laws and rulers, that make it what it is.

Alexis de Tocqueville
[click to read]

July 29 marks the birth of Alexis de Tocqueville. Motivated by his “love of liberty and human dignity,” his Democracy in America has been called “one of the wisest works of modern thought,” that for understanding and preserving liberty, “the intelligent American reader can find no better guide.”

Despite democracy’s prominence in his title, de Tocqueville’s focus was liberty, because “the only passions I have are love of liberty and human dignity.” Revisiting him is particularly important now, when the need for a political majority has become virtually the only limit on government, because he saw how democracy can subvert liberty. (read more)

CarsonGifted
The final movement of Beethoven's 9th

The Final Movement

Discordant notes... 
...ruin the symphony.

Unless...

What if you embrace the discordant note?

And use it to start a new melody..."

A powerful short film by Jason Jones and  Eduardo Verástegui.



snowtrees003
Bradford pear blossoms in snow. Photo by Bob Kirchman.

Art and the Gospel
Using Your Compass
[click to read]

To the real Christian, the Gospel’s unique truths are the center to which she gravitates – the very sun of her solar system, the soul of the world. They are the origin of all that is excellent and lovely, the source of light and life, motion and warmth. From them comes all creative energy. Our intellects would be cold and comfortless without their light and guidance.” – William Wilberforce

Not long ago The DaVinci Code came upon the literary scene and this work of fiction, based on Gnostic writings, became the center of much discussion about Faith in our day. One of the elders of our church conducted a very thorough study in which he pointed out what was based on Holy Writ, and what was based on these non-canonical sources. It was a very profitable investigation into what we believe and why. Naturally there are those who are unfamiliar with the Gospel who will read such a work at face value, not digging deeper to find that it has been sourced from works that are of varied integrity. Yes, this is dangerous, but perhaps there is also a benefit to be had by opening a discussion. (read more)

Thomas Jefferson's Poplar Forest
His Lesser Known Home Near Lynchburg
Photos by Bob Kirchman

IMG_3634
Photos by Bob Kirchman.

Legend has it that Thomas Jefferson, fleeing the British troops in June of 1781, retreated to a piece of property he had acquired through marrying Martha Wayles Skelton in 1773. Taking up residence with his family in the only small dwelling on the property -- a caretaker's house, he spent his time in the cramped quarters calculating how long it would take to repay the national debt!

Then, as now, the pressures of public life made a retreat desirable and Jefferson would return to the property and build 'Poplar Forest' over a period of almost two decades. Inspired by the villas of Renaissance architect, Andrea Palladio, he created the Neoclassical Octagon House. Construction began in 1806 and continued until 1823!

IMG_3615

IMG_3618

CS_Lewis_Banner

Tuesday, November 6, 2018

Phantasies by George MacDonald, Chronos/Kairos

PhantasiesSTONE
Volume XV, Issue XIX

Phantasies
By George MacDonald, Chapter 6

Ah, let a man beware, when his wishes, fulfilled, rain down
upon him, and his happiness is unbounded."

Thy red lips, like worms,
Travel over my cheek."
~ William Motherwell.

But as I crossed the space between the foot of the hill and the forest, a vision of another kind delayed my steps. Through an opening to the westward flowed, like a stream, the rays of the setting sun, and overflowed with a ruddy splendour the open space where I was. And riding as it were down this stream towards me, came a horseman in what appeared red armour. From frontlet to tail, the horse likewise shone red in the sunset. I felt as if I must have seen the knight before; but as he drew near, I could recall no feature of his countenance. Ere he came up to me, however, I remembered the legend of Sir Percival in the rusty armour, which I had left unfinished in the old book in the cottage: it was of Sir Percival that he reminded me. And no wonder; for when he came close up to me, I saw that, from crest to heel, the whole surface of his armour was covered with a light rust. The golden spurs shone, but the iron greaves glowed in the sunlight. The morning star, which hung from his wrist, glittered and glowed with its silver and bronze. His whole appearance was terrible; but his face did not answer to this appearance. It was sad, even to gloominess; and something of shame seemed to cover it. Yet it was noble and high, though thus beclouded; and the form looked lofty, although the head drooped, and the whole frame was bowed as with an inward grief. The horse seemed to share in his master's dejection, and walked spiritless and slow. I noticed, too, that the white plume on his helmet was discoloured and drooping. "He has fallen in a joust with spears," I said to myself; "yet it becomes not a noble knight to be conquered in spirit because his body hath fallen." He appeared not to observe me, for he was riding past without looking up, and started into a warlike attitude the moment the first sound of my voice reached him. Then a flush, as of shame, covered all of his face that the lifted beaver disclosed. He returned my greeting with distant courtesy, and passed on. But suddenly, he reined up, sat a moment still, and then turning his horse, rode back to where I stood looking after him.

I am ashamed," he said, "to appear a knight, and in such a guise; but it behoves me to tell you to take warning from me, lest the same evil, in his kind, overtake the singer that has befallen the knight. Hast thou ever read the story of Sir Percival and the"--(here he shuddered, that his armour rang)--"Maiden of the Alder-tree?"

In part, I have," said I; "for yesterday, at the entrance of this forest, I found in a cottage the volume wherein it is recorded." "Then take heed," he rejoined; "for, see my armour--I put it off; and as it befell to him, so has it befallen to me. I that was proud am humble now. Yet is she terribly beautiful--beware. Never," he added, raising his head, "shall this armour be furbished, but by the blows of knightly encounter, until the last speck has disappeared from every spot where the battle-axe and sword of evil-doers, or noble foes, might fall; when I shall again lift my head, and say to my squire, 'Do thy duty once more, and make this armour shine.'"

Before I could inquire further, he had struck spurs into his horse and galloped away, shrouded from my voice in the noise of his armour. For I called after him, anxious to know more about this fearful enchantress; but in vain--he heard me not. "Yet," I said to myself, "I have now been often warned; surely I shall be well on my guard; and I am fully resolved I shall not be ensnared by any beauty, however beautiful. Doubtless, some one man may escape, and I shall be he." So I went on into the wood, still hoping to find, in some one of its mysterious recesses, my lost lady of the marble. The sunny afternoon died into the loveliest twilight. Great bats began to flit about with their own noiseless flight, seemingly purposeless, because its objects are unseen. The monotonous music of the owl issued from all unexpected quarters in the half-darkness around me. The glow-worm was alight here and there, burning out into the great universe. The night-hawk heightened all the harmony and stillness with his oft-recurring, discordant jar. Numberless unknown sounds came out of the unknown dusk; but all were of twilight-kind, oppressing the heart as with a condensed atmosphere of dreamy undefined love and longing. The odours of night arose, and bathed me in that luxurious mournfulness peculiar to them, as if the plants whence they floated had been watered with bygone tears. Earth drew me towards her bosom; I felt as if I could fall down and kiss her. I forgot I was in Fairy Land, and seemed to be walking in a perfect night of our own old nursing earth. Great stems rose about me, uplifting a thick multitudinous roof above me of branches, and twigs, and leaves--the bird and insect world uplifted over mine, with its own landscapes, its own thickets, and paths, and glades, and dwellings; its own bird-ways and insect-delights. Great boughs crossed my path; great roots based the tree-columns, and mightily clasped the earth, strong to lift and strong to uphold. It seemed an old, old forest, perfect in forest ways and pleasures. And when, in the midst of this ecstacy, I remembered that under some close canopy of leaves, by some giant stem, or in some mossy cave, or beside some leafy well, sat the lady of the marble, whom my songs had called forth into the outer world, waiting (might it not be?) to meet and thank her deliverer in a twilight which would veil her confusion, the whole night became one dream-realm of joy, the central form of which was everywhere present, although unbeheld. Then, remembering how my songs seemed to have called her from the marble, piercing through the pearly shroud of alabaster--"Why," thought I, "should not my voice reach her now, through the ebon night that inwraps her." My voice burst into song so spontaneously that it seemed involuntarily.

Not a sound
But, echoing in me,
Vibrates all around
With a blind delight,
Till it breaks on Thee,
Queen of Night!

Every tree,
O'ershadowing with gloom,
Seems to cover thee
Secret, dark, love-still'd,
In a holy room
Silence-filled.

Let no moon
Creep up the heaven to-night;
I in darksome noon
Walking hopefully,
Seek my shrouded light--
Grope for thee!

Darker grow
The borders of the dark!
Through the branches glow,
From the roof above,
Star and diamond-sparks
Light for love."

Scarcely had the last sounds floated away from the hearing of my own ears, when I heard instead a low delicious laugh near me. It was not the laugh of one who would not be heard, but the laugh of one who has just received something long and patiently desired--a laugh that ends in a low musical moan. I started, and, turning sideways, saw a dim white figure seated beside an intertwining thicket of smaller trees and underwood.

It is my white lady!" I said, and flung myself on the ground beside her; striving, through the gathering darkness, to get a glimpse of the form which had broken its marble prison at my call.

It is your white lady!" said the sweetest voice, in reply, sending a thrill of speechless delight through a heart which all the love-charms of the preceding day and evening had been tempering for this culminating hour. Yet, if I would have confessed it, there was something either in the sound of the voice, although it seemed sweetness itself, or else in this yielding which awaited no gradation of gentle approaches, that did not vibrate harmoniously with the beat of my inward music. And likewise, when, taking her hand in mine, I drew closer to her, looking for the beauty of her face, which, indeed, I found too plenteously, a cold shiver ran through me; but "it is the marble," I said to myself, and heeded it not.

She withdrew her hand from mine, and after that would scarce allow me to touch her. It seemed strange, after the fulness of her first greeting, that she could not trust me to come close to her. Though her words were those of a lover, she kept herself withdrawn as if a mile of space interposed between us.

Why did you run away from me when you woke in the cave?" I said.

Did I?" she returned. "That was very unkind of me; but I did not know better."

I wish I could see you. The night is very dark."

So it is. Come to my grotto. There is light there."

Have you another cave, then?"

Come and see."

But she did not move until I rose first, and then she was on her feet before I could offer my hand to help her. She came close to my side, and conducted me through the wood. But once or twice, when, involuntarily almost, I was about to put my arm around her as we walked on through the warm gloom, she sprang away several paces, always keeping her face full towards me, and then stood looking at me, slightly stooping, in the attitude of one who fears some half-seen enemy. It was too dark to discern the expression of her face. Then she would return and walk close beside me again, as if nothing had happened. I thought this strange; but, besides that I had almost, as I said before, given up the attempt to account for appearances in Fairy Land, I judged that it would be very unfair to expect from one who had slept so long and had been so suddenly awakened, a behaviour correspondent to what I might unreflectingly look for. I knew not what she might have been dreaming about. Besides, it was possible that, while her words were free, her sense of touch might be exquisitely delicate.

At length, after walking a long way in the woods, we arrived at another thicket, through the intertexture of which was glimmering a pale rosy light.

Push aside the branches," she said, "and make room for us to enter."

I did as she told me.

Go in," she said; "I will follow you."

I did as she desired, and found myself in a little cave, not very unlike the marble cave. It was festooned and draperied with all kinds of green that cling to shady rocks. In the furthest corner, half-hidden in leaves, through which it glowed, mingling lovely shadows between them, burned a bright rosy flame on a little earthen lamp. The lady glided round by the wall from behind me, still keeping her face towards me, and seated herself in the furthest corner, with her back to the lamp, which she hid completely from my view. I then saw indeed a form of perfect loveliness before me. Almost it seemed as if the light of the rose-lamp shone through her (for it could not be reflected from her); such a delicate shade of pink seemed to shadow what in itself must be a marbly whiteness of hue. I discovered afterwards, however, that there was one thing in it I did not like; which was, that the white part of the eye was tinged with the same slight roseate hue as the rest of the form. It is strange that I cannot recall her features; but they, as well as her somewhat girlish figure, left on me simply and only the impression of intense loveliness. I lay down at her feet, and gazed up into her face as I lay. She began, and told me a strange tale, which, likewise, I cannot recollect; but which, at every turn and every pause, somehow or other fixed my eyes and thoughts upon her extreme beauty; seeming always to culminate in something that had a relation, revealed or hidden, but always operative, with her own loveliness. I lay entranced. It was a tale which brings back a feeling as of snows and tempests; torrents and water-sprites; lovers parted for long, and meeting at last; with a gorgeous summer night to close up the whole. I listened till she and I were blended with the tale; till she and I were the whole history. And we had met at last in this same cave of greenery, while the summer night hung round us heavy with love, and the odours that crept through the silence from the sleeping woods were the only signs of an outer world that invaded our solitude. What followed I cannot clearly remember. The succeeding horror almost obliterated it. I woke as a grey dawn stole into the cave. The damsel had disappeared; but in the shrubbery, at the mouth of the cave, stood a strange horrible object. It looked like an open coffin set up on one end; only that the part for the head and neck was defined from the shoulder-part. In fact, it was a rough representation of the human frame, only hollow, as if made of decaying bark torn from a tree.

It had arms, which were only slightly seamed, down from the shoulder-blade by the elbow, as if the bark had healed again from the cut of a knife. But the arms moved, and the hand and the fingers were tearing asunder a long silky tress of hair. The thing turned round--it had for a face and front those of my enchantress, but now of a pale greenish hue in the light of the morning, and with dead lustreless eyes. In the horror of the moment, another fear invaded me. I put my hand to my waist, and found indeed that my girdle of beech-leaves was gone. Hair again in her hands, she was tearing it fiercely. Once more, as she turned, she laughed a low laugh, but now full of scorn and derision; and then she said, as if to a companion with whom she had been talking while I slept, "There he is; you can take him now." I lay still, petrified with dismay and fear; for I now saw another figure beside her, which, although vague and indistinct, I yet recognised but too well. It was the Ash-tree. My beauty was the Maid of the Alder! and she was giving me, spoiled of my only availing defence, into the hands of bent his Gorgon-head, and entered the cave. I could not stir. He drew near me. His ghoul-eyes and his ghastly face fascinated me. He came stooping, with the hideous hand outstretched, like a beast of prey. I had given myself up to a death of unfathomable horror, when, suddenly, and just as he was on the point of seizing me, the dull, heavy blow of an axe echoed through the wood, followed by others in quick repetition. The Ash shuddered and groaned, withdrew the outstretched hand, retreated backwards to the mouth of the cave, then turned and disappeared amongst the trees. The other walking Death looked at me once, with a careless dislike on her beautifully moulded features; then, heedless any more to conceal her hollow deformity, turned her frightful back and likewise vanished amid the green obscurity without. I lay and wept. The Maid of the Alder-tree had befooled me--nearly slain me--in spite of all the warnings I had received from those who knew my danger.
(to be continued)

IMG_4930
Photo by Bob Kirchman.

Crocusflower
Crocus. Photo by Bob Kirchman.

Rudyard Kipling
When Earth's Last Picture Is Painted
1892

L'Envoi To "The Seven Seas"

When Earth's last picture is painted and the tubes are twisted and dried,
When the oldest colours have faded, and the youngest critic has died,
We shall rest, and, faith, we shall need it -- lie down for an aeon or two,
Till the Master of All Good Workmen shall put us to work anew.
And those that were good shall be happy; they shall sit in a golden chair;
They shall splash at a ten-league canvas with brushes of comets' hair.
They shall find real saints to draw from -- Magdalene, Peter, and Paul;
They shall work for an age at a sitting and never be tired at all!

And only The Master shall praise us, and only The Master shall blame;
And no one shall work for money, and no one shall work for fame,
But each for the joy of the working, and each, in his separate star,
Shall draw the Thing as he sees It for the G-d of Things as They are! 

Chronos and Kairos

Most of us are familiar with the fact that the Greek language contains multiple words for ‘Love,’ that in their specificity more adequately describe different types and commitments in love. But it is also true that the Greek language is similar in its handling of the concept of time. The Greek word chronos (χρόνος) describes the concept of time we are most familiar with… that which can be measured in minutes, hours, days and months… but there is another Greek word for time: Kairos (καιρός) which perhaps is best described as “the Divine Moment,” a link to Eternal time. Madeline L’Engle touches on this concept in her fiction. Does human history in fact contain ‘bridges’ to things eternal? Indeed Resurrection and Redemption occur here.

I ‘swerved’ (pun intended) into this concept when I set out to write a work of fiction myself., setting it upon the International Date Line at a place where one can literally “see into tomorrow.” The inspiration came as Kristina Elaine Greer and I were painting a mural of the New Heaven and the New Earth… “Journey to Jesus.” We broke the painting at a hallway at the line between Siberia and America and somehow the idea of “seeing into tomorrow” lodged itself in my mind. There has always been a popular writing about eschatology which concerns itself slavishly with chronology. Rapture, Armageddon, return of Christ have filled volumes, but in recent times a lot of people I knew seemed really preoccupied with Post-trib Rapture discussion. This led all to readily into discussions of survival food and solar generators. Now it must be said that I believe in keeping a well stocked pantry and retaining and passing on the old skills of planting and providing. But one must remember that Scripture says:

Therefore I say unto you, Take no thought for your life, what ye shall eat, or what ye shall drink; nor yet for your body, what ye shall put on. Is not the life more than meat, and the body than raiment?

Behold the fowls of the air: for they sow not, neither do they reap, nor gather into barns; yet your heavenly Father feedeth them. Are ye not much better than they?

Which of you by taking thought can add one cubit unto his stature?

And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin: And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these. Wherefore, if God so clothe the grass of the field, which to day is, and to morrow is cast into the oven, shall he not much more clothe you, O ye of little faith?

Therefore take no thought, saying, What shall we eat? or, What shall we drink? or, Wherewithal shall we be clothed? (For after all these things do the Gentiles seek:) for your heavenly Father knoweth that ye have need of all these things. But seek ye first the kingdom of God, and his righteousness; and all these things shall be added unto you. Take therefore no thought for the morrow: for the morrow shall take thought for the things of itself. Sufficient unto the day is the evil thereof.” -- Matthew 6:26-34

Elsewhere in Scripture we are exhorted to work, to provide for our families and to even produce more so that we can give to others in need. Thus the words of Matthew must not be misconstrued so as to promote passivity. Rather they command us to never forget that connection we have to Eternity… the Kingdom of God, which should indeed be our primary destination in life.

Living a Kairos Life in a Chronos World
[click to read]

By David Rupert in The High Calling

Everything we do is marked by the steady march of time. Seconds lead to minutes to hours to days to weeks to years to decades to centuries.

The problem for all of us is that the clock is always running the wrong way, and we simply cannot stop its precipitous crawl toward the next tick. We lose moments to the past, out of our reach, never to be regained. (read more)

“The Kranz Dictum”

Apollo Flight Director Gene Kranz called a meeting of his branch and flight control team on the Monday morning following the Apollo 1 fire that killed Gus Grissom, Ed White, and Roger Chaffee. Kranz made the following address to the gathering (The Kranz Dictum), in which his expression of values and admonishments for future spaceflight are his legacy to NASA:

Spaceflight will never tolerate carelessness, incapacity, and neglect. Somewhere, somehow, we screwed up. It could have been in design, build, or test. Whatever it was, we should have caught it. We were too gung ho about the schedule and we locked out all of the problems we saw each day in our work. Every element of the program was in trouble and so were we. The simulators were not working, Mission Control was behind in virtually every area, and the flight and test procedures changed daily. Nothing we did had any shelf life. Not one of us stood up and said, “Dammit, stop!” I don't know what Thompson's committee will find as the cause, but I know what I find. We are the cause! We were not ready! We did not do our job. We were rolling the dice, hoping that things would come together by launch day, when in our hearts we knew it would take a miracle. We were pushing the schedule and betting that the Cape would slip before we did.

From this day forward, Flight Control will be known by two words: “Tough” and “Competent”. Tough means we are forever accountable for what we do or what we fail to do. We will never again compromise our responsibilities. Every time we walk into Mission Control we will know what we stand for. Competent means we will never take anything for granted. We will never be found short in our knowledge and in our skills. Mission Control will be perfect. When you leave this meeting today you will go to your office and the first thing you will do there is to write “Tough and Competent” on your blackboards. It will never be erased. Each day when you enter the room these words will remind you of the price paid by Grissom, White, and Chaffee. These words are the price of admission to the ranks of Mission Control.”

Dr. Vivien Theodore Thomas
Breaking Barriers in Surgery and Opportunity

vivienthomas
Dr. Thomas pioneered lifesaving surgical techniques.

A Milestone Monday Feature:

Dr. Vivien Theodore Thomas was born on August 29, 1910 in New Iberia, Louisiana. He was the grandson of slaves but completed high school in Nashville Tennessee. He dreamed of continuing his education and becoming a doctor but the Great Depression in 1929 dashed his hopes for higher education.

Thomas had found a job at Fisk University as a carpenter for their maintenance department. He worked through the Summer of 1929 but was laid off in October of that year following the stock market crash. This put his educational plans on hold and eventually he found work as a laboratory assistant with Dr. Alfred Blalock at Vanderbilt University.

The original job description was caring for the dogs being used for surgical experiments. Thomas fed the animals and cleaned their cages. Dr. Blalock took notice of the young Thomas, discovering that he possessed keen hand-eye coordination, a sharp intellect and the ability to think on his feet to solve problems. No doubt, Thomas' carpentry skills and training came in to play here.

Blalock began using Thomas as a technical assistant, having him perform much of the actual work in developing new surgical techniques. Through the 1930's Blalock pushed on into new frontiers in vascular and cardiac surgery. Thomas did essential work in perfecting the surgical procedures. This pioneer work made Blalock one of the leading surgeons of his time.

In 1940 Blalock was offered the position of Chief of Surgery at Johns Hopkins in Baltimore. He requested that Thomas be hired with him. Their 34 year partnership would continue to push the barriers in surgical technique. Their work would eventually lead to learning how to correct the heart defects that caused blue baby syndrome, Their work on crush syndrome led to understanding that would save the lives of thousands of soldiers in World War II.

Baltimore society was even more segregated than Nashville and Johns Hopkins only hired African Americans in their houskeeping department. Thomas was put on the payroll as a janitor but worked alongside Blalock in surgery. He turned a few heads walking the halls in his labcoat. Here many wonder that Blalock so valued Thomas professionally but allowed him to be distanced socially. Both men, it must be remembered, where men raised in the old Southern society. The separation was highly codified in a city like Baltimore [I still have a map of the city from my youth that matter-of-fact labels the white and colored swimming pools in Druid Hill Park]. The recognition of merit over race and the mens' friendship was enough to remove the most insurmountable of barriers.

Blalock didn't object to Thomas initially being 'assigned' to housekeeping but by 1946 he had negotiated his status as the highest paid lab assistant at Hopkins.

Watching Thomas perform an intricate surgical procedure, Blalock remarked "That looks like something the Lord made." Thomas was able to perform complex surgeries with such efficiency of motion that the students said that he made them look effortless. When a young surgeon in training moved in too close to observe, he might unknowingly step into a spot next to Blalock, who would tersely remind him: "Only Vivian is to stand there!"

In 1976 Johns Hopkins presented Thomas with an honorary doctorate and appointed him an instructor of surgery, acknowledging the work he had already been performing for decades.

Guest Blogging at Christian Creative Nexus
[click to read]

Dyane Forde is a writer and a creative soul who is interested in all forms of artistic expression. She writes: “I’ve been a Christian for thirty years but often found it hard to believe that I had anything in common with God. I’m human, He’s Spirit. I’m a sinner saved by grace, He’s utterly pure. What could we possibly have in common? And how could anything I do be good enough for Him? But then I read Jordan Raynor’s devotional from his amazing book, Called to Create. He writes that the first thing God did in Genesis was create. Not only that, He also gives His people the ability to worship Him by using our abilities to create through our work, gifts, and talents.” Creative Christian Nexus promotes and celebrates that worship. In that light I am honored that she has published my piece on The Ministry of Teaching Art [click to read].

CS_Lewis_Banner